2016 ‘Page-to-Stage’ Schedule for September 3-5, 2016 at The Kennedy Center
The 15th Annual Page-to-Stage New Play Festival Schedule
Saturday, September 3 to Monday, September 5, 2016
PERFORMANCE CALENDAR-UPDATED 8/19/16
SATURDAY, SEPTEMBER 3, 2016
11 AM–12:20 PM
ISRAELI LOUNGE
Ally Theatre Company:...
Review #2: ‘The Merchant of Venice’ at The Kennedy Center
The devil can cite Scripture for his purpose.
An evil soul producing holy witness
Is like a villain with a smiling cheek,
A goodly apple rotten at...
Review #1: ‘The Merchant of Venice’ at The Kennedy Center
The appropriately psychologically penetrating and vivid production of The Merchant of Venice (now playing at The Kennedy Center’s Eisenhower Theater) embraces all the conundrums...
Review: ‘The Phantom of the Opera’ at The Kennedy Center Opera...
In fact, a perfect opera!
Andrew Lloyd Webber’s The Phantom of the Opera dazzled the Kennedy Center’s Opera House this Friday, bringing the beloved and...
Review: ‘The Bridges of Madison County’ at The Kennedy Center
The Bridges of Madison County is a romantic, sexy, and unapologetically sentimental musical. Most likely you know The Bridges of Madison County from either...
Review: Dick Gregory: An Evening of Comedy & Jazz at The...
Internationally known comedian and civil rights activist, Dick Gregory, closed out the last of a series of five District of Comedy Festival performances along...
Review: ‘See Jane Sing’ at The Kennedy Center
It’s hard to imagine what to expect at a cabaret debut from a television actor turned Broadway performer turned television game host. Jane Lynch—who...
Review: The District of Comedy Roast of James Carville at The...
How do you make fun of someone who always makes fun of himself? Well, last night, Roastmaster Bob Saget and The Kennedy Center’s District...
Review: “Celebrating Joan: A Tribute to Joan Rivers” at The Kennedy...
Celebrating Joan: A Tribute to Joan Rivers, which left the audience of admirers howling last night at The Kennedy Center's Eisenhower Theater, was an evening for “mature...
Review: Ireland 100: ‘The Hunger’ at The Kennedy Center
The East Coast concert premiere of The Hunger begins with a harsh, discordant note, immediately conveying that this will be a performance about pain. The...
Review: ‘Juliet and Romeo’ by the Royal Swedish Ballet
The Swedes take on an old classic and make it relevant.
Mats Ek’s Juliet and Romeo for the Royal Swedish Ballet, at The Kennedy Center...
Review: Paul Taylor Dance Company at The Kennedy Center
The last living – and working – link to the founding generation of modern dance choreographers, Paul Taylor remains true to his values as...
Review: Ireland 100: ‘riverrun’ at The Kennedy Center
DC audiences last saw Olwen Fouéré in Yaël Farber’s Salomé at the Shakespeare Theatre Company playing the narrator character Nameless Woman. With her striking...
Review: Ireland 100: ‘Tiny Plays for Ireland and America’ by Fishamble:...
Fishamble: The New Play Company opened its "Tiny Plays for Ireland and America" last night as part of Ireland 100.
Act I consisted of 20...
Review: Ireland 100: ‘The Girl Who Forgot To Sing Badly’ at...
The Kennedy Center is currently presenting IRELAND 100: Celebrating a Century of Irish Arts & Culture, through June 5, 2016. The festival includes a...
Review: ‘Boyz II Men’ at The Kennedy Center with the National...
Motown Philly came to DC full-blast as the best-selling R&B group of all time, Boyz II Men graced the Concert Hall stage of The Kennedy...
Review: Ireland 100: ‘All That Fall’ by Pan Pan Theatre
All That Fall is quite the most quite unique, powerful, and delightful experiences I’ve had at the theatre. Director Gavin Quinn, the Co-Artistic Director...
Review: Ireland 100: ‘The Plough and the Stars’ at The Kennedy...
Make no mistake about it. World War I kicked the crap out of patriotic idealism.
Just ask Wilfred Owen. His "Dulce et Decorum et" is...
A Preview of RebollarDance’s ‘2077’ Premiering on The Kennedy Center’s Millennium...
RebollarDance, described by Erica Rebollar as “a modern dance collaborative where multi-genre artists can make innovative work,” has cooked up a truly unique evening...
Review: Washington Performing Arts Presents Itzhak Perlman and Emanuel Ax
You can feel the excitement in a room when witnessing the performance of an icon. With over 100 years of combined experience bringing classical...
