Review: ‘The Woman in Black’ at Fells Point Corner Theatre
I've seen one ghost in my life - a woman in a 1980s housecoat on the veranda of a beach house in North Carolina....
Review: ‘Cry Baby’ at Silhouette Stages at Slayton House
Cry Baby opened at Slayton House in Columbia, MD this week. The play is based on a 1990s movie by John Waters of Hairspray...
Review: ‘An Act of God’ at Signature Theatre
I was healed. Aches and pains of the day disappeared. Headaches from paying too close attention to Presidential tweets vanished. I might have been...
Movie Review: ‘The Florida Project’
The Florida Project covers part of a summer in the life of the denizens of motels along US 192, a stretch of highway right...
Interview: Cristen Stephansky Discusses Peace Mountain Theatre Company’s ‘Lost in Yonkers’
Please tell us about yourself and your theater background.
I'm Cristen Stephansky and I'm playing Gertrude, known as "Gert" for short, in Lost in Yonkers. I've performed...
Review: ‘I’ll Get You Back Again’ at Round House Theatre
There's a lot going on in Sarah Gancher's I'll Get You Back Again, now at the Round House Theatre through October 29:
A bitter stand-up...
In the Moment: ‘The Mistress Cycle’ at Creative Cauldron
Illuminating what has been in the shadows, or usually whispered about, Creative Cauldron has provided a delicately rendered musical about the harsh realities women...
Review: ‘Our Town’ at Olney Theatre Center
Thornton Wilder's New Hampshire creation, Grover's Corners, sits on some of the oldest rock in the world: "a shelf of Devonian basalt" crossed with...
Review: ‘Vanya and Sonia and Masha and Spike’ at The Highwood...
Russian playwright Anton Chekhov believed the role of the artist was to ask questions, not answer them. Vanya and Sonia and Masha and Spike,...
Review: ‘Much Ado About Nothing’ at Annapolis Shakespeare Company
Annapolis Shakespeare Company’s production of Much Ado About Nothing is an amusing spectacle. Directed by Sally Boyett and set in the 1950’s, it is a...
Robin Rothstein’s ‘Derek Jeter Makes the Play’ to Kick Off Best...
Best Medicine Rep, Gaithersburg, Maryland's professional theater company, is proud to present the first of its lineup for the 2017-2018 Play Reading Series. Derek...
Review: ‘The Cradle Will Rock’ at Iron Crow Theatre
It takes a lot of Joes to make a sound you can hear.
Iron Crow Theatre is on fire right out of the gate with...
Review: ‘Love and Information’ at Forum Theatre
The vignette “Secret” encapsulates the ingenuity of Forum Theatre’s production of Caryl Churchill’s Love and Information. Two office workers sit at their computers, back...
Review: ‘Julius Caesar’ at Chesapeake Shakespeare Company
“Three or four wenches, where I stood, cried 'Alas, good soul!' and forgave him with all their hearts: but there's no heed to be...
Interview: Leah Mazade Discusses Peace Mountain Theatre Company’s ‘Lost in Yonkers’
Please give us your name, part you are playing in Neil Simon's Lost in Yonkers, and a brief description of your theatrical background.
My name is...
Magic Time!: ‘Love and Information’ at Forum Theatre
This is a most peculiar play, but in a very good way. It's more about its form than its content. And that's what makes...
Review: ‘Stones in His Pockets’ at Keegan Theatre
Engaging with warm-hearted humor and disarming in the depth of scenes about lost boys and bitter men with their dreams crushed, the Keegan Theatre...
Review: ‘Shiloh Rules’ at Colonial Players of Annapolis – Final Weekend...
Colonial Players of Annapolis’ production of Shiloh Rules is a funny, yet thought-provoking play, a wonderful way to begin their 69th season. Written by Doris...
Review: ‘Almost, Maine’ at Rockville Little Theatre
Oh, love! What a fickle proposition you are! In Rockville Little Theatre’s (RLT) production of John Cariani’s Almost, Maine, we witness a variety of...
Review: ‘The Liar’ at Compass Rose Theater
Compass Rose Theater’s production of The Liar is a hilarious farce with a great deal of charm. Written by acclaimed Restoration French playwright Pierre...