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Review: ‘Wrestling Jerusalem’ at Philadelphia Theatre Company

It’s been said that one of the problems with politics these days is that people talk but don’t listen. Opposing political sides state their...

Review: ‘2.5 Minute Ride’ at Theatre Horizon

There’s a lot going on in Lisa Kron’s life. There’s her brother’s upcoming marriage, a ceremony that’s being held at a Jewish community center...

Review: ‘Funny Girl’ at Candlelight Dinner Theatre

What would you rather see: Fanny Brice singing on a tugboat in New York harbor, or a real live Fanny Brice in the Ziegfeld...

Review: ‘Other Desert Cities’ at Bucks County Playhouse

In the opening moments of Other Desert Cities, playwright Jon Robin Baitz introduces us to a wealthy Southern California family whose members love to...

Review: ‘The Roses in June’ at Seagull Productions

June 1967. What memories does that bring? Sgt. Pepper, The Rolling Stones, bell bottoms, assassinations, the conflict with ’50s conformity, trouble in the Middle...

New Records: Listening to the Music of 3 Tony-Nominated Shows

New Records is a new column that discusses recordings of theatrical shows. It’s a companion to the theater reviews that appear here on DC Theater...

Review: The Philadelphia Orchestra Performs Mahler’s Longest — and Greatest —...

Although not frequently performed, the Symphony No. 3 is Gustav Mahler's most encompassing work, the piece which best exemplifies his life and career. Yannick Nézet-Séguin led...

Review: ‘My Name is Asher Lev’ at South Camden Theatre Company

A sensitive young man struggles with his heritage as he tries to make his own mark on the world. A predictable story, you might...

Review: The Philadelphia Orchestra Presents Leonard Bernstein’s First Major Composition

Leonard Bernstein’s Symphony No. 1 was the major undertaking at The Philadelphia Orchestra’s concerts of May 3, 5 and 6, 2017. Yannick Nézet-Séguin led...

Review: ‘Ragtime’ at Ford’s Theatre

Glorious! Dazzling! Verve! Bursting at the seams with voices and stories of America’s humanity and originating dreams. These are the words I felt as Ragtime,...

Review: The Philadelphia Orchestra Performs Seeger, Berg & Beethoven with Guest...

Contrast was stark in the concert which Michael Tilson Thomas led with The Philadelphia Orchestra. The first half displayed two radically dissonant pieces from...

Review: ‘Any Given Monday’ at the Stagecrafters Theater

If you want to tell people the truth, make them laugh. Otherwise they’ll kill you. That quote, usually attributed to George Bernard Shaw, aptly describes...

Review: ‘Irving Berlin: A Simple Melody. A Tribute in Song’ at...

How fortunate we are to have the In Series the past 2+ decades presenting a smart set mix of: innovative Pocket Opera, intimate Cabaret, and intriguing...

Review: ‘Broadway Bound’ at 1st Stage

As self-conscious plays go, Neil Simon’s Broadway Bound is both a self-fulfilling prophesy and a cross-examination of the creative process. The play, which was nominated for a...

“It’s Our Most Jewish Play This Season”: A Q&A With Adam...

For the second show in his first season as artistic director of Theater J, the nation’s largest and most prominent Jewish theater,  Adam Immerwahr...

Review: The Second City’s ‘Unelectable You’ at The Kennedy Center

Billed as “The Second City’s Completely Unbiased Political Revue,” Unelectable You—now in the middle of a four month pre-election national tour—paused in Washington, DC...

Review: ‘The Whipping Man’ at Fells Point Corner Theatre

Fells Point Corner Theatre (“FPCT”) opened its production of Matthew Lopez’s The Whipping Man on Friday. The second show of FPCT’s “Rescue Me” season,...

Review: ‘The Last Schwartz’ at Theater J

There have been so many plays about dysfunctional families—think about August: Osage County, for example, or The Sisters Rosensweig—that it’s hard to believe that...

2016 Capital Fringe Review: ‘Underneath the Lintel’

Pat O’Brien’s solo performance in Underneath the Lintel has been captivating US and Canadian Fringe audiences for eight years now, and it’s not hard...

Review: ‘Collected Stories’ at Peter’s Alley Theatre Productions

“You can’t censor your creative impulses because of the danger of hurting someone’s feeling. Write don’t speak it.” This early line of dialogue resonates throughout...