Tag: Philadelphia
Review: ‘Dirty Dancing: The Classic Story on Stage’ at the Merriam...
Dirty Dancing, a light, low-budget movie, came out of nowhere to become one of the biggest hits of 1987, and it’s still a beloved...
Review: ‘The Miraculous Journey of Edward Tulane’ at People’s Light
Imaginative storytelling and captivating performances at People’s Light make Dwayne Hartford’s The Miraculous Journey of Edward Tulane, adapted for the stage from the novel...
Review: ‘Betrayal’ at Allens Lane Theater
Adultery, the trespass that has fascinated human beings through the ages, offers many emotional highs and lows. There is the desire that overwhelms all...
Review: ‘Dream: A Phonograph Musical’ at Ritz Theatre Company
Celebrating the 90th anniversary of its historic building, Ritz Theatre Company presents Dream: A Phonograph Musical, an original prequel to the genre of the...
Review: ‘Buzzer’ at Theatre Exile
Buzzer is a story about real estate, and how moving to a new home can mean more than just leaving a forwarding address. Tracey Scott...
Review: ‘Peaceable Kingdom’ at Orbiter 3
I attended Peaceable Kingdom, a new play by Mary Tuomanen, last night at Christ Church Neighborhood House. I am already checking my calendar for...
Review: ‘Witness for the Prosecution’ at Bristol Riverside Theatre
A grand presentation of Agatha Christie’s popular whodunit of 1953, Witness for the Prosecution, closes out Bristol Riverside Theatre’s 30th anniversary season with a...
Review: ‘My Funny Bone’ at Brian Sanders’ JUNK
In My Funny Bone, the latest offering from Brian Sanders’ JUNK, the boundary-breaking choreographer/dancer traces the evolution of his, let’s say, “eccentric” sense of...
Review: ‘Clue On Stage’ at Bucks County Playhouse
Wanna play a game?
Clue On Stage is a show that doesn’t ask deep, profound questions of its audience. Instead, it simply asks, whodunit? Who...
Review: The Philadelphia Orchestra Presents Leonard Bernstein’s First Major Composition
Leonard Bernstein’s Symphony No. 1 was the major undertaking at The Philadelphia Orchestra’s concerts of May 3, 5 and 6, 2017. Yannick Nézet-Séguin led...
Review: ‘The White Devil’ at the Philadelphia Artists’ Collective
In the fall of 2010, the Philadelphia Artists’ Collective – the city’s critically-acclaimed purveyor of rarely-performed classics - burst onto the scene at the...
Review: ‘Fronteras: A Door in the Desert’ by Almanac Dance Circus...
I held my breath in glorious anticipation at several instances during Almanac Dance Circus Theatre’s captivating show Fronteras: A Door in the Desert. A...
Review: ‘Happy Birthday’ at 1812 Productions
Laughter broke out in the jam-packed theatre even before the first pratfall, which then only served to fan the funniness. Watching Beverly Cross' adaption...
Josh Hitchens, Diane Richardson, Molly Edelman, and Megan Edelman Discuss ‘Anne...
The latest offering in Ebenezer Maxwell Mansion’s popular Victorian Theatre presentations is a new interpretation of Anne of Green Gables, playing for four performances...
Review: ‘The Marriage of Figaro’ at Opera Philadelphia by Corey Cohen
Mozart’s The Marriage of Figaro (Le nozze di Figaro) is such a perfect amalgam of comedy and pathos that audiences will cheer even a...
Review: ‘The Massive Tragedy of Madame Bovary’ at Curio Theatre Company
How do you turn one of literature’s greatest tragedies into a raucous comedy? Very carefully.
I read Madame Bovary in high school, and while it’s...
Review: ‘The Taming of the Shrew’ at Exclamation Theater
The Taming of the Shrew is one of Shakespeare’s most controversial plays, one that has spurred argument and discord for over 400 years. Is...
Review: ‘Swallow’ at Inis Nua Theatre Company
Swallow, by Scottish playwright Stef Smith, was first seen at the Edinburgh Festival in 2015. This American premiere is produced by Inis Nua Theatre...
Review: The Philadelphia Orchestra Presents The Rachmaninoff Festival
During his lifetime, Sergei Rachmaninoff was more famous as a pianist than as a composer. Logically, therefore, The Philadelphia Orchestra’s current Rachmaninoff Festival is...
Review: ‘crazy beautiful’ at FringeArts
How are dances created? What might inspire a choreographer? Specifically, how does Tania Isaac develop a dance? What role does the viewer have in...