‘Les Liaisons Dangereuses’ at Anne Arundel Community College


The plot of Les Liaisons Dangereuses, by Christopher Hampton,  makes those old TV soap operas, Peyton Place and Dynasty look like child’s play.

The main characters are corrupt, malicious and cruel. They use their attractive looks, charm, wealth, social status, and wardrobe to seduce (or rape), degrade and ruin the lives of those who’ve crossed them in the past. It amuses them.

It’s hard to take your eyes away.dangereux cast

The play is currently onstage at Anne Arundel Community College (AACC). The college’s students and seasoned area thespians comprise the cast.

AACC students Tanner Piekarski and William Corning serve, respectively, as Stage Manager and Assistant Stage Manager.

This exquisite production was directed by Kristin Clippard, an Adjunct Professor of Theatre at AACC. The light and set designer/technical director, is Sean J. Urbantke is an Assistant Professor of Theatre at AACC and co-advisor for the Theatre at AACC. The chairman of the Performing Arts department, Douglas Brandt Byerly, is the production coordinator. Chris Ballengee is the sound designer – he’s created a harpsichord segue during scene changes that is enchanting.

The Theatre at AACC is a gem – and has been one for years. That the community has not discovered this jewel in its midst is what in Yiddish is called a ‘shonda.’ A damn shame.

Opening night – this past Saturday – about 50 people turned out to see the show in a comfortable, state of the art theater that can easily handle 300.

The set, at first glance, is simple, yet elegant, and very creative.

A series of tall, semi-opaque panels or screens form a blocky letter “C” on stage. The two ends serve, behind the screens, as small boudoirs that appear and disappear during the show. The broad center section is at the center rear of the stage. Actors can be easily seen walking back and forth through this section, en route to the slender, towering main doorway which opens onto the main stage area.

At the very rear of the stage is a giant screen that serves to backlight every scene in vibrant tones of golden yellow, green, purple fuchsia and deep, vibrant blue. The frames holding the screens are gilded and embellished with lit scones and decorative gold medallions. The furniture onstage is, likewise, gilded wooden furniture, upholstered with golden brocade fabric. Between scenes, a pair of chaise lounges, chairs, a table and a dressing screen are moved about the stage by several bewigged servants to suggest the different residences of the main characters.

The servants, led by Major-Domo (Nick Brice), with two Footmen (Reed Sigmon and John Bell) and a Lady’s Maid (Shayna Richardson) have their own subplot, providing some needed comic relief from the viperous behavior of the lead characters.

In addition to the Set and Lighting Designer, major kudos go to A.T. Jones, the Costume Designer. The garments, wigs and accessories, for men and women alike, were sumptuous, elegant, and gorgeously accurate renditions of the decadent, pre-Revolutionary period in France in the 1780s.

Les Liaisons Dangereuses is Christopher Hampton’s adaptation of Pierre Choderos de Laclos’ epistolary novel – a series of letters between characters – published in 1782. The book was, apparently, a favorite of Marie Antoinette. The debauched lifestyle it depicted may have foreshadowed the discontent leading to the bloody French Revolution. It was first produced in the fall of 1985 by the Royal Shakespeare Company.

Two rival aristocrat-socialites – and former lovers – have selected some new victims for their amusement. The two ignoble royals use their power, wealth and influence to sexually prey on their victims. In the course of the play, through their machinations, several characters lose their lives.

Things don’t always go as planned.

Aladrian Wetzel owns the role of La Marquise de Merteuil. A Machiavellian character who can charm the breeches off of any man, she is angry a former lover plans to marry a virtuous, naive young woman, Cecile Volanges, portrayed by Veronica Somers, who has just emerged from a convent.

Erik Alexis as Le Vicomte de Valmont wants to seduce the wife of a prominent judge, Presidente de Tourvel, an emotional, anguished character brilliantly portrayed by Natalie Carlisle.

In the mix is La Chevalier Danceny (Miguel Valarino), a music teacher. Seeking revenge against her former lover, Merteuil employs Valmont to seduce the virginal Cecile. Valmont rapes her – and convinces the innocent Cecile he’s teaching her how to be a good lover for her future husband.

Valmont is also busy trying to seduce Tourvel.

Cecile and Danceny fall in love.

Merteuil takes Danceny as her boy-toy.

Plot twists pile up.

dangeresux posterWetzel, as Merteuil, has the DNA of a snake. She swishes her hoop skirt like a rattlesnake coils and readies itself to sink its venomous fangs into its victim. She exudes courtly elegance and a determined desire for revenge in the same breath. Her teeth snap like a steel trap when she talks.

As Valmont, Erik Alexis is suitably oily. His Valmont would hump a camel. He loses any audience members who might have held some attraction for his character when he informs Cecile, during one of his nightly “love teaching” sessions that he once seduced her mother – before Cecile was born.

Winding through this serpentine plot are letters. Letters written by various characters that come back to wound or blackmail other characters.

It’s hard to imagine, today, how letters could have such an impact – but, in the right or wrong hands, they are not much different from this generation’s social media storms.

Other members in this beautifully cast ensemble include Kat McKerrow as the elderly Mme. De Rosemonde, Leishka Jacome (Emilie), and Jack Venton (Azolan).

No matter how you classify this production – college drama production, or Off Off Broadway – this is an extraordinary, must-see effort production is theater at its finest.

Running Time: Two hours and 30 minutes, with a 15-minute intermission.

Les Liaisons Dangereuses plays through November 16, 2014 at Anne Arundel Community College’s Robert E. Kauffman Theater at the Pascal Center – 101 College Parkway at The Arnold Campus, in Arnold, MD. For tickets or more information, contact the Box Office at (410) 777-2457 or email [email protected].

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Wendi Winters
Wendi Winters is a writer, reporter, columnist and photographer - and a former NYC public relations executive. A good portion of her career has been in public relations - backed by solid experience in fashion retailing, wholesaling, textiles, marketing, advertising, design and promotion. She owned her own successful fashion public relations/advertising/special events/runway show production firm for seven years. As a journalist, she was the first freelancer to bring a journalism award home to The Capital - and then earned two more awards. Since May 2013, Ms. Winters has been a full time staff member at Capital Gazette Communications. Prior to that, she freelanced for the company for twelve years. Including her three weekly columns, she writes more than 250 articles annually. Her writing byline has appeared in Details Magazine, What's Up? Annapolis Magazine, and numerous others. She's been a feature writer for Associated Press Special Features and for Copley News Service. For years, her fashion critic columns ran in the NYC weeklies Manhattan Spirit and Our Town. Since moving to this area in 1999, as a D.C./Baltimore-area theatre critic, her reviews appeared in Theatre Spotlight and The Review. Plus, she was a Helen Hayes Awards nominator for two terms. Mother of four, she continues to be active as a Girl Scout leader and a regional church youth advisor. You bet she can make a mean S'More!


  1. That was a very nice review. The set was outstanding, and should be noted that some of the actors played a big part in making it.

    I was just disappointed not to see John Bell, one of the foot men, not in the photo montage.
    Thank you

  2. Great play! I was there on pening night on the 7th. I a little lost at first but eventually things started making sense. The characters were awesome and I’m amazed at how well they memorized their lines. Good job all!


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