2013 Capital Fringe Show Preview: ‘Funny Stories 2’ by James Judd
A Little Murder in the Middle: James Judd’s Funny Stories 2
It took a murder and a trip to prison to bring James Judd back...
‘Lost Songs of Broadway: 1970s’ at Signature Theatre by Julia Exline
Signature Theatre presents Lost Songs of Broadway: 1970s, a cabaret comprised of 16 'forgotten' Broadway tunes, conceived and directed by Matthew Gardiner, with Music Direction...
‘Clementine in the Lower 9′ at Forum Theatre by Sydney-Chanele Dawkins
Heart, Soul, and the Blues
There is a calm before any storm.
The hurricane of human turmoil, and the whirlwind of hope that remains afterwards, is...
2013 Capital Fringe Show Preview: ‘Smellin’ Up the Den!’ by Scott...
Smellin’ Up the Den!: The Classiest Potty Humor at Fringe
“Will we lose the audience when Jesus calls Hitler a little bitch?” I wonder aloud. “Well...
Film Review: ‘We Steal Secrets: The Story of WikiLeaks’ by Erica...
WikiLeaks has been critically captured by filmmaker Alex Gibney (Taxi to the Dark Side, Enron: The Smartest Guys in the Room) in the digitally...
2013 Capital Fringe Preview of Lois Cecsarini’s ‘Eve’s Big Fat Family...
Lois Cecsarini makes her Fringe debut this year with Eve’s Big Fat Family Reunion, a heartfelt musical comedy. The musical rolls together Cecsarini’s 22-year...
2013 Capital Fringe Show Preview: ‘Carry a Big Stick’ by Catherine...
Carry a Big Stick is not your typical Fringe show, and the story behind it isn’t typical either. Playwright Paul Handy is a judge,...
‘The Real Thing’ at The Studio Theatre by Sydney-Chanele Dawkins
Does art influence life? Or, is life imitating the art?
What is love and at it what cost?
What is right? What is real?
It’s all a...
Miřenka Čechová Performs ‘Light in a Darkness & The Death of...
Acclaimed actress Miřenka Čechová, and her company Tantehorse from the Czech Republic will mount Dante-Light in a Darkness, a piece that combines surreal and decadent...
‘Act A Lady’ at Iron Crow Theatre Company by Amanda Gunther
There’s no trick to acting a lady, you simply need less as if your whole existence fatigues you. This great notion is a poignant...
‘Blithe Spirit’ at 1st Stage by Yvonne French
Blithe Spirit at 1st Stage in Tysons is a guilty pleasure on two levels. First, it lets you take a peek at paranormal stereotyping...
‘Romeo and Juliet’ at The Baltimore Symphony Orchestra at The Music...
It was a night of flying fingers and familiar classics with the Baltimore Symphony Orchestra at the Music Center at Strathmore for Romeo and Juliet. The three...
‘A Moon For The Misbegotten’ at Greenbelt Arts Center by Amanda...
Eugene O’Neill’s classic drama A Moon For The Misbegotten comes to Greenbelt Arts Center to close out the 2012/2013 season. An emotionally charged drama...
‘Pickle My Monkey’ at Maryland Ensemble Theatre by Mike Spain
Maryland Ensemble Theatre’s World Premiere of Pickle My Monkey is daring, wacky, funny, and entertaining. Written by Maryland Ensemble Theatre's company members Lisa Burl,...
‘Swing’ at Annapolis Summer Garden Theatre by Amanda Gunther
It don’t mean a thing if it ain’t got that swing! And Annapolis Summer Garden Theatre proves that they’ve got it as they kick...
Film Review: ‘What Maisie Knew’ by Leslie Weisman
When Henry James wrote What Maisie Knew at the turn of the twentieth century, little did he dream that more than a century later it...
NSO Pops with Trey Anastasio at The Kennedy Center by Max...
To the uninitiated, like me, the phanaticism of Phish phans can be puzzling. While it might be easy to write this band off as...
‘If You Can Get To Buffalo: An Exploration of a Rape...
A lucid illusion of presence; the concept of existence in cyberspace where there is no reality except for the one created by the users...
‘Homeward Bound Heroes’ at The Music Center at Strathmore by Lauren...
The Wounded in Action Family Foundation (WIAFF) has made it their mission to help wounded war veterans integrate back into their home lives. Last...
Part Two: “Richard Campbell’s Frankenstein: Landless Making a Monster Rock Opera”:...
This is part two in a series of interviews with the cast and creative team behind Landless’ upcoming prog-metal rock opera Richard Campbell’s Frankenstein....