DC

The script functions like a loopy lineup for an off-the-wall variety show. By JOHN STOLTENBERG

Artistic Director Reggie D. White launches his inaugural season at Woolly by directing the first production of his tenure: Steve Yockey’s dark comedy 'Venus.'

The artistic director tells how the company will use music as a catalyst for change next season — plus a review of Alan Naylor’s unconventional ‘Songs We Need Now.’ By KENDALL MOSTAFAVI

Sung outdoors, ‘Woody Guthrie’s American Song’ resonates with hope for folks’ hard times now. By SUSAN GALBRAITH

Based on the true story of Dutch sisters Truus and Freddie Oversteegen, Kelsey Mesa's new play reveals a girl’s fight against tyranny and the scars that war leaves behind.

Broadway smash hit comes to the National Theatre for limited run February 9-21, 2027.

This captivating story is inspired by the real-life journey of playwright Brian Quijada’s mother from El Salvador to the U.S. and L. Frank Baum’s 'The Wonderful Wizard of Oz.'

Based on a true story of one of the most decisive moments in World War II, original thriller written by GALA Artistic Director Gustavo Ott runs September 3-27.

Presented with Solas Nua, Irish-Palestinian playwright Hannah Khalil's feminist reimagining of the Arabian Nights kicks off Spooky Action's 'Remix' season.

Tony-winning musical returns to Ford's Theatre to open 2026/27 season and commemorate the 25th anniversary of 9/11.

Blending the classic and the contemporary, the theatrical and the political, GALA's 51st season speaks to "one of the most defining moments for the Spanish language in this country."

Critically acclaimed play by Hannah Khalil chronicles one woman's search for community and connection through cooking.

The commedia dell’arte ensemble reimagines a cabaret that leans into the Broadway songbook. By LISA TRAIGER

Spooky Action's 22nd season, 'Remix,' features ambitious new works exploring themes of storytelling for survival, family drama and power, and revolution.

‘The Rocky Horror Show’ will be a fully immersive theatrical event that blurs the line between audience and performer. By CARSON COLLINS

Congratulations to the class of 2026 as it celebrates the mysteries of love, the pleasures of mischief, and the true nature of folly. By SOPHIA HOWES

The future shines bright for the class of 2026.  By DERYL DAVIS

The musical returns to DC’s National Theatre, where it debuted eight years ago. A lot has changed. By JULIA TUCKER

Part Gen X nostalgia trip, part angsty teen drama, this musical comedy can’t find its soul. By GEOFFREY MELADA

As former Artistic Director Hana S. Sharif exits, starkly different perspectives emerge on what brought instability to DC’s premier regional theater. By NICOLE HERTVIK