‘Slime’ glistens and glows in U.S. premiere at UMBC
In this emotionally powerful play performed by students and puppets are profound nature metaphors and ecology commentary. By MEGAN WILLS
‘The House That Will Not Stand’ gets a standing O at...
Bolstered with humor, Marcus Gardley's period play follows seven women as they fight for their idiosyncratic interpretations of freedom. By TENIOLA AYOOLA
Self-discovery and Black joy in ‘When Two Hands Meet’ at GU
Written by Georgetown University senior Shakeer Hood, the world-premiere play with dance has much to admire. By LISA TRAIGER
Two Asian American mean girls get Macbethian, in ‘Peerless’ at GW
In a production featuring talented George Washington University students, the drama of college admissions takes on Shakespearean proportions. By DANIELLA IGNACIO
At UMD, cross-gender-cast ‘Men on Boats’ sail wonderfully into the new...
This University of Maryland ensemble was truly strong. There were beautiful and heartbreaking moments, and they tackled each one with grace. By BRITTANY PROUDFOOT GINDER
New musical ‘Sonnets and Soul’ resonates deeply at Howard University
Co-creators Dell Howlett and Michael McElroy tell a heartfelt story of a queer Black boy's coming of age, and a talented cast conveys every ounce of its passion. By ISAAC WELCH
Satirical ‘Urinetown’ sparkles like new at American University
The Tony-winning musical sendup demands a lot of its cast, and the accomplished players at AU are more than up to the task. By AMY KOTKIN
Vibrant ‘Twelve Ophelias’ at GMU is a feminist spin on the...
A talented cast shines in Caridad Svitch's revisionist retelling of 'Hamlet' at George Mason University. By HALEY HUCHLER
Three indelible one-acts from Mask and Bauble at Georgetown
The 38th Annual Donn B. Murphy One-Acts Festival is a dazzling love letter to the power and promise of university theater. By HAILEY WHARRAM
Fearless new writing in ‘Damn Things Will Kill Ya’ at American...
Playwright Olivia Luzquinos, an AU alum, seeks out the conversations that characters need to have but avoid, and plunges right into them. By GREGORY FORD
Grief tests Black women’s friendship in ‘Long Time Since Yesterday’ at...
Wrestling with themes of love and sense of self, the entire Howard Players cast surrenders to the story. By WHIT DAVIS
Students share the power of community in new show ‘Buy Black!’...
Voices from the creative team of an original production at Bowie State University about protecting Black businesses. By MALEAH DIGGS
A gift of beauty runs through ‘Bicycle Country’ by Nilo Cruz...
The play takes place in Cuba at a time of deprivation, but director Fatima Quander makes sure that beauty and comfort share center stage. By GREGORY FORD
Masqueraders present prescient 1920 play about robots, at U.S. Naval Academy
'R.U.R.,' a dramatic adaptation of Karel Čapek’s classic sci-fi tale, is a powerful reminder that technological advances can have unintended consequences. By CHARLES GREEN
Jubilant ‘Making the Go-Go Band’ at Georgetown lifts up DC’s own...
Amid dazzling lights and vivacious energy, a new musical featuring GU students and local talents feels delectably cozy. By HAILEY WHARRAM
Tensions wax and wane in Nomadic Theatre’s ‘Betrayal’ at Georgetown
The cast and creative team understand Pinter's play and its logic-defying emotional arc but not often enough to maintain a continuous magnetism. By JACOB CANSLER
In ‘Black Nativity’ at Howard University, new and upcoming talent shines
The legacy of the Theatre Department lives on: The ensemble gave performances worthy of gossip over Sunday dinner. By WHIT DAVIS
A stylish romp in the underworld with ‘Daughters of Leda’ at...
Professionally directed by Shanara Gabrielle and Angelisa Gillyard, American University actors mash up mythologies to a sharply funny and insightful effect. By CAROLINE BOCK
A glorious ‘John Proctor Is the Villain’ from Mask and Bauble...
In Kimberly Belflower's comedy drama, Georgetown students portray the difference between a predator's honor and the meaning of a woman’s life. By SOPHIA HOWES
A daughter helps her father heal from trauma in ‘Our Dirty...
Georgetown Playwright Camila Madero imagines a platform and process that allows her father — an Argentine exile — to talk about his experiences. By GREGORY FORD



















