Two teens sing songs of themselves in catchy ‘I & You’...

The world premiere musical with a book by Lauren M. Gunderson pulses with coming-of-age authenticity. By CELIA WREN

Mystery, history, and humor in ‘Holes’ at Baltimore Center Stage

Thoughtful direction, committed performances, and cohesive design create a production that feels both entertaining and meaningful. By CONSTANCE BEULAH

At Rorschach’s ‘Dragon Play,’ come for the dragon sex, stay for...

Staged in a mythical lair, this experiential romantasy is a mixed bag of scorching desire and jumbled themes. By CAROLINE BOCK

Why ‘Young John Lewis’ is the great work of art our...

Onstage at Mosaic is a brilliant new musical about how a towering Civil Rights hero got his start. It exemplifies bravery and integrity that have gone missing. By JOHN STOLTENBERG

Pared-down ‘Caesar and Cleopatra’ delights at Washington Stage Guild

WSG has done Washington theatergoers a service by presenting a top-notch, well-paced production featuring excellent acting by the entire cast.  By BOB ASHBY

‘Much Ado About Nothing’ is a masked ball at Faction of...

Shakespeare and Commedia dell’arte, like Beatrice and Benedick, turn out to be a match made in heaven. By SOPHIA HOWES

‘Young Americans’ at 1st Stage follows immigrants on heartfelt road trips

The director and cast have gifted Lauren Yee's script with breathtaking emotional presence and moment-to-moment grounding. By JOHN STOLTENBERG

Small-town secrets tell truths about America in ‘The Minutes’ at Keegan

The story revealed in a cantankerous city council meeting is fiercely funny and totally horrifying. By AMY KOTKIN

Perisphere’s ‘I Know How to Curse’ explodes the structure of a...

It’s hysterical and powerful. Gerrad Alex Taylor has crafted a world that feels cartoony, surreal, and human all at once.  By DANIELLA IGNACIO 

Stirring ‘Young John Lewis’ holds up a mirror at Mosaic Theater

The new hip-hop musical invites audiences to see themselves inside the movement that shaped modern America. By TENIOLA AYOOLA

Excellence is in the details in Eddie Izzard’s ‘Tragedy of Hamlet’...

Izzard gives us a one-actor version of Shakespeare’s greatest tragedy that is filled with surprises and touching insights. By ANDREW WALKER WHITE

Elegy without resolution in ‘Hamnet’ at Shakespeare Theatre Company

Lola Chakrabati’s adaptation of Maggie O’Farrell’s best-selling novel captivates with layered performances yet falters in a final act that resolves too little, too quickly. By VICTORIA SOSA

Family-secrets drama ‘Appropriate’ is pitch-perfect at Olney Theatre Center

A stellar cast brings the play’s wounded characters to life with sympathy and flourishes of humor. By DERYL DAVIS

Rousing revival of ‘1776’ at Ford’s sings of the Founders who...

The sumptuous production delivers the complex story behind our Declaration of Independence while adding new meaning for our equally confounding time. By DERYL DAVIS

A woman’s emotional life with three men recalled in exquisite ‘Jonah’ at...

A remarkable cast creates a heady mix of psychological tension and carefully choreographed intimacy. By AMY KOTKIN

ExPats Theatre’s riveting ‘Pressure!’ is a powerful punch in the stomach

The play is a harrowing examination of a society quick to vilify ‘the other’ and a justice system that delivers judgment without compassion. By EM SKOW

Exuberant ‘As You Like It’ at Folger Theatre is a joyous...

Shakespeare’s fabled Forest of Arden becomes a colorful urban world of laughter, music, art, self-discovery, and love. By DERYL DAVIS

Signature’s ‘Safety Not Guaranteed’ is a sci-fi trip and a journey...

Moving and multidimensional, Ryan Miller and Nick Blaemire’s musical adaptation of the 2012 film is filled with dry wit and 2010s nostalgia-core. By MELISSA LIN STURGES

A lively take on immigration in Avant Bard’s ‘Two Gentlemen of...

Shakespeare’s adapted romantic comedy crackles with wit and sings with an Irish lilt. By JEFFREY WALKER

Arena Stage revives ‘Inherit the Wind’ for a new era of...

A lean, 10-actor staging sharpens the debate over free thought — but the scaled-down approach weakens the sense of community at the play's heart. By BOB ASHBY