Community Theater

Veteran director John Cusamano leaves Maryland with a triumph.

Reflecting the historical context of 18th-century France, the production brings a lovely balance of heart and humor to the story.

Artistic advisor Christine Maxted gives a glimpse into the upcoming production.

The musical celebration of love in all its forms features songs from the '80s all-female band The Go-Go’s.

A psychological whodunnit for fans of the Agatha Christie style of writing.

The ensemble is uniformly splendid. They imbue every song with rich and nuanced meaning.

Unforgettable performances had the audience in stitches.

Though the story seems dated, the production features a top-notch set and good performances.

A deeply personal script, a brave act of catharsis, a raw letter from beyond the grave.

Despite the white playwright's paper-thin portrayal of Black characters, the cast's performances are brilliant.

Standout performances, a beautiful orchestra — and a devastating finale.

Theater-goers expecting a true period version of Jane Austen’s classic novel will not be disappointed.

The show combines family angst and outrageous soap opera.

Friedrich Schiller's fictional collision between Queen Elizabeth I and Mary Queen of Scots still causes sparks in this impressive and gripping production.

The comedy is sprinkled with amusing lines and entertaining bits, and the actors' characterizations are as exaggerated as advertised.

The energy brought by these actors is impressive, and their joy is infectious.

The wit is still effervescent and fresh off the news — and the skewering is as savvy and saucy as ever.

The groundbreaking, heartbreaking musical features a delightfully off-kilter Cam Shegogue as the titular punk rocker.

The theater's production of 'Pride@Prejudice' was selected as Outstanding Production by Eastern States Theatre Association.

Director Rikki Howie Lacewell does with Black history what more artists should: complicate, elevate, and force us to reflect on our varied roles.