Why Lauren Patton-Villegas directed ‘Where Dead Women Go to Dance’
‘Fall seemed like the ideal time for a play about a witch resurrecting her dead best friend.’ By AMANDA ZEITLER
Mia Nicole Nelson on being a standby in ‘Maybe Happy Ending’
The hit Broadway musical plays at the National Theatre October 6 to 11. By JULIA TUCKER
Psalmayene 24 on what Shakespeare is doing in America’s Jim Crow...
The director of Folger Theatre’s must-see ‘Measure for Measure’ explains the racial and sexual impact of setting the play in the segregated 1950s. By JOHN STOLTENBERG
Dani Stoller wrote ‘Beatrice Likes the Dark’ for ‘the little weirdos’
The playwright talks about magic, outsiders, and writing her first play for young audiences at Adventure Theatre MTC. By JULIA TUCKER
Timothy Nelson tells how IN Series’ season opener sings truth to...
A new take on Gilbert and Sullivan’s ‘Mikado’ — 'The M.A.K.A.do:
Make America Kingly Again!’ — confronts problems in both the operetta and the Oval Office. By TIMOTHY NELSON
‘Getting to fly at work is pretty cool’: Adelina Mitchell, Elphaba...
‘Wicked’ wizard Jeff Goldblum will headline The George Mason University College of Visual & Performing Arts benefit event October 3. By JULIA TUCKER
Stephen Spotswood on ‘Where Dead Women Go to Dance’ at Theatre...
The playwright explains why the language of zombies is an excellent way to say something about the joys and challenges of being alive. By AMANDA ZEITLER
Spooky season is upon us. Here’s our fearless guide.
Check it out: DMV theaters have something for everyone. By DC THEATER ARTS STAFF
Using drag, Beatrice L. Thomas shares her reproductive health experiences
AmaZing Theatre presents her laugh-out-loud solo performance ‘Black Benatar vs. The Cistem’ once only on September 26 at 3 PM. By DEBBIE MINTER JACKSON
In ‘The Living Dead,’ Bob Bartlett wants us to have a...
The local horror writer pens and produces a new play about our fascination with the undead. By BOB BARTLETT
‘I want this experience all the time’: Meet the founders of...
Acclaimed local actors Ro Boddie, Renea S. Brown, and Yao Dogbe share their big plans for Imminent Theatre Company. (17-minute read) By MARC FJOR
‘Bernstein: MASS’ to perform as celebration and rejoinder Sept. 4 and...
Following Trump’s takeover of the Kennedy Center, a collective regional response to the desecration of a living memorial. By GREGORY FORD
‘A storytelling community built on kindness’: Jessica Robinson on Better Said...
The award-winning founder shares the transformative power of authentic personal narrative. By KENDALL MOSTAFAVI
Susan Galbraith previews Alliance for New Music-Theatre’s transformative Cabaret Series
The artistic director tells how the company will use music as a catalyst for change next season — plus a review of Alan Naylor’s unconventional ‘Songs We Need Now.’ By KENDALL MOSTAFAVI
How Theater Works: Stage Managing
Signature Theatre’s resident stage manager answers the question ‘But what does a stage manager actually do?’ By KERRY EPSTEIN
My agonizing (and relieving) decision to leave DC theater
Before starting classes at Yale, a Gen Z writer reflects on what he has learned during his five years working in DC’s theater industry. (18-minute read) By NATHAN PUGH
Come one, come all: how DMV-area community theaters approach accessibility and...
With Pay-What-You-Can offers, sensory-friendly performances, ASL interpretation, and more, local theaters are striving for inclusivity. By VALERIE J. MIKLES
‘Best Line Wins’ brings new life to iconic comics Mike Nichols...
Playwright, director, and festival producer weigh in on one of the most anticipated shows in the 2026 Contemporary American Theater Festival. By ARNOLD SALTZMAN
Tour director Catie Davis on bringing ‘Beetlejuice’ to the stage
The musical returns to DC’s National Theatre, where it debuted eight years ago. A lot has changed. By JULIA TUCKER
At Arena Stage, artists and staff describe a workplace in crisis
As former Artistic Director Hana S. Sharif exits, starkly different perspectives emerge on what brought instability to DC’s premier regional theater. By NICOLE HERTVIK



















