2026 District Fringe Review: This Is a Play About God (4...

Aimee Dastin's coming-of-age drama captures the psychological cost of chasing a Division 1 dream.  By NICOLE HERTVIK

‘Hadestown: The Musical’ arrives on the big screen 

The movie has everything a fan could want. But are professionally filmed stage musicals the future we need? By KENNY NEAL

2026 District Fringe Review: ‘How to Die in Japan’ by Miyo...

This dark comedy about funeral rites is an experience of mourning, grief, and laughter through tears. By MARY V. HOLIMAN

When Canadian wildfire smoke threatened Glimmerglass, the festival found a way

Despite opening weekend disruptions caused by hazardous air, ‘Così fan tutte’ and ‘Madame Butterfly’ proved why this upstate New York festival remains one of opera's summer treasures. By SUSAN GALBRAITH

A fun-filled world of wonder in ‘Twelfth Night’ from STC Academy

Congratulations to the class of 2026 as it celebrates the mysteries of love, the pleasures of mischief, and the true nature of folly. By SOPHIA HOWES

2026 District Fringe Review: ‘Define “Black”’ by Nessa Amherst (2 stars)

A reading of a new play explores what it means to be Black and a woman in the entertainment industry. By MARY V. HOLIMAN

A tightly run, well-acted, well-designed ‘Macbeth’ from STC Academy

The future shines bright for the class of 2026.  By DERYL DAVIS

2026 District Fringe Review: ‘The River’ by Molly Jane Brennan (3...

The staged reading offered poignant and engaging theater, and impressive performances showcased the play’s enormous potential.  By AILEEN JOHNSON

2026 District Fringe Review: ‘Speed Skating Sloth’ by the Emerson Twins...

This new musical seems destined to leap from sold-out staged readings to full production.  By HANNAH ESTIFANOS

In ‘Adrift’ by Happenstance Theater, we laugh at our demons

The delightfully inventive show is full of physical comedy, music, puppetry, dance, and striking visual imagery that lingers in the mind. By DERYL DAVIS

‘¡VOS!’ at Contemporary American Theater Festival

At its best, the play is a tender and beautiful meditation on the ways women inherit family, history, and loss, but emotional momentum stalls in exposition. By NICOLE HERTVIK

2026 District Fringe Review: ‘The Well’ by Rex Daugherty (5 Stars)

Rex Daugherty’s personal musical narrative brings to mind the grit and conviction of Bruce Springsteen. By JOHN STOLTENBERG

‘My Favorite Sociopath’ at Contemporary American Theater Festival

Aurin Squire’s laugh-out-loud play looks at the demise of journalism and the rise of fake news.  By BOB ASHBY

2026 District Fringe Review: ‘B*tch Eat Dog’ by Mel Carter (5...

An in-your-face puppet show skewers a roster of social norms with razor-sharp humor and creative artistry.  By KENNY NEAL

2026 District Fringe Review: ‘Please Clap!’ by The Moon Girls (4...

Each skit gets sillier than the last, so that by the end, it feels like a sleepover party of punch-drunk teenagers.  By LAURIE SARA OLIVER

‘Variations on Silence’ says a lot out loud at Rapid Lemon...

Baltimore’s best little playfest runs through July 26. Go and be surprised. By CYBELE POMEROY

Wilder’s ‘Our Town’ shares our humanity at American Shakespeare Center

This classic is always a special show, and this production has just the right combination of light and darkness to make it a great experience. By ANDREW WALKER WHITE

‘Guys and Dolls’ is a good bet at Classic Theatre of...

Mixing humor and heart, the performers hit every moment perfectly and sing with energy and passion. By CHARLES GREEN

‘Best Line Wins’ at Contemporary American Theater Festival

An entertaining new work about the legendary comedy team Nichols and May, as well as an in-depth look at the discrimination women experience. By ARNOLD SALTZMAN 

2026 District Fringe Review: ‘Swallowing My Shout’ by Theresa Cunningham (3...

Theresa Cunningham delivers a gripping autobiographical journey through abuse, survival, and the search for healing. By NICOLE HERTVIK