‘Seminar’ at Round House Theatre by David Friscic

Floating windows at the top of the stage! That Is not, necessarily, the first thing you marvel at in the Round House Theatre’s current and stimulating new play Seminar for, indeed, all the elements of a solid and professional production are vividly on display here in Theresa Rebeck’s witty and absorbing play. Under the astute direction of Jerry Whiddon, the play moves briskly along at a ninety-minute stretch full of human pathos and moral relativity underneath the humor.

Izzy (Laura C. Harris), Douglas (Tom Story), Kate (Katie deBuys), and Martin (Alexander Strain). Photo by Danisha Crosby.
Izzy (Laura C. Harris), Douglas (Tom Story), Kate (Katie deBuys), and Martin (Alexander Strain). Photo by Danisha Crosby.

We are immediately thrust into the tale of an egotistical writing instructor, Leonard (Marty Lodge) and his coterie of four ambitious writing students, Kate (Katie Debuys), Martin (Alexander Strain), Izzy (Laura C. Harris) and Douglas (Tom Story),–who alternately cringe or exult in their instructor’s lethal criticisms as they competitively court his favor. Playwright Rebeck appears to be having a field day (Dramaturg duties by Lloyd Rose) portraying individuals seemingly bent on collaborating to achieve excellence while, simultaneously, getting trapped in the allure of power struggles, having the right connections and coping with the commercial aspect of their craft. Intellectual pretensions, sexual infidelities, and inter-personal sabotage and deceit are the required traits needed to survive the battle to gain prominence in the world of the writer. Human struggles ensue and this is the meat and potatoes of this diverting play.

Like the feral cats alluded to in the play, this group of competitive writers circle around each other snarling with verbal firepower and using language as a weapon. Almost any stratagem will be attempted to gain prominence in their field. Playwright Rebeck appears to be pondering what are the demarcations between the individual and their art.

As the somewhat eccentric and unkempt writer Martin, Alexander Strain is the standout of the cast and he is the swell-effacing anchor of the play. Strain develops his character with an interesting mixture of anger, defiance and anxiety. Just when one believes his character has lost all hope, surprises will appear. Strain in entirely “in the moment” in each of his scenes.

Following close behind is the domineering writing instructor, Leonard, played so fervently by Marty Lodge. Lodge combines just the right touches of insolence, arrogance, pride, and loutishness whether he is hectoring his students or regaling the bickering crew with his tales of his vast, real-life experience. Lodge appears to be shaking his fist in fury at the cruel jests of the world.

As Kate, the “put-upon” hostess of the writing group, Kate deBuys brings just the right touch of earnestness and willingness to “play the game” to get ahead even if it means injecting a little bit of deceit into the proceedings. deBuys has a beautiful speaking voice.

Leonard (Marty Lodge), Kate (Katie deBuys), and Izzy (Laura C. Harris). Photo by Danisha Crosby.
Leonard (Marty Lodge), Kate (Katie deBuys), and Izzy (Laura C. Harris). Photo by Danisha Crosby.

Laura C. Harris as the sensual and free-spirited Izzy captures the attention with her physical presence and lithe grace. Her character is always one step ahead of the game and ready to throw herself into the fray.

Tom Story is appropriately pretentious in the role of Douglas.

Just as our group of bickering writers circle each other with confrontation and zeal, James Kronzer’s elegant yet efficient set design of an Upper West Side apartment encircles almost the entire stage –(replete with the seemingly floating windows alluded to previously!). Kronzer’s set is rich in detail complete with archway, brown furniture, earth tones and modern visuals as accents. Just as Kronzer amazed us with his stunning revolving set for Glengarry Glen Ross, he amazes us here in the concluding scenes -but I cannot give the details away or I would have to issue a “spoiler alert.”

Ivania Stack’s costumes are edgy and urban in feel. Daniel Maclean Wagner’s lighting is perfect in this fast-paced play. Eric Shimelonis handles Sound Design chores with almost fugue-like tones in transitional scenes and at the beginning of scenes.

Again, I must commend Director Jerry Whiddon for propelling this play into the substantial production that it is. I would also be remiss if I did not commend Producing Artistic Director Ryan Rilette for prodding the Round House Theatre into the future with the edgy and progressive fare it now offers.

This Seminar is a class you will want to take!

Running Time: 90 minutes, with no intermission.

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Seminar plays through March 2, 2014 at Round House Theatre – 4545 East-West Highway, in Bethesda, MD. For tickets, call the box office (240) 644-1100, or purchase them online.

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David Friscic
David has always had a passionate interest in the arts from acting in professional dinner theatre and community theatre to reviewing film and local theatre in college to making numerous treks to New York City to indulge his interest in live theatre. An enthusiastic interest in writing has shown itself in a BA in English/Education and an MA in English Literature. Taken together, these two interests have culminated in the logical conclusion of writing for an arts blog. David moved up and down the East Coast due to his father's job at General Electric and this has helped him to perceive the world in a very open way. After his schooling, David taught in Catholic school systems for awhile and, then, spent three years in the seminary with two years at Catholic University studying Theology and one year in a practicuum working at a church in New York State. David currently works at the National Science Foundation as a Technical Information Specialist for the Office of Polar Programs and has had the great opportunity to go to Antarctica twice and Greenland once in support of the research community. He enjoys living in Bethesda and has taken courses at the Writer's Center. David enjoys swimming, traveling, reading, and working on committees at his condo. His major interest, however, is the arts and all it encompasses---from symphony, to film, to museum treks to live theatre. He counts having lunch with Lillian Gish and meeting Lily Tomlin, Geraldine Page, Maureen Stapleton, Liza Minnelli and Sandy Dennis as some of the more exciting encounters of his life.


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