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4615 Theatre’s Director and Design Team Discuss World Premiere of ‘Separate...

True to its current mission of producing a provocative blend of classical and contemporary work, inspiring audiences to explore the echoes and resonances of...

Review: ‘Hello, My Name Is…’ at The Welders

Challenging theatrical conventions, Hello, My Name Is… by Deb Sivigny, directed by Randy Baker, and produced by The Welders is like no other theater production I...

Spine: ‘When We Were Young and Unafraid’ at The Keegan Theatre

Stepping back 45 years, America is in the midst of a social revolution, and feminist consciousness-raising sessions are underway. Radical feminists, cultural feminists, and political...

Review: ‘When We Were Young and Unafraid’ at The Keegan Theatre

In 1972, there was no Roe v. Wade or Violence Against Women Act. Battered women had little legal recourse, and many found shelter—if they...

Review: ‘Side Effects’ at Taffety Punk Theatre Company

In a simple bold setting, a man in a hurry is running late. He is answering his phone, head skewed at an angle to...

Review: ‘Mercy Killers’ at Taffety Punk Theatre Company

Joe in Michael Milligan's one-man show Mercy Killers is, indeed, your average Joe: he listens to Rush Limbaugh, he works on cars as a...

Review: ‘SISSY Accompanied by Johann Sebastian Bach and a Mouse’ at...

If you can imagine a play that captures bits and pieces of The Wizard of Oz and Greek Mytholgy, A Midsummer Night’s Dream, and...

Spine: ‘Mack, Beth’ a ‘Macbeth’ for the Cyber Age at Keegan...

Mack, Beth by Chris Stezin, now playing at The Keegan Theatre, is a Macbeth for the Cyber Age. Set in a world where death...

Review: ‘Mack, Beth’ at The Keegan Theatre

Chris Stezin’s adaptation of Macbeth, presented by Director Matt Ripa at The Keegan Theatre, is a daring attempt to bring one of Shakespeare’s most...

Review: ‘Who’s the Boss’ at The In Series

The In Series’ production of Who’s the Boss? is a fusion of two comic operettas, Giovanni Pergolesi’s La Serva Padrona and Gilbert and Sullivan’s...

Review: ‘The Electric Baby’ at Rorschach Theatre

At the center of this beautifully ambiguous and hauntingly honest play is a sick infant. The baby is peculiar, perhaps mythically so, in that...

‘One Thousand & One Nights’ at The Educational Theatre Company and...

Recently, The Educational Theatre Company (ETC) and McKinley Children’s Theatre performed a charming production of One Thousand & One Nights. I took my three young boys and...

‘Pluto’ at Forum Theatre by Amanda Gunther

“If I speak in the tongue of men or angels but do not have love I am only a resounding gong or a clanging...

‘The Best Man’ at The Keegan Theatre by David Friscic

The Keegan Theatre’s current production of Gore Vidal’s political drama The Best Man is solid entertainment in the best sense of the word. Never...

‘Glassheart’ at Rorschach Theatre by John Stoltenberg

The evening began enchantingly. The audience was seated on four sides of a square playing area lit by stage lighting, so we could look...

‘Agnes Under the Big Top’ at Forum Theatre by Maddie Gaw

Forum Theatre’s season debut begins with a tongue-in-cheek pre-show announcement. It acknowledges a sort of cultural sameness that we feel as theatergoers, and as...