New York Theater News

Fringe Encore Series Review: ‘Rent Control’ at The Huron Club at...

This autobiographical one-man show Rent Control, which won the 2016 FringeNYC Award for Overall Excellence in Solo Performance, Evan Zes turns his comic eye...

Review: ‘1776’ at The John W. Engeman Theater in Northport, NY

This year marks the 240th anniversary of the formation of our country, and what better way to experience a taste of this magnificent history than...

Review: ‘Saturday Night Fever’ at Westchester Broadway Theatre

Saturday Night Fever: The Musical, directed by Richard Stafford, is currently playing at Westchester Broadway Theatre. The musical is based on the well-known 1977 Paramount/RSO film starring...

Review: ‘Legally Blonde: The Musical’ at Theatre Three in Port Jefferson,...

Legally Blonde: The Musical opened Saturday night, September 17, 2016, at Theatre Three in Port Jefferson. Based on the book written by Amanda Brown,...

Magic Time! ‘Come From Away’ at Ford’s Theatre: ‘A show...

When I saw this new musical on the fifteenth anniversary of 9/11, there were no more than ten minutes during it when my eyes...

Review: ‘EDWIN, The Story of Edwin Booth’ at The Theatre at...

Renowned as the greatest American Shakespearean actor of his day, Edwin Booth (1833-93), the brother of Abraham Lincoln’s killer John Wilkes Booth, could have...

A Preview with the Cast and Team of ‘The Vanity’ at...

What do you get when you mix The Picture of Dorian Gray with Sunset Boulevard and Valley of the Dolls? A high-camp melodramatic parody...

Review: ‘Bye Bye Birdie’ at The Goodspeed

I have been viscerally connected to this charming musical about teenage life during the mid-1950s, when pop music was surrendering to the hot wave...

2016 FringeNYC Review: ‘Cyrano: A Love Letter To A Friendship’

Edmond Rostand’s classic French play of 1897, Cyrano de Bergerac, is re-envisioned through a post-modern gay lens in Grind Arts Company’s Cyrano: a love...

2016 FringeNYC Review: ‘Take One”

Sometimes even the most inspired geniuses need to do some rethinking, reworking, and rewrites of their greatest creations to forge an unforgettable masterpiece. Such...

2016 FringeNYC Review: ‘Einstein!’

15,000 documents ÷ 3 years of intensive research + 1 actor x 9 characters = the formula for success with Einstein! Written and performed...

2016 FringeNYC Review: ‘This Gonna Be on the Test, Miss?’

From the time she was a kid, Ronna J Levy knew that she wanted to be an actress. How she ended up being a...

2016 FringeNYC Review: ‘Tribulation: The Musical’

A post-modern take-off on the Book of Revelation, Tribulation: The Musical, with book and lyrics by Molly Miller and music by Brad Kemp, reimagines...

2016 FringeNYC Review: ‘Cabtivist’

After listening to John McDonagh’s hilarious reminiscences about his life as a New York cabbie, you’ll be convinced that few jobs are as rife...

In the Moment: Theatre Communications Group Reaches Out to Veterans

Reaching out to new or underserved audience for audience development is likely a major, on-going activity for any local theater troupe. Given the large number...

2016 FringeNYC Review: ‘Joey Variations: A Play with Dance’

A poignant and uplifting three-hander, Joey Variations: A Play with Dance, written and directed by Jon Spano, is a seemingly simple story about the...

2016 FringeNYC Review: ‘The Legend of Oni’

Fulfilling a ten-year dream, the all-female Musical Company OZmate, from Takarazuka, Japan, has brought its epic tale, The Legend of Oni, to FringeNYC, and...

2016 FringeNYC Review: ‘Humorously Horrendous Haunted Hideaway’

If you’re a fan of the fright genre and nostalgic for classic Saturday morning TV shows for kids, Playlab NYC’s Humorously Horrendous Haunted Hideaway...

2016 FringeNYC Review: ‘The Intriguing Engagements of Frances and Meg Cheatham,...

As two upper-crust English sisters of marriageable age in the Victorian era, Mia Hutchinson-Shaw and Natalia Dyer bring new meaning to sibling rivalry in...

2016 FringeNYC Review: ‘The Theatre Made in Paradise’

What better reason to leave Elizabethan England than to stage a production of Shakespeare’s The Tempest in the New World and to found an...