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Rick Foucheux Returns to Quotidian: Retired Acting Legend Presents Backstage Comedy...

When Rick Foucheux, the award-winning actor whose work has dazzled DC audiences for 35 years, decided to retire last year, it wasn’t because he...

Dangereuse: ‘King Lear’ at WSC Avant Bard

King Lear has sometimes been called the Everest of classical acting. Every great Shakespearean actor must sooner or later face the physically and emotionally...

Review: ‘King Lear’ at Avant Bard

The tempest in my mind / Doth from my senses take all feeling else. King Lear, Act 3, scenes 4–5. Avant Bard’s King Lear is...

Dangereuse: Playing Gloucester Female: A Q&A With Cam Magee About Her...

Much of the publicity for the much-anticipated Avant Bard production of King Lear has focused on Rick Foucheux’s Lear. I recently saw Foucheux play...

Review: ‘King Lear’ at George Washington University

Director Leslie Jacobson has book-ended Shakespeare’s dark tragedy King Lear with lyrical and lovingly-lit tableaux of the mad king’s court as if in a...

Review: ‘Opera Magic: Highlights from Eugene Onegin’ at the Russian Chamber...

Weaving together the strands of a full opera in a concert setting has to be one of the biggest challenges around for presenters and...

Rick Foucheux, Veteran DC Actor, Talks About Giving Back for Quotidian...

It's an act of love and giving back. Rick Foucheux, veteran actor and esteemed member of the DC theater community, is taking to the Quotidian...

Updated July 12, 2016: On Parenting and a Play: Director Shirley...

I have admired Shirley Serotsky’s work as a director on such shows as Yentl, the Yeshiva Boy at Theater J in 2014 and Rapture,...

On Parenting and a Play: Director Shirley Serotsky Talks About ‘Another...

I have admired Shirley Serotsky’s work as a director on such shows as Yentl, the Yeshiva Boy at Theater J in 2014 and Rapture,...

Review: ‘Cat on a Hot Tin Roof’ at Round House Theatre

Southern jazz fills the theatre as the warm lights come up on a bedroom. A mix of yellow and pink shines through the windows...

DCMetroTheaterArts: Best of 2015 #10: Best Performances in a Musical in...

The staff of DCMetroTheaterArts is honored to announce that their 2015 Best Performances in Musicals in Professional Theatres honors go to:   Best Actor in a...

Spine: Studio Theatre’s Apple Family Cycle, ‘Sorry’ and “Us”

One of the most frequently read quotes about Richard Nelson's four play Apple Family Cycle comes from Ben Brantley's article, "One Man, 10 Shows,...

‘Regular Singing’ in Repertory with ‘Sorry’ at Studio Theatre

Regular Singing, the 4th play in Richard Nelson's Apple Family Cycle and now playing in repertory with Sorry (the 3rd play) at Studio Theatre,...

The Apple Family Cycle: ‘Sorry’ at The Studio Theatre

You know that feeling you get when you go to something—you attend it as a visitor or you drop in as an interloper—and by...

Magic Time!: A Report on the Women’s Voices Theater Festival Reading...

The Kennedy Center’s entry in the Women’s Voices Theater Festival was a one-night-only reading of Roe, a new two-act play by Lisa Loomer that...

Magic Time! ‘Cabaret’ at Signature Theatre

By the end of Act One, I was stunned and shaken. By the end of Act Two, I was speechless, not wanting to move....

‘Cabaret’ at Signature Theatre

Signature Theatre’s Cabaret is a formidable musical that abundantly succeeds in taking the audience by its collective throat and jolting it into alertness to...

‘The No Rules Sketch Show’ at No Rules Theatre Company

In The No Rules Sketch Show, written by Ashley Nicole Black, Rick Foucheux, Michael Malarkey, Joe Mallon, Brian Sutow, and Gray West, there really...

Theater J Announces its 2015-2016 Season

From Amy Friedman, Director of Marketing & Communications, Theater J: Theater J today announces its 2015-2016 season, a lineup of seven diverse plays ranging from personal,...

Here Are The Recipients of This Year’s 2015 Helen Hayes Awards...

 Here are the recipients of the 2015 Helen Hayes Awards  in the order they were announced tonight at The Lincoln Theatre.   THE RECIPIENTS ARE IN...