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Review: ‘Really’ at Theatre Exile

If you’re in the mood for a straightforward narrative with a clear-cut beginning, middle, and ending, then Theatre Exile’s Philadelphia premiere of Really, by...

An Interview with Erik Ransom on the Development of His New...

Just back from a production of his musical GRINDR: The Opera in Florida, Erik Ransom organized a private developmental reading of his latest work...

2017 Philadelphia Fringe Festival Review: ‘Pericles’ by Die-Cast at The Rotunda

Brainchild of Director Brenna Geffers and Designer Thom Weaver, the newly-formed Die-Cast makes its public premiere in the 2017 Fringe Festival with an arresting...

Doing Double Duty in the Philadelphia Fringe: An Interview with Jenna...

Three of the most enthusiastic veterans of the Philadelphia Fringe Festival are each doing not one, but two shows this year. Jenna Kuerzi finishes...

Here are the 2017 Barrymore Awards Nominations

The nominations for the Barrymore Awards for Excellence in Theatre for the 2016-17 season have been announced by Theatre Philadelphia. A total of 23 companies were recognized across...

Deb Miller’s Top Picks for the ‘2017 Philadelphia Fringe Festival’

From antiquity to the present, tragedy and drama to absurdism and comedy, masterpieces by classic playwrights to experimental ensemble-devised works by local artists, the...

A Conversation with Colleen Corcoran on Her Role in Devising and...

Currently performing the titular role in EgoPo Classic Theater’s Anna – an adaptation of Leo Tolstoy’s Russian epic Anna Karenina, written and directed by...

Review: ‘Anna’ at EgoPo Classic Theater

EgoPo Classic Theater presents the world premiere of Anna as the final work in its Russian Masters Festival. Anna adapts the story of Leo Tolstoy’s...

DCMetroTheaterArts’ Best of 2016 #16: Best Direction, Musical Direction, and Design...

The DCMetroTheaterArts Staff's Best of 2016 Direction in Productions in Philadelphia, New Jersey, and DE are: BEST DIRECTION Carl Andress for Charles Busch’s The Divine Sister...

Review: ‘Delirium’ at EgoPo Classic Theater

EgoPo Classic Theater is starting off their Russian Masters season with a mind bending production of Delirium, an adaptation of The Brothers Karamazov by...

An Interview with Hannah Van Sciver on ‘Doing Whatever’s Scary!’

After receiving a classical education at the University of Pennsylvania and graduating with a degree in English and a minor in Theater in 2014,...

‘Machinal’: An Expressionistic Masterpiece: Interview With Director Brenna Geffers, Part 2

Machinal by Sophie Treadwell, considered one of the most important Expressionist plays in the United States, premiered on Broadway in 1928. Inspired by the life...

Lover, Wife, and Murderess—EgoPo’s Stunning ‘Machinal’: Interview with Director Brenna Geffers:...

Machinal by Sophie Treadwell, considered one of the most important Expressionist plays in the United States, premiered on Broadway in 1928. Inspired by the...

Review: ‘The It Girl’ at Simpatico Theatre Project in Philadelphia

Clara Bow was nobody’s fool. In 1962, three decades after her reign as the biggest female star in movies, Bow wrote in a letter...