‘Big Love’ at The Hub Theatre by Sydney-Chanele Dawkins

Love, Marriage, and Mayhem.

Aeschylus is often described as the father of Greek tragedy. In his play The SuppliantsDanaids unveils the original tale of a King who tries to form political alliances by marrying his 50 daughters to their 50 cousins.

Kristen Garaffo (Olympia). Photo courtesy of The Hub Theatre.

In Big Love, the latest production from Hub Theater in Fairfax, VA, playwright Charles Mee re-imagines the Danaids story into a modern day play about love that highlights politics and culture of today. This is an ambitious uninterrupted 90-minute epic battle of the sexes. While the feminist themes of equal standing, right of choice, and the right to love are at the forefront of Big Love, this play is not presented as a one-sided argument. Both the men and women passionately plea their points of view and personal desires. Each had moments where I sided with the other.  It is in those fiery and provocative reveals where my compassion was most felt, and my inner girl-power cheerleader was unleashed.

Fifty Greek brides rebel against their arranged marriages to fifty grooms and escape, seeking refuge in a villa of the coast of Italy. Three of the fifty brides representing the head, heart and soul of Big Love are as believable as they are charismatic with their distinct individual and thematic portrayals. Sarah Douglas, is skillful and enchanting as the thoughtful and noble (Lydia), the laugh-a-minute Kristen Garaffo  is a force and musical talent, as the naive and effervescent (Olympia), and the commanding Jessica Aimone excels as the vehement and defiant (Thyona).

David Zimmerman (Nikos), Josh Sticklin (Oed), and Michael Kevin Darnall (Constantine) play their male counterparts as the three groomsmen, who track the brides down, and go toe to toe with their demands and unwavering insistence for marriage.

There wasn’t a dishonest performance in the cast (including standout performances by Claire Carroll, David Bryan Jackson, Ocean Bianchi, and Chelsea Townsend). With a cast of this size with so much to do, that’s saying something. And, Big Love has so much to say.

Physically and emotionally exhausting, this is a raucous production where anything can happen….and it usually does. In addition to  the drama, there is interpretive dance and tango, breakout solos of nostalgic pop songs, and several musical performances by S. Lewis Feemster (Giuliano) that are highlight delights. (Feemster’s  tender, soulful take on the classic torch song, “Bewitched, Bothered and Bewildered” is delicious, and his homage to the singer, song writer, musical genius Prince is priceless).

Then, there is the intensive athleticism – from body thrashing by the women, torepelling from a “helicopter” by the men. In another scene illuminating male bonding and the male viewpoint, there are pushups, football drills, and later two actors literally climbing the walls in a frenetic shared moment of angst and palatable frustration.

The brides make a pact, there is a major twist,  an unexpected turn, and more singing… A few scenes feel long-winded and repetitive, but, I didn’t mind too much.  I was entertained, humored, and on board for the ride. The story may be a massive, far-fetched, free for all; and, all of the ideas don’t translate cohesively, but you believe the commitment.

What I admire, is how far the actors go to push themselves, and succeed.  The artistic choices are innovative and bold. The bravery of NY-based Director Kristen Kelly to tackle such a quirky and adventurous play with such vigor, passion, and gusto is admirable.

Susan Shields challenging choreography, and Casey Kaleba’s fueled fight choreography dazzle with many memorable moments.  But to witness the extended mayhem of the wedding scene – so stylized, grandiose and surreal in it’s presentation –  that I dare say,  it  is not only worth the ticket price itself – it’s a bargain.

David Zimmerman (Nikos), Josh Sticklin (Oed), and Michael Kevin Darnall (Constantine). Photo courtesy of The Hub Theatre.

There is so much magnificence going on stage (big props to Props Designer Suzanne Maloney), that everywhere you turn your head there is a separate, chaotic spectacle.  It is a visual feast to behold.  I still can’t stop thinking about it! The wedding song medley is a gift; the wedding massacre is to die for.

Love triumphs all.

Running time: Approximately 90 minutes, with no intermission.

Big Love plays from July 13th to August 5th at The Hub Theatre – at the John Swazye Theatre – 9431 Silver King Court, in Fairfax, Virginia. Here are directions. Purchase tickets online.


Read the series Finding Big Love with Director Kristen Kelly. Go to the bottom of the article to read  the entire series of articles.





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Sydney-Chanele Dawkins
Sydney-Chanele Dawkins is an award-winning feature filmmaker, film curator, film festival producer and a theater/film critic and arts writer. She also serves as an impassioned advocate for the Arts as Chair of the Alexandria Commission for the Arts in Alexandria, VA. Fearless. Tenacious. Passionate. Loyal. These characteristics best describe Sydney-Chanele's approach to life, her enthusiasm for live theater and the arts, and her cinephile obsession with world cinema. Her successful first film, 'Modern Love is Automatic' premiered at SXSW in Austin, Texas, and made its European debut at the Edinburgh Film Festival. She recently completed her third film, the animated - 'The Wonderful Woes of Marsh' - which is rounding the film festival circuit. In 2013, Sydney-Chanele produced the box office hit,Neil Simon's Rumors for the McLean Community Players at Alden Theater, Her next producing effort in 2014 is Pearl Cleage's 'Blues for an Alabama Sky' for Port City Playhouse. Programmer for Cinema Art Bethesda and Co Chair of the Film Program for Artomatic, Sydney-Chanele is the past Festival Director of the Alexandria Film Festival, the Reel Independent Film Festival,and Female Shorts & Video Showcase. She is active in leadership and programming positions with DC Metro area Film Festivals including: Filmfest DC, DC Shorts, the Washington Jewish Film Festival, Arabian Sights Film festival, and AFI Docs. Please feel free to contact me with your comments and questions - [email protected] [Note: Sydney-Chanele Dawkins passed away on July 8, 2015, at age 47, after a battle with Breast Cancer.]


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