‘Carousel Latino: Lady of Spain’ at The In Series

FOUR AND A HALF STARS
The In Series, one of DC’s local artistic treasures, mounts an earnest and breezy series of cabaret evenings billed as Carousel Latino. The first evening, Lady Of Spain is a collection of popular classics, famous opera arias and less well-known gems strung together by Director Elizabeth Pringle who also creates an informal and deliberately funny atmosphere as the two stars banter back and forth between songs.

1524757_10152339312750708_6935272384471320188_n

The songs are connected only by their relationship to Spain and perhaps not coincidentally to love, from operas and songs by everyone from Mozart to Rossini. Mezzo-soprano Patricia Portillo and tenor Nephi Sanchez are the stars accompanied by Music Director and pianist José Cáceres, who unfortunately, at my performance, sometimes stumbled at the piano, but did an impressive job standing in for a full orchestra. The singers are both beautiful. Absent the extreme highs and lows of soprano and bass, it made for a unique evening to appreciate the subtleties of the human voice.

Sanchez start with the over-the-top yet iconic “Lady of Spain” which suits his happy-go-lucky style. Portillo joins him onstage to sing with a full-bodied and mature tone through the world’s most iconic arias of Spain. A couple of highlights are “Una Voce Poco Fa,” (A Voice Just a While Ago) from Rossini’s The Barber of Seville and “Stride La Vampa” (The Fire is Roaring) From Verdi’s Il Trovatore by Verdi, a genuine diva, in the beset sense of the word, playing a stereotypical one.

Sanchez gets serious in the second half with “Una Furtiva Lagrima” (A Secret Tear) from Donizetti’s The Elixir of Love. He can pour such emotion into each song.

Their back-and-forth banter, playing up a story between them, seems a distraction, but they don’t banter for long and my favorite songs were their duets. Their voices mix perfectly and are equally at home in the more technically difficult pieces and the pop like “Quizas, Quizas, Quizas” (Perhaps, Perhaps, Perhaps) by Osvaldo Farres and “Brazil” by Ary Barroso.

The jewel of the set by Greg Stevens, who also directs the second evening, Cancionero Latino, is a series of three paintings of a tree that focus the rest of the silks and paper lanterns of a Spanish courtyard. Lighting by Stefan Johnson helped drench a grey DC day in golden Spanish sun. In Series regular costumer Donna Breslin again impresses with decadent fabrics and a white tuxedo on Sanchez.

This is vintage In Series, a musical history journey through genres, styles, and languages by local stars in an earnest production that worms its way quickly into your heart. Artistic Director Carla Hübner loves to create these unique genre-bending cabarets. If you love a good song or aria by serious composers and superior singers, Carousel Latino makes for a perfect spring treat.

Running Time: One hour and 30 minutes, with one 15-minute intermission.

10155290_10152343408720708_1065634615962268511_n

Carousel Latino: Lady of Spain runs for one more performance tomorrow, Saturday, May 31, 2014 at Source – 1835 14th Street. NW in Washington, D.C. For tickets call the box office at (202) 204-7763, or purchase them online.

 

LEAVE A REPLY

Please enter your comment!
Please enter your name here