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Heart-rending queer crush in ‘Pondering About My Memories’ at Teatro de...

A deep well of tenderness and sensitivity flows through this production, propelled by poetic memories of an adolescent infatuation. By JOHN STOLTENBERG

A nervy new envisioning of ‘The Tragedy of Hamlet’ from Avant...

Director Kathleen Akerley's gender-bending re-imagining brings fresh twists to the Prince of Denmark and the characters around him.  By DEBBIE MINTER JACKSON

Your guide to what’s on stage during WorldPride (May 17 to...

Check out these stage plays, festivals, short runs, single performances, and special events celebrating queer joy and artistry in the DC area.

Wild and wackadoo ‘Akira Kurosawa…’ debuts at Woolly Mammoth

'Akira Kurosawa Explains His Movies and Yogurt (with live and active cultures!)' — Julia Izumi’s play about Japanese American identity — is powerful. By DANIELLA IGNACIO

Keegan Theatre’s irresistible ‘Falsettos’ is pitch-perfect for WorldPride

The production leaves no doubt about why the show is among the most beloved musicals of recent decades. By BOB ASHBY

Joy, love, and hilarity abound in ‘Head Over Heels’ at Constellation...

With superb music by The Go-Go’s, the show is a romantically inspiring, feel-good experience. By LUCILLE RIEKE

Haunting and thrilling ‘Paradise Blue’ engulfs you at Studio Theatre

Raymond O. Caldwell stages Dominique Morisseau's play with immersive raw urgency and an enthrallingly frenetic current of energy and emotion. By EM SKOW

A family’s crises from within and without in ‘Choke’ at GALA...

Emilio T. Infante's world premiere play tackles socio-dynamic territory and is topically relevant, universal, and geographically germane all at once. By DEBBIE MINTER JACKSON

WNO’s ‘(R)evolution of Steve Jobs’ at Kennedy Center shows his warts...

Washington National Opera presents an important and lasting new opera about a tech bro who was not a nice guy. By SUSAN GALBRAITH

Buried secrets, unburied souls: ‘Woman on Fire’ stuns at Creative Cauldron

Inspired by 'Antigone' and set in a 2002 Arizona border town, this masterful ghost story explores the intersection between border politics and identity. By EILEEN MILLER

Prologue Theatre’s simply enjoyable ‘Muffed’ is extraordinary

This witty and fun show and its fantastic ensemble cast deliver jokes at a breakneck pace. JULIAN OQUENDO

Signature celebrates glam-punk, hard-rock ‘Hedwig and the Angry Inch’

The production is a solid introduction to the work for new audiences and a nostalgic reintroduction for Hedheads. By JULIAN OQUENDO

Portrait of a plucky painter in ‘Sofonisba’ at Washington Stage Guild

Sofonisba Anguissola's special strength is her firm decision to run her life as she wants to, not as society seems to think is her duty. By SOPHIA HOWES

Clever farce ‘Fake It Until You Make It’ at Arena sends...

Larissa FastHorse’s masterfully crafted script introduces surprise after surprise, weaving the story into a hilarious satire. By EILEEN MILLER

In Mosaic Theater’s ‘cullud wattah,’ a moving chronicle of a city...

The play by Erika Dickerson-Despenza is one of the most urgent and satisfying pieces of theater now on DC stages. By GREGORY FORD

Stunning ‘Bad Books’ excerpts red-hot culture wars at Round House Theatre

Performed by two local stars, Sharyn Rothstein's new comedic drama debates where parental controls should begin and end. By AMY KOTKIN

Taffety Punk’s ‘Beowulf’ reclaims the heroism we need to slay today’s...

Marcus Kyd's deeply engaging, deeply thoughtful one-man show in a dive bar has a great deal to say about what strength really means. By DERYL DAVIS

A fresh and energetic must-see ‘Music Man’ at Toby’s Dinner Theatre

Toby’s Dinner Theatre has polished up this vintage cornet and made it shine and sound sweeter than ever. By JENNIFER GEORGIA

‘Uncle Vanya’ at Shakespeare Theatre Company is wildly enjoyable

In the hands of Simon Godwin’s incandescent cast, the performance is sometimes poignant, sometimes frightening, sometimes irresistibly comic. By SOPHIA HOWES

The Bard gets comeuppance in ‘Jane Anger’ at Maryland Ensemble Theatre

This fourth-wall-breaking revenge comedy plays like a classic farce and a feminist fantasy. By MEGAN WILLS