Capital Fringe Review: ‘McPherson Madness’ by Maddie Gaw

The moment you walk in the theater, McPherson Madness assails you with its world, trying to become your reality. Cast members ask for change, hand out programs as if they’re flyers for the Occupy D.C. movement, and many converge in that now clichéd “drum” circle (this one was really a guitar circle).


While definitely a strong ensemble cast, McPherson Madness focuses on one woman played by two women–Dreama (Jen Bevan and Tina Ghandchilar). Dreama mans the Occupy Information Desk because she’s a master of organization in anything except her own life. This life includes a young son who she has effectively abandoned for full-time activism, and this separation serves as the play’s main conflict. What’s better for a child? The physical warmth of a mother, or improved living standards brought about by a radical workaholic? It’s a question that I don’t have an answer for; with her two Dreamas, playwright and real-life Occupy activist Kelly Canavan might be suggesting you need a little of both.

I can’t make that assumption definitely, because I was honestly confused by the doubling. My program tells me Bevan was playing Info Dreama, while Ghandchilar was playing regular Dreama. Not only did the two actresses not resemble one another physically (outside of wardrobe), but they felt like two very different people who nevertheless were doing the same things; it was the same Dreama flirting with Tim (Sha Golanski), and the same Dreama calling for mic check. Not understanding the purpose of this theatrical choice did make the show somewhat hard to follow.

But it’s not for lack of trying to really immerse me in the world. The ensemble, as stated, was very strong, and even the most minor characters had their own bits of business. As I grew to feel like I knew these characters—that these were real people I’d met on metro before–the more I wanted Dreama to stay. I think it was because what I saw on stage was so full of life, and what was beyond the playing area felt so abstract.

This is an interesting story that felt incomplete, and I hope that McPherson Madness’ run at the Fringe helps Canavan and company figure out where to go next with this interesting piece.

Running Time: 75 minutes.

McPherson Madness plays through July 27, 2013 at The Studio Theatre – 1501 14th Street NW, in Washington DC. For performance information and to purchase tickets, go to their Capital Fringe page.

2013 Capital Fringe Show Preview: ‘McPherson Madness’ by Kelly Canavan


Previous articleCapital Fringe Review: ‘iLust for G-Love: An Auto-Ethnography’ by Anne Tsang
Next articleCapital Fringe Review: ‘WIGGERLOVER [whiteboy+blackdad=greyareas]’ by Max Johnson
Maddie Gaw
Maddie Gaw grew up in suburban Maryland, where she was a frequent audience member at local high school productions before she overcame the shyness that kept her off the stage. She re-located to New York to attend Sarah Lawrence College, concentrating in theatre arts after initially abandoning theatre for the much more profitable field of historical studies. A big supporter of new play development, Maddie is proud of her work as Literary Manager for the Downstage Theatre Company, where she gave slots to two plays written within the last five years, and one premiere production. Having graduated in May, Maddie squints into the post-grad distance as she returns to the D.C. area, looking for work in arts administration, or any place that will support her habit as a full-time suffering writer and part-time suffering theatre artist. Her rants and musings outside the purview of reviews can be found on her website,


Please enter your comment!
Please enter your name here