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 ‘Migraaaaants!’ at ExPats Theatre on the border between sendup and serious

Subtitled 'There's Too Many of Us on This Damn Boat!,' the play is as enjoyable in its theatricality as it is heartwrenching in its content. By JOHN STOLTENBERG

‘Scorched’ fuses love and war, fable and tragedy, at ExPats Theatre

The storytelling is complex and gripping — a tragedy wrapped in a fable and a memory play set in a war zone. By JOHN STOLTENBERG

ExPats exposes profoundly relevant ‘Body of a Woman as a Battlefield’

The play's soaring and poetic speech will be among the finest language you will hear on any Washington stage this season.

After a COVID stop in 2020, ExPats Theatre brings back ‘Einstein’s...

What if Albert and Mileva Einstein could go back in time? A bold take on the tale of a gifted woman in the shadow of a brilliant man.

In ‘Einstein’s Wife’ at ExPats Theatre, the downside of marrying a...

Artistic Director Karin Rosnizeck dishes about Albert and Mileva's bad romance.

ExPats’ outstanding ‘Christmas Eve’ is a present for all seasons

The Austrian and German playwright, Daniel Kehlmann, calls his twisty script 'a play for two actors and a clock.' And it's right on time.

Review: ‘Surfacing’ at Expats Theatre Depicts the Desperation of the Displaced

It isn't every day you see a play that merges Becket and Martha Graham. That's my takeaway from watching the hybrid form of Surfacing...

Review: ‘Fear Eats the Soul’ at Scena Theatre

As part of its 30th anniversary season, Scena Theatre has offered a stage adaptation of late German film auteur Rainer Werner Fassbinder’s 1974 film...

Spine: ‘Mack, Beth’ a ‘Macbeth’ for the Cyber Age at Keegan...

Mack, Beth by Chris Stezin, now playing at The Keegan Theatre, is a Macbeth for the Cyber Age. Set in a world where death...

Review: ‘Mack, Beth’ at The Keegan Theatre

Chris Stezin’s adaptation of Macbeth, presented by Director Matt Ripa at The Keegan Theatre, is a daring attempt to bring one of Shakespeare’s most...

2016 Capital Fringe Review: ‘Prison Break, Incorporated’

Nathan (Andrew Flurer) is a 30-year-old, washed-up druggie who lives in a boarding house. Ellie (Karen Elle) is a life coach just trying to...

2016 Capital Fringe Preview #33 ‘Prison Break Incorporated’ by Derek Hills

You’ve run marathons in Kuala Lumpur, did the half Ironman in Hawaii, and proved your mettle on the now-quaint Tough Mudder race course as...

Review: ‘Phaeton’ at Taffety Punk Theatre Company

Phaeton, now on stage at Taffety Punk's Capital Hill Arts Workshop, is a world premiere. Inspired by the Greek myth, the man-god Phaeton is granted...

Review: ‘Fur’ at Venus Theatre Company

Venus Theatre’s new tour de force production of Migdalia Cruz’s Fur opens with a characteristically jarring scene: Michael, a white-suited animal lover, wheels a...

DCMetroTheaterArts’ Best of 2015 #8: Best Performances in a Play in...

The staff of DCMetroTheaterArts is honored to announce that their Best of 2015: Best Performances in Plays in Professional Theatres go to:  BEST ACTOR IN...

‘Titus Andronicus’ at Chesapeake Shakespeare Company

“We are all undone!” a character hysterically cries halfway through Chesapeake Shakespeare Company’s production of Titus Andronicus. Well, thanks for stating the obvious. You would...

‘The Romantics Wagner & Liszt’ at The In Series

The In Series self-described salon-style concert tribute is a celebration of musical mastery – from the two composers featured to the pianists and singers...

‘Virus Attacks Heart’ at Venus Theatre Company

Virus Attacks Heart, a new play by Australian playwright Shannon Murdoch, is a romance for people who don’t do romances. It’s a horror story...

‘Judgment at Nuremberg’ at The American Century Theater

The American Century Theater (TACT) has offered the DC Metro theatergoer a chance to see a classic rarely produced play, Abby Mann’s Judgment at...

Factory 449’s ‘The Amish Project’ Continues Through May 11th

Factory 449: a theatre collective presents the DC premiere of THE AMISH PROJECT by Jessica Dickey (Row After Row and Charles Ives Take Me Home). The...