Classical Music

Review: ‘Impressions of Pelléas’ at the Curtis Institute of Music

Claude Debussy’s only opera, Pelléas et Mélisande, is a unique masterpiece. But it’s very long: five acts, around four hours. So director and playwright...

A Look Back at Opera Philadelphia’s O17 Festival and ‘The Magic...

When Opera Philadelphia’s O17 Festival was announced in October of 2015, the company headlined its importation of the Berlin’s Komische Oper (Comic Opera) production...

Review: Catholic University of America’s Chamber Orchestra Performs an Evening of...

The neoclassical room at the Former Spanish Ambassador’s Residence was the perfect backdrop for the sold-out concert of the Catholic University of America’s Chamber...

Report: ‘National Symphony Orchestra Season Opening Gala Performance’ Conducted by Maestro...

Listen up, DC! There is a new Maestro in town. Maestro Gianandrea Noseda, whose impressive resume ranks him as one of the world’s most...

Review: ‘We Shall Not Be Moved’ by Opera Philadelphia

The sole Philadelphia-based offering in Opera Philadelphia’s O17 Festival is We Shall Not Be Moved. Its powerful message is that the city’s children, and...

Review: ‘War Stories’ by Opera Philadelphia

War Stories is a clever pairing of two music dramas dealing with battles, presented by Opera Philadelphia as part of its O17 Festival. The two...

Review: The In Series: Mozart’s ‘The Magic Flute’ at the D.C....

If you’re a Mozart fan – and if you aren’t, you should be – you probably have your favorite ‘conspiracy theory’ about why the...

Review: World Premiere of ‘The Wake World’ by Opera Philadelphia

Inside a museum dedicated to art from the past, the O17 Festival has brought a new opera which celebrates musical and literary styles from...

Review: Sondra Radvanovsky in Recital at Opera Philadelphia

Sondra Radvanovsky’s recital as part of Opera Philadelphia’s O17 Festival was a spectacular event. That may seem like an oxymoron to some readers, who...

Review: ‘Elizabeth Cree’ at Opera Philadelphia

The British statesman Winston Churchill coined the expression, “It is a riddle wrapped in a mystery inside an enigma.” He was speaking of the...

Review: ‘Die Fledermaus’ at the Santa Fe Opera, and What We’ve...

This Santa Fe production of Johann Strauss’s Die Fledermaus was the least Viennese of any I’ve ever seen. No, director Ned Canty did not...

Review: ‘The (R)evolution of Steve Jobs’ at Santa Fe Opera

Steve Jobs was a revolutionary genius in communicating. He showed the world how to get “everything” anyone needed on a single gadget. Yet he...

Review: ‘Lucia di Lammermoor’ at Santa Fe Opera

Editor’s note: Our Steve Cohen continues his posts on the arts scene in Santa Fe, New Mexico, with a look at Santa Fe Opera’s...

Review: ‘Alcina’ at Santa Fe Opera

Editor’s Note: Our Steve Cohen is in Santa Fe, New Mexico this week, where he’s enjoying the local arts scene and seeing the work...

Interview: David Rohde Interviews Violist Milena Pajaro-van de Stadt

Is “star viola player” an oxymoron? Not if the viola player – a “violist” as opposed to a violinist – casts her net as...

Review: LiveConnections Presents Elizabeth Zharoff + Xavier Foley at World Cafe...

LiveConnections Presents ended its sixth season with soprano Elizabeth Zharoff and double bassist Xavier Foley. This season was devoted to pairing musicians in order...

Review: ‘Golden Cockerel’ at New Opera NYC

Golden Cockerel (Coq d’Or) is a musical fantasy that was popular in the first half of the twentieth century but rarely seen since. Nikolai...

Review: ‘The Dollar Princess’ at Concert Operetta Theater

Leo Fall’s music is not likely to return to Broadway. It did, however, provide pleasant vocal opportunities for gifted young singers of the Concert...

Review: ‘Movie with the BSO: ‘E.T. The Extra-Terrestrial’ in Concert’ at...

The Baltimore Symphony Orchestra (BSO) honored the 35th anniversary of Steven Spielberg’s classic family adventure E.T. The Extra-Terrestrial at the Meyerhoff Symphony Hall with...

Review: The Philadelphia Orchestra Performs Mahler’s Longest — and Greatest —...

Although not frequently performed, the Symphony No. 3 is Gustav Mahler's most encompassing work, the piece which best exemplifies his life and career. Yannick Nézet-Séguin led...