Classical Music

Review: the National Chamber Ensemble Mother’s Day Concert ‘Music of Our...

For their Mother’s Day theme and as a tribute to the conclusion of their 10th anniversary season at Rosslyn’s Spectrum Theatre, the National Chamber...

Review: ‘Celebrations!’ Columbia Pro Cantare Celebrates 40-Year Anniversary at Jim Rouse...

Columbia Pro Cantare celebrated a few occasions with its final performance of the Season with Celebrations! If you will note, Celebrations! is plural, because it...

Review: The Philadelphia Orchestra Presents Leonard Bernstein’s First Major Composition

Leonard Bernstein’s Symphony No. 1 was the major undertaking at The Philadelphia Orchestra’s concerts of May 3, 5 and 6, 2017. Yannick Nézet-Séguin led...

Review: ‘Quatuor Danel’ at the Phillips Collection

Complex 20th century “classical music,” or more properly serious art music as opposed to various forms of popular music, seems to be a gamble....

Review: The Philadelphia Orchestra Presents The Rachmaninoff Festival

During his lifetime, Sergei Rachmaninoff was more famous as a pianist than as a composer. Logically, therefore, The Philadelphia Orchestra’s current Rachmaninoff Festival is...

Review: Yannick Nézet-Séguin Leads The Philadelphia Orchestra in ‘Energetic’ Music

Yannick Nézet-Séguin’s latest program with The Philadelphia Orchestra was an intelligently thought-out adventure. The central work was Alternative Energy by Mason Bates, in its...

Review: ‘The Four Seasons of Vivaldi and Piazzolla’ at The National...

Before a sold-out house Saturday, March 25, 2017, at the Rosslyn Spectrum Theatre, the National Chamber Ensemble wowed the audience with its creative revival...

Review: ‘Lucia di Lammermoor’ at The Catholic University of America

Who would have thought that an evening of love, ambition, betrayal, violence, and death could be so enjoyable? That is precisely what last night’s...

Review: ‘Viva la Zarzuela! The Music of Spain’ at Concert Operetta...

Concert Operetta Theater was founded in 2008 to revive and preserve the type of musical theater that’s more lighthearted and accessible than opera, but...

Review: The Philadelphia Orchestra Performs Seeger, Berg & Beethoven with Guest...

Contrast was stark in the concert which Michael Tilson Thomas led with The Philadelphia Orchestra. The first half displayed two radically dissonant pieces from...

Review: Beethoven’s ‘Leonore’ at Washington Concert Opera

Washington Concert Opera (WCO) concluded its 30th anniversary season with a rare performance of Ludwig van Beethoven’s Leonore on stage at the George Washington...

Review: The Philadelphia Orchestra Performs Brahms’ Eleven Chorale Preludes, Bach’s...

The Philadelphia Orchestra set of concerts during the last weekend of February was one of the most imaginatively conceived in recent memory. The program consisted...

Review: ‘Dead Man Walking’ at Washington National Opera

It is certainly a “Dark Night of the Soul” (St. John of the Cross) for Sister Helen Prejean in the contemporary opera Dead Man...

Review: LiveConnections Presents Harlem Quartet + Arturo Stable

Once again, LiveConnections Presents (“LCP”) curator Mary Wheelock Javian's musical matchmaking has produced a lively evening of musical discovery. This time it was the...

Review: The Philadelphia Orchestra Performs Mozart and Brahms

During the 44 years when Eugene Ormandy was music director of The Philadelphia Orchestra (1936 to 1980), he led almost every concert. There was...

Review: ‘Vive la France: The Magic of Saint-Saens’ at The National...

Love was in the air as The National Chamber Ensemble presented their Valentine's Day performance called Vive la France: The Magic of Saint-Saens.  The concert was...

NSO: An Evening with Joshua Bell at The Kennedy Center

It has been said that Joshua Bell may be the greatest violinist active today.  After listening to him play, as well as conduct, at...

Preview: Bach’s St. John Passion with Ted Sperling and MasterVoices at...

From Tevye the Milkman’s Anatevka of 1905 to the St. Nicholas Lutheran Church in Leipzig in 1724, Broadway conductor Ted Sperling is making quite...

Review: ‘Mason Bates’ KC Jukebox: Ravishment’ at The Kennedy Center

Virginia’s own Mason Bates is the current composer-in-residence at the Kennedy Center and now playing the second season of his collaborative KC Jukebox series....

Review: Washington Performing Arts Presents The Philadelphia Orchestra / Yannick Nézet-Séguin,...

It is easy to understand why The Philadelphia Orchestra has tapped Yannick Nézet-Séguin to be their music director and conductor of such a prestigious institution....