Tag: James Kronzer
Review: ‘Baby Screams Miracle’ at Woolly Mammoth Theatre Company
What does one say about a play that has a Superstorm as its protagonist?
With Clare Barron's Baby Screams Miracle, now showing at Woolly Mammoth Theatre...
DCMetroTheaterArts’ Best of 2016 #14: Best Design in Professional and Community...
DCMetroTheaterArts’ Best of 2016 #14: Best Design in Professional and Community Theaters in DC/VA/MD Are:
John Alexander for his lighting for Blackberry Winter at Forum Theatre.
John Alexander...
Review: ‘Silver Belles’ at Signature Theatre
I needed it. A lot. A musical that reminded me that “life is a gift.” A new holiday musical with heart, humor, and great...
Spine: For the Love of ‘Angels in America: Perestroika’ at Round...
Part II of Tony Kushner's Angels in America opened last weekend at the Round House Theatre. A joint production with the Olney Theatre Center,...
Review: ‘Angels in America: Perestroika’ at Round House Theatre and Olney...
Prophetic Messages continue in the stunning second part of Tony Kushner’s masterwork, Angels in America: Perestroika –now appearing at the Round House Theatre as...
Spine: Anguish, Angels, and the Reagan Revolution: ‘Angels in America’ at...
Round House Theatre and Olney Theatre Center have teamed up for a truly remarkable Washington event: Parts 1 & 2 of Tony Kushner's Pulitzer-Prize...
Review: ‘Angels in America: Millennium Approaches’ at Round House Theatre and...
Social, political, and historical forces collide and converge to mirror the conflicted inner worlds of the fascinating characters in Playwright Tony Kushner’s audacious, insightfully...
Review: ‘The Mystery of Love & Sex’ at Signature Theatre
Do you want to feel good? Do you want to forget for a couple of hours the political hate speech that's currently filling the...
‘Dangereuse’ The Women’s Voices Theater Festival: ‘The Guard’ at Ford’s Theatre
Rembrandt once said, “Of course you will say that I ought to be practical and paint the way they want me to paint. Well,...
The Women’s Voices Theater Festival: ‘The Guard’ at Ford’s Theatre
Only through art do we become immortal. The Guard, commissioned by Ford's Theatre for the Women’s Voices Theater Festival, is an original work by...
Women’s Voices Theater Festival: ‘Ironbound’ at Round House Theatre
There are grand political themes and exceptionally intimate granular-level personal matters splendidly illustrated in the Round House Theatre’s stunningly dark, world-premiere production of Martyna...
ALICE (in wonderland) at The Washington Ballet at The Kennedy Center
The Washington Ballet's performance of ALICE (in wonderland) is delightful for someone like me who is not a connosseur of ballet. Here, sets and costumes...
‘Diner’ at Signature Theatre by David Siegel
Music easily helps us drift back to another time and place, one that is fading away even as we try to keep it alive...
Spine: ‘Diner’ at Signature Theatre by Robert Michael Oliver
In 1982, when Barry Levinson's Diner (the film) opened nationwide to positive reviews, the Reagan Revolution had just begun, the Vietnam Syndrome was about...
‘The Nutcracker’ at Round House Theatre
Offering a new fantastical family-friendly treat, Round House Theatre continues its 2014-15 season with a spectacularly re-imagined contemporary adaptation of a beloved classic -...
Marcus Kyd on Performing ‘The Thousandth Night’ at MetroStage
In her review of The Thousandth Night at MetroStage, reviewer Yvonne French described Marcus Kyd's performance as:
... poignant, moving, courageous, and appropriately desperate...Marcus Kyd’s tour...
‘The Thousandth Night’ at MetroStage
MetroStage’s The Thousandth Night is a Five Star Perfect Night at the Theater
How do you define the perfect night at the theater? Does it make you...
‘Seminar’ at Round House Theatre by David Friscic
Floating windows at the top of the stage! That Is not, necessarily, the first thing you marvel at in the Round House Theatre’s current...
‘This’ at Round House Theatre Bethesda by David Friscic
This is hardly an all-encompassing title to accurately convey the many, myriad machinations at work in Melissa Jane Gibson's thought-provoking and complex play-now an outstanding and stimulating production...
‘Monty Python’s Spamalot’ at The National Theatre by Natalie McCabe
“I’m not dead yet,” is an oft-quoted line from the 1975 film, Monty Python and the Holy Grail. The musical, Monty Python’s Spamalot, has...