Review: Contemporary American Theater Festival (CATF): ‘Everything Is Wonderful’

The Amish with their horse and buggy, 19th century culture; their simple, old world uniforms and habits; their infamous Rumspringa where the teenage Amish is given the opportunity to choose between the church and the outside “English” world; and, after the West Nickel Mines school massacre, the Amish’s capacity to forgive.

The Cast. Photo by Seth Freeman.

Chelsea Marcantel’s Everything is Wonderful takes us into the heart of Amish country: its family dynamics, its romantic relations, and its faith–in the power of forgiveness and reconciliation.

Everything is Wonderful is a strong testament to humanity’s ability to heal.

Director Ed Herendeen does a great job keeping the multiple plot lines engaging.

At the center of the drama is the drunken automobile accident that killed two Amish brothers.

Eric, the man responsible for the death of the two young men, is played humbly by Jason Babinsky. He comes to the Amish family to apologize for the killing of their young adult sons. A recovering drunk and 21st-century marketer, Eric wants more than forgiveness; he wants redemption.

Lucky Gretzinger and Jessica Savage. Photo by Seth Freeman.

The father, Jacob, a wonderfully austere Paul Deboy, and the mother, Esther, a tightly restrained Hollis McCarthy, invite him into their home.

Only their youngest daughter, Ruth, remains on the farm. She is played with divine joy by Lexi Lapp.

In short order, Eric moves into the barn where he will spend the next few weeks working his penance, much like Hercules did with his labors after murdering his wife and children.

The rhythms of work and speech, as well as the open-air setting of this production, work wonders on the audience, giving us a feel for this so foreign contemporary America, with the work of Sound Designer Miles Polaski contributing greatly to the flow.

Set Designer David M. Barber and Lighting Designer D.M. Woods have created the barn-like enclosure that frames all the locations. The real dirt only adds to the authenticity of the completely theatrical scenography.

Lexi Lapp and Jason Babinsky. Photo by Seth Freeman.

Therese Bruck’s costumes are Amish and, hence, without individualized personality; yet, she has found a way to highlight each character’s enclosed uniqueness.

This is particularly true of the last two characters introduced to the audience: Abram and Miri.

Abram, played with intoxicating charm by Lucky Gretzinger, is the Amish Adonis so to speak, who understands a little too vainly his place and future in Amish society.

His counterpart and ex-bride-to-be is Miri, Jacob and Esther’s oldest daughter. Played by the equally charismatic Jessica Savage, Miri is also a little-too-feisty-to-be-Amish-for-long.

Abram and Miri’s explosive relationship provides the current action with all the verve necessary to leave the audience in rapt attention.

Everything is Wonderful is challenging theatrical terrain that few plays tackle successfully. Ms. Marcantel does so, however, with beauty and grace, and CATF’s production is a standout.

Running Time: 2 hours, with one intermission.

Everything Is Wonderful and The Contemporary American Theater Festival (CATF) continue through July 30, 2017. Tickets to CATF and for Wild Horses can be purchased through the Theater Festival Box Office, by calling (800) 999-CATF (2283), or by purchasing them online.

Previous articleNew Records: Listening to ‘Groundhog Day’ and ‘Hello, Dolly!’
Next article2017 Capital Fringe Review: ‘Portraits of GRRRLs
Robert Michael Oliver
Robert Michael Oliver, Ph.D., considers himself a Creativist. He has been involved in education and the performing arts in the Washington area since the 1980s. He, along with his wife, Elizabeth Bruce, and Jill Navarre, co-founded The Sanctuary Theatre in 1983. Since those fierce days in Columbia Heights, he has earned his doctorate in theater and performance studies from the University of Maryland, raised two wonderful children, and seen more theater over the five years he worked as a reviewer than he saw in the previous 30. He now co-directs the Sanctuary's Performing Knowledge Project. He has his first book of poetry, The Dark Diary: in 27 refracted moments, due for publication by Finishing Line Press later this year.


Please enter your comment!
Please enter your name here