Dance

Beloved annual tradition celebrates flamenco as a universal art form that champions tradition, fun, and innovation.

An AAPI writer/performer/kind-of-dancer shares the inspiration she found in the Dana Tai Soon Burgess Dance Company concert at Woolly Mammoth. By DANIELLA IGNACIO

The award-winning dance company dedicated to the tradition of stepping ended the weekend with a grand finale. By RASHEEDA AMINA CAMPBELL

The company is beloved because it shows us — viscerally, kinesthetically — who we are as Americans. By LISA TRAIGER

This year's three programs demonstrated a rich variety of expression and narratives. By SUSAN GALBRAITH

If you have never seen Step Afrika! before, know that the experience will astound. By JOHN STOLTENBERG

Conductor Christophe Rousset steals the show with his interpretation of the colorful score of this work rarely heard since the 18th century. By KJ MORAN VELZ

The dance show based on the songs of Sting is a feel-good portrait of one family’s journey from dispersion and loss to rebuilding their lives in a diaspora. By LISA TRAIGER

The five young dancers electrify the stage. It is impossible not to feel called to join in their fun and games.

The evening's 'Enredo' was all about give and take, a generosity of spirit, and love-loving fun, the essence of familia. By SUSAN GALBRAITH

Flowers overflow Capital One Hall stage as the celebrated Taiwanese American dancer and choreographer retires from performing. By LISA TRAIGER

He gives his all in the service of sharing the quest of the human spirit. By SUSAN GALBRAITH

Concluding her 27-year career as a professional dancer, she performs in 'Insight' November 11 at Capital One Hall.

For festival of new and recent works by local artists, audience walks from studio to gallery to park to theater along 8th Street. By LISA TRAIGER

The physicality of these dancers’ freedom in the midst of myriad data offers a tech-surfeited viewer vicarious liberation. By JOHN STOLTENBERG

Choreographer Sarah Beth Oppenheim knows what she’s doing at every moment of this large-scale romp and rumination.

Seen at Keegan Theatre, the dance communicated choreographer Robert J. Priore's experience of personal loss alongside a promising tomorrow.

Canadian Native choreographer Sandra Laronde traces her people’s origin story in multisensory 'Miigis: Underwater Panther.'

The weekend program, the first of three, was directed and choreographed by Antonio Granjero, the 'Baryshnikov of Spanish Dance.'

His dance group's newest work is set to the 1960s and '70s hits of pop icon Burt Bacharach.