Home Tags Kiernan McGowan

Tag: Kiernan McGowan

Review: ‘Pericles’ by We Happy Few

Let’s be clear, Pericles is pretty much a first draft play that Shakespeare never quite finished. Now to be fair, the work is not...

Review: ‘Imogen’ by Pointless Theatre (Women’s Voices Theater Festival)

Imogen, Pointless Theatre’s adaptation of Cymbeline, places one of Shakespeare’s most confusing heroines at the center of a battle for her independence. As in...

Review: ‘The Dog in the Manger’ at We Happy Few Productions

Lope de Vega, the author of We Happy Few Productions' current offering at The Capitol Hill Arts Workshop, was one of the most prolific...

Review: ‘Coolatully’ at Solas Nua

In the fictional village of Coolatully, a quartet of characters grapple with the effects of Ireland’s newest mass emigration. The brief and heady era...

Review: ‘Eurydice’ at NextStop Theatre Company

The hypnotic new production of Sarah Ruhl’s Eurydice at NextStop Theatre Company is more like a painting or a poem than a movie or...

Review: ‘Twelfth Night’ at Prince George’s Shakespeare in the Parks

In his program notes, Director Christopher Dwyer states there are good reasons why Shakespeare’s play have stood the test of time, and “one is...

Review: ‘The Electric Baby’ at Rorschach Theatre

At the center of this beautifully ambiguous and hauntingly honest play is a sick infant. The baby is peculiar, perhaps mythically so, in that...

2015 Capital Fringe Review: ‘The Winter’s Tale’

Read a description of The Winter’s Tale, and you may think William Shakespeare imbibed a little too much while writing it. The absurdity of...

2015 Capital Fringe Preview # 45: We Happy Few’s ‘The Winter’s...

WE HAPPY FEW PRODUCTIONS Presents: THE WINTER’S TALE By William Shakespeare A Part of the 10​th ​Annual Capital Fringe Festival, July 9​​-August 2, 2015. I am a feather for...

‘Not Enuf Lifetimes’ at The Welders at Atlas Performing Arts Center

There is a shortlist of great American plays about hopes and dreams, wrenching and emotionally exacting dramas exposing the anguish when righteous aspiration is...

‘The Tempest’ at Annapolis Shakespeare Company

In William Shakespeare’s The Tempest, the richness, the grace and the grandeur of the English language itself entertain in a way that only the...

Source Festival: ‘Mortality’-Six 10-Minute Plays

Last night I was back at CulturalDC’s Source Festival for Mortality, a series of six 10-minute plays inspired by the full length play, A...

‘A Dream Play’ at The Catholic University by Flora Scott

A Dream Play, by August Strindberg, directed by Colin Hovde at The Catholic University of America, is an examination of the human condition initiated by a goddess named...

Ranting With Cyle: ‘Collaboration’ by Cyle Durkee

F%#k you! (Not you, sorry! {I should probably have explained that statement a bit first]) The reason I said that is that it’s not...

Magic Time: ‘ We Happy Few Productions’ ‘Romeo and Juliet’ at...

Cross-gender casting of the classics can be sometimes a silly stunt, sometimes an earnest bemusement, and sometimes—as in Romeo and Juliet as staged for...

Capital Fringe Review: ‘Romeo and Juliet’ by Carolyn Kelemen

‘A Romeo to die for’ Be still my heart!  On a sultry summer night, just like Juliet (a feisty Raven Bonniwell), this writer fell in love with...

2013 Capital Fringe Show Preview: ‘Romeo and Juliet’ by Kiersten Dittrich

This year, We Happy Few Productions tackles the perennially-staged ROMEO AND JULIET by William Shakespeare at the Capital Fringe Festival. In 2013, which seems...

Source Festival: ‘Perfect Arrangement’ by Eric Denver

History 101 is a great place to begin to understand the ramifications of a Perfect Arrangement, which opens in the Spring of 1950. We find...

‘Spooky Action at a Distance’ at The Catholic University of America...

Is it possible for two people be irrevocably connected, regardless of action or distance? Can we ever really be certain about where our lives...