Magic Time! ‘The Norwegians’ (‘Da Norvegians’) at Scena Theatre by a Norvegian

So dere’s dis play goin’ on in town called Da Norvegians, and it’s set in Minneapolis and it’s got Norvegian characters in it, so I tought I should go check it out, on accounta I vas born dere and grew up dere an’ my fodder vas Norvegian, so I know da lingo pretty good, doncha know. I tought maybe I could assess da play for accuracy in how it depicts my Minnesota Luteran cultural milieu, ya know. Plus it mentions lutefisk, vich I myself ate ven I vas a child, dough I hated it. I hated everyting about it: da smell, da taste, da consistency, vich vas like rubber. It’s a traditional Norvegian delicacy but I could never understan’ vy dey dint yust leave it back in Norvay. Ennaway, dat vile fish vas served special at Christmas in my fodder’s fodder’s dining room in Minneapolis, and I never hauled off and said how much I hated it, ’cause dat vould not be nice.

Ron Litman, Nora Achrati, and Brian Hemmingsen. Photo by Jae Yi Photography.
Ron Litman, Nora Achrati, and Brian Hemmingsen. Photo by Jae Yi Photography.

Nobody in da Minnesota Luteran family I grew up in ever hauled off an’ said anyting. It vas yust not done, doncha know. Dere vas an unspoken ting dat it’s a sin to be angry or rude or confrontational. So you learn to lump it and stuff it. C. Denby Swanson who wrote Da Norvegians got dat part right fer sure. Dere are dese two Minnesotans, Tor an’ Gus, who are business partners, an’ dere business is contract killing—vich isn’t very nice necessarily, but neverdaless Ron Litman and Brian Hemmingsen who play dem make it very funny how dey practice dere profession using nice manners. Dere’s a lotta laughs about dat, you betcha.

Dere are also two non-Minnesotans in da play, and you can tell dey are from elsewhere because dey are not Norvegian and dey don’t talk Minnesotan at-tall. Dey are two vimmin named Betty and Olive. Betty is from Kentucky and Olive is from Texas, an’ it turns out dey vere boat dumped by dere respective boyfriends and so dey become clients of contract killers to off dere not-nice boyfriends. Uff-dah! Dat makes for very funny complications, you betcha. An’ Nanna Ingvarsson and Nora Achrati who play dem are so funny dey reminded me of dat British comedy team Joanna Lumley an’ Jennifer Saunders. Someone should write a notter play for dem two because it’s so rare dat vimmin togedder get to be over-da-top hilarious like Ingvarsson and Achrati are ven dey are trash-talkin’ dere fateless men.

Nanna Ingvarsson. Photo by Jae Yi Photography.
Nanna Ingvarsson. Photo by Jae Yi Photography.

I got to tinkin’ dat if dese two vimmin characters vere Minnesota Norvegian, dere vould be no play, because it’s not nice to kill your boyfriend yust because he dumped you, an’ every Minnesota Norvegian knows dat, doncha know. If dey vere Minnesota Norvegian vimmen, dey vould need a much bedder reason den dat to kill dere boyfriends! Dern tootin’! Minnesota Norvegian vimmin dumped by ex-boyfriends yust lump it and stuff it. So it’s a good ting fer dis funny play dat Betty an’ Olive came from Kentucky and Texas.

Running Time: Two hours and fifteen minutes, with one intermission.

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The Norwegians plays through April 19, 2015 at Scena Theatre, performing at the Anacostia Playhouse – 2020 Shannon Place SE, in Washington, D.C. Tickets can be purchased at the door or by going online.

LINK:
The Norwegians review by Michael Poandl on DCMetroTheaterArts.

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John Stoltenberg
John Stoltenberg is executive editor of DC Theater Arts. He writes both reviews and his Magic Time! column, which he named after that magical moment between life and art just before a show begins. In it, he explores how art makes sense of life—and vice versa—as he reflects on meanings that matter in the theater he sees. Decades ago, in college, John began writing, producing, directing, and acting in plays. He continued through grad school—earning an M.F.A. in theater arts from Columbia University School of the Arts—then lucked into a job as writer-in-residence and administrative director with the influential experimental theater company The Open Theatre, whose legendary artistic director was Joseph Chaikin. Meanwhile, his own plays were produced off-off-Broadway, and he won a New York State Arts Council grant to write plays. Then John’s life changed course: He turned to writing nonfiction essays, articles, and books and had a distinguished career as a magazine editor. But he kept going to the theater, the art form that for him has always been the most transcendent and transporting and best illuminates the acts and ethics that connect us. He tweets at @JohnStoltenberg. Member, American Theatre Critics Association.

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