Tag: 2018 Capital Fringe Festival
2018 Capital Fringe Review: ‘Cold Rain’
We’ve all heard of the sage advice, “be careful what you wish for.” But it should be doubly heeded when there’s magic involved. In...
2018 Capital Fringe Review: ‘The Body of a Woman as a...
2000FeetUp Theatre Company is a new Iranian-Canadian theatre helmed by director Siavash Shabanpour. The company is based in Toronto and has brought Romanian-French playwright...
2018 Capital Fringe Review: ‘Musical Therapy’
By Garine Isassi
Musical Therapy is a musical comedy for adults by two talents out of Chicago: Joey Katsiroubas (music and lyrics) and Dan Hass...
2018 Capital Fringe Review: ‘A Slow Bullet’
I am so, so glad we’re finally talking about mental illness and suicide. According to the most recent CDC statistic, there are 800,000 suicides...
2018 Capital Fringe Review: ‘On the Eve’
By Isabel Echavarria
Dive into the world of legendary characters of fairy tales, literature, and history at On the Eve by Amy Frey. This show...
2018 Capital Fringe Review: ‘Marx in Soho’
Marx in Soho is a one-man show written in 1999 by the late historian Howard Zinn. It was re-mounted by Iron Age Theatre for the...
2018 Capital Fringe Review: ‘MasterMimes: The Show’
MasterMimes: The Show, created and performed by Gabe Simms and Julianne Nogar, presents a series of … what to call them -- vignettes? Scenes?...
2018 Capital Fringe Review: ‘1 2 3: a play about abandonment...
What becomes of the children of famous (or notorious) people later in their lives is fertile ground for fiction as well as documentary storytellers....
2018 Capital Fringe Review: ‘The Unaccompanied Minor’
Comedy. It isn’t always pretty. And sometimes it isn’t even funny. In the case of Elan Zafir’s biographical one-man show The Unaccompanied Minor, although...
2018 Capital Fringe Review: ‘Tales of The Mysterious and Grotesque: The...
The Phenomenal Animals, in conjunction with Capital Fringe 2018, present, Tales of The Mysterious and Grotesque: The Works of Edgar Allan Poe, an original...
2018 Capital Fringe Review: ‘Phantom Limb’
Could I be addicted to my smartphone? It's a question that has drifted across most of our minds at some point - a vague...
2018 Capital Fringe Review: ‘F*ck Tinder: A Love Story’
By Ellie Milewski
What takes more courage than getting up on a stage by yourself and doing a one-man show? How about getting up on...
2018 Capital Fringe Review: ‘Bartleby, the Magical White Coworker’
White men win again — that seems to be the moral of Bartleby, the Magical White Coworker, written by Jeff Reiser and Chinwe Nwosu...
2018 Capital Fringe Review: ‘Isadora Duncan: Landscapes of the Soul’
Church basements have a long and surprisingly illustrious history in the evolution of modern dance, particularly in the mid-20th-century when they were creative strongholds...
2018 Capital Fringe Review: The Tragical Comical Fool’s Game
Shakespeare is alive and well at this year’s Fringe, and that includes both the usual adaptations and some of the more surprising spin-offs.
One of...
2018 Capital Fringe Review: ‘Painted Ladies: Bosses of the Wild West’
Who run the world? Painted ladies. And this year’s Fringe production of the same name by Too Much Damn (TMD) Theater rode that point...
2018 Capital Fringe Review: ‘O Monsters’
Against a background of black timber walls, a beautiful dark-haired woman stretches out languorously on a table. Dressed in a skimpy black nightgown, she...
2018 Capital Fringe Review: ‘The City Of…’
By Beatrice Loayza
Directed by Patrick Pearson and written by Matthew Capodicasa, The City Of . . . is an ambitious work self-described as inspired...
2018 Capital Fringe Review: ‘The Vandal’
The Vandal, which opened to a sold-out audience on the first weekend of the 2018 Capital Fringe, is a comedy about loss. It’s also...
2018 Capital Fringe Review: ‘America’s Wives’
A main point of Michelle Alexander’s The New Jim Crow is that the oppression of people of color in the U.S. cannot be explained...