Artistic Director Karin Rosnizeck dishes about Albert and Mileva's bad romance.
Writer and theater artist Daniella Ignacio reflects on Wildwood Summer Theatre’s 2022 production of 'The Lightning Thief' and the importance of Theater for Young Audiences as a genre.
In a monthly series entitled 'The Companies We Keep,' DC Theater Arts spotlights the good and beneficial work done by theater companies in the DC region.
'I like my audiences to get to know me,' the singer says. 'It should feel like a party where I invite you into my living room.'
The coauthor and director of ‘Old Stock’—coming to Theater J—talks about how the acclaimed klezmer musical merges comedy and sex with the sorrow of loss.
The company's 50th anniversary season also includes 'Lost in the Stars and 'The Marriage of Figaro.'
Behind every great man is a great woman, and the actor who plays Anna Douglass in 'American Prophet' at Arena Stage reveals the power in that truth.
Harmful employment practices have resulted in resignations. Artistic Director Chil Kong and Interim Executive Director Jeanne Ellinport respond.
The playwright shares the backstory of 'Wanda's Way,' her one-woman play about a Black police officer.
Their original cabaret, 'tempered,' promises to be cathartic art.
In the Pulitzer Prize–winning play now at Studio, the brilliant local actor plays a gender-nonconforming gay Black male who has found a new family.
The whimsical comic tale told on an enchanting new stage.
A solo storytelling performance best described as 'Motorcycle Diaries' meets 'Eat, Pray, Love' set in Vietnam.
The new performance style offers a wonderful conglomeration of storytelling, imagination, originality, and adventure.
The playwright says healing and humor are central to his rom-com about reconciling identities.
When first cast as the Count in Maryland Lyric Opera’s sparkling production of 'The Marriage of Figaro,' he thought the guy was evil.