My jaw is still dragging somewhere on the floor of the Hippodrome Theatre. I am completely awestruck by the phenomenal musical The Lion King presented by Disney Theatrical Group and executive producer Anne Quart, under the very talented direction of Julie Taymor. Quite literally the best musical I have ever had the pleasure of witnessing. This show will forever be a core memory of pure, unmitigated joy. This trip into the wild African safari to follow Simba, acted by Erick D. Patrick (elder) and Bryce Christian Thompson (younger), as he navigates the arrogance of his youth, the sense of guilt after loss, and sheer determination after self-discovery, was profound.
Adapted from the book of the same name written by Roger Allers and Irene Mecchi, this musical doesn’t just come to life; it gives you life. From the very first note, you begin an astounding journey to Pride Rock in the most amazing way. Do yourself a favor and go ahead and spring for the orchestra seating. It’s well worth it.
The production is exquisite. The scenery, designed by Richard Hudson, made me completely spellbound. It was unbelievable that all that beauty was contained inside the Hippodrome on a cold February night. It was simply stunning. Then the music! I knew it was going to be some kind of amazeballs when I saw not one but TWO sets of drums in the balcony section. And they did not disappoint. Special kudos and brava to Karl Shymanovitz, the music director, and the music supervisor, Clement Ishmael. And the costumes! With diaphanous fabrics that flowed everywhere along with vibrant colors that accentuated the grace of all the characters, Julie Taymor, costume designer, did a stellar job in bringing in another layer to this feast for the eyes. Everything was so lovely and just absolutely perfect.
Most of us are familiar with the big numbers of the musical — “Circle of Life,” “I Just Can’t Wait to Be King,” “Hakuna Matata” — but the whole show was a sheer delight. My personal favorites were “They Live in You” and “Shadowland.” “They Live in You,” performed by Darnell Abraham, the intimidating but warm Mufasa, was enthralling. It was sung with such strength and soul that I never wanted to be a lion cub more than in this moment. His voice reached the raptors effortlessly and filled me with such jubilation, my eyes began to tear up. His voice can change lives.
Then there is the consummate flawlessness of Thembelihle Cele, who portrayed Nala. Her voice broke my heart during her rendition of “Shadowland” and then put it back together again. She was so transcendent and powerful, yet she maintained a softness that held me captive for the entire song.
Another standout was Mukelisiwe Goba’s Rafiki. Her voice instantly captured attention. With the help of the ensemble, she gave such depth and a refreshing take on “Circle of Life” that it was like hearing it for the first time. I could feel her happiness in every note. Even when she wasn’t the main voice, she was still very profound and moving.
There was not one bad note the entire night. I don’t think I have ever felt such wondrous harmony on an emotional level as I experienced during this show. The entire cast should feel proud and accomplished.
Normally, I try to mention one thing a production could improve upon. I have nothing — nothing at all. It was better than perfect, and they need not change anything. The energy was high, the acting was glorious, the rhythm was spot on, and even the little bit of regional humor was the quintessential touch to this award-winning musical. I. Loved. It.
Running Time: Two hours and 30 minutes with a 15-minute intermission.
The Lion King plays through March 2, 2025, at the Hippodrome Theatre’s France-Merrick Performing Arts Center, 12 N. Eutaw Street, Baltimore, MD. Purchase tickets ($40–$474) online or call 410.837.7400.
Complete cast and creative credits for the touring company are in the online program here.
COVID Safety: Masks are recommended but not required. The Hippodome’s Health & Safety policy is here.
