Emotionally real family tensions in ‘The Humans’ by Mask and Bauble...
As soon as the play began, I forgot I was watching college students. By DANIELA DEL ROSAL
Morality, mortality, and farce in ‘Everybody’ at Bowie State University
Emerging student artists talk about the process of their production and the meaning of the play. By LaSHAY FLETCHER
GMU has a victory in innovative ‘Natasha, Pierre & The Great...
As staged by the School of Theater at George Mason, this musical adaptation of ‘War and Peace’ was a tuneful and emotional journey. By JEFFREY WALKER
‘The Rocky Horror Show’ more than delivers at Maryland Ensemble Theatre
A co-production with Theatre FCC, the cult classic moves at a breakneck clip and seamlessly incorporates audience participation. By ANDREA MOYA
‘Twelfth Night’ turns up in a 1980s high school at George...
A spunky and funny new adaptation in a modern setting views Shakespeare's romantic comedy with queerness in mind. By ISABELLA ARTINO
In ‘Disarming Girls’ at American University, an act of exemplary resistance
This timely play tells the true story about a group of young women who figured out something they could do to fight fascism. By GREGORY FORD
Howard University showcases one-acts by four promising playwriting students
Collectively titled ‘Young Griots: New Works for the Stage,’ the program pointed encouragingly to the future of American storytelling. By GREGORY FORD
The Theatre Lab’s ‘Hadestown’ pulses with professionalism
The enthusiastic teenage cast meets the challenge of an incredibly complex production. By JULIAN OQUENDO
Bluegrass musical ‘Bright Star’ shines at Catholic University
Standout vocal performances and well-timed humor bring an emotional depth and a light-hearted feel to this story of the enduring love of family. By MOIRA GLEASON
Fantastical fable ‘Meat Expectations’ in American Sign Language at Gallaudet
The show features buffoonery, slapstick, song, and dance, and the entire cast takes to their roles with infectious energy and enjoyment. By GREGORY FORD
‘Meat Expectations,’ new musical at Gallaudet University, created entirely in American...
The fully Deaf-made show is fully accessible to both Deaf and hearing audiences. By COURTNEY BRONSON
Rollicking ‘Museum’ spoofs art world at Anne Arundel Community College
The actors hit all the right comic moments in Tina Howe's play, which pokes great fun at the eccentricities of art and art-goers. By CHARLES GREEN
Ibsen’s ‘Ghosts’ well-performed in new adaption at Georgetown University
Every member of the Nomadic Theatre production is energetic, determined, capable, and well-cast. By GREGORY FORD
Georgetown University’s take on ‘Sweeney Todd’ is a bloody good show
The Mask and Bauble Dramatic Society brings the musical to life with impressive talent and bold direction. By RASHEEDA AMINA CAMPBELL
An affirming ‘for colored girls…’ for the 21st century at Howard...
It is a joy and comfort to see these youthful and energetic performers bring themselves fully and transparently to Ntozake's Shange's choreopoems. By GREGORY FORD
Dolly Parton’s ‘9 to 5 The Musical’ at American University was...
The energy was electric, performers belted out songs to the rafters, and terrific choreography included pirouettes and funky pivots all over the place. By DEBBIE MINTER JACKSON
A daunting classic opera comes to life in ‘La Bohème’ at...
The Rome School of Music, Drama, and Art students pull off a challenging piece of art. Their music and vocal performances carry the show. By MOIRA GLEASON
All theatrical disciplines shine in ‘Julius Caesar’ at American University
The student-run production — a project of graduating Theatre and Musical Theatre majors — brings Shakespeare’s political tragedy to life. By EILEEN MILLER
‘’night Mother’ at The Theatre Lab left us in tears
Thanks to the subtlety and skill of the actors, this devastating drama builds emotional intensity steadily from its opening moments. By MOIRA GLEASON
Opera AACC presents an emotionally gripping ‘Dead Man Walking’
Onstage at Anne Arundel Community College, the dramatic story of a nun and a man on death row raises questions about faith, forgiveness, and justice. By CHARLES GREEN



















