Fringe hit ‘Oedipus in Seattle’ comes to DC for one weekend...

A theatrical mashup of 'Oedipus Rex' and 'Sleepless in Seattle,' the play features two new actors each night who have never rehearsed or read the script.

Theater J begins season with DC premiere of ‘The Flying Lovers...

Visually enchanting play tells the love story of Bella and Marc Chagall, accompanied by aerialists and live music.

‘Come From Away’ returns to Ford’s Theatre when we need it...

Ten years after its East Coast premiere, the joyous musical about welcoming strangers comes home to Washington with renewed resonance.  By CAROLINE BOCK

Keegan Theatre announces DC premiere of ‘Hundred Days’

Acclaimed Off-Broadway folk-punk musical opens October 10 at Keegan, starring nine local actor-musicians.

In ‘Tacones: The Sins of the Father,’ an ICE raid changes...

Wowdacious Theatre’s production is a beautifully moving tribute to those who dare to dream. By MARY V. HOLIMAN

Ford’s Theatre marks 25 years since 9/11 with conversation on leadership...

Hillary Rodham Clinton, Mitch E. Daniels Jr., and Norah O'Donnell to reflect on how leaders can inspire hope in moments of crisis, unite communities, and preserve the lessons of 9/11 for generations who did not experience it firsthand.

In ‘The Living Dead,’ Bob Bartlett wants us to have a...

The local horror writer pens and produces a new play about our fascination with the undead. By BOB BARTLETT

Human chain around Kennedy Center demands Trump step down from Board

Three days after the Kennedy Center Board voted to close its doors, more than 2,500 artists, arts workers, and patrons encircled the nation's cultural center.

Riki Lindhome’s ‘Dead Inside’ returns to Woolly for limited run and...

'Dead Inside' runs October 13 – 18, with filming October 16 and 17.

Brian Cox comes out ahead in ‘The Score’ at Shakespeare Theatre...

As Johann Sebastian Bach, the ‘Succession’ star brings warmth and authority to a play whose drama doesn’t always match its ambitions.  By D.R. LEWIS

Washington Improv Theater starts fall with ‘Stumped’ and ‘Fraudway! Presents’

WIT’s fall lineup includes a new, improvised comedy about the absurdities of American politics – just in time for the midterm elections!

In ‘Somewhere Over the Border,’ the yellow brick road leads to...

Mosaic Theater’s warm, inventive musical reframes ‘The Wizard of Oz’ through one Salvadoran woman’s perilous journey north.  By MELISSA LIN STURGES

A seriously funny bad romance in ‘Venus’ at Woolly Mammoth Theatre...

Steve Yockey’s dating horror story about a butch-femme ‘Odd Couple’ provokes laughs and gasps. By JOHN STOLTENBERG

Now Theatre Washington’s Theatre Week is also Dining Week

New initiative in partnership with Restaurant Association Metropolitan Washington connects theater lovers with restaurants in neighborhoods where Theatre Week productions are taking place.

Keegan Theatre marks 9/11 with world premiere ‘A Beautiful Blue Morning...

Duane Richards II's memorial song cycle shows how lives changed on what began as an ordinary day. By DEBBIE MINTER JACKSON

Step Afrika!’s ‘Fruits of Our Labor’ at Arena Stage is the...

If you’ve never seen the DC-based, globally renowned dance company, now is your chance. By JOHN STOLTENBERG

Arena Stage adds critically acclaimed docudrama to fall 2026 lineup

Straight from its Off-Broadway run, Eric Bentley's 'Are You Now or Have You Ever Been' will immerse DC audiences into the 1940s House Committee on Un-American Activities hearings.

‘GARBO: The Actor Who Saved the World’ brings a remarkable WWII...

Gustavo Ott’s new play tells the true story of Juan Pujol García, the Spanish double agent whose elaborate deceptions helped the Allies succeed on D-Day. By SUSAN GALBRAITH

Songs of the Goat’s ‘Eurydice’ turns ancient myth into poetry

Sarah Ruhl’s reimagining of the ancient myth becomes a touching exploration of love, memory, language, and loss.  By CHARLES GREEN

La Pluma’s ‘Nation-State: A Live Experiment’ is a play of two...

The immersive testimonial experience showcases actor Victor Salinas’s talents but lacks the tension needed to drive home its satirical point. By JARED STRANGE