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Review: ‘Suddenly Last Summer’ at Old Academy Players

What did happen to Sebastian last summer? This sounds like a murder mystery, right? But if Tennessee Williams writes the mystery, one can be certain...

Review: ‘The Curious Incident of the Dog in the Night-Time’ at...

Words like breathtaking, awe-inspiring, and touching only begin to describe the epic journey experienced in The Curious Incident of the Dog in the Night-Time,...

Review: The Philadelphia Orchestra Performs Brahms’ Eleven Chorale Preludes, Bach’s...

The Philadelphia Orchestra set of concerts during the last weekend of February was one of the most imaginatively conceived in recent memory. The program consisted...

Review: ‘Sh*theads’ at Azuka Theatre

The characters in Sh*theads don’t mind being called shitheads. True, that may not be a word you’d use in polite company… but these people aren’t...

Review: ‘The Gift’ at Walnut Street Theatre

The fun, and perhaps coyness, of The Gift, Will Stutts’ gentle and constantly engaging play at the Walnut Street Theatre’s Independence Studio through March...

Review: LiveConnections Presents Harlem Quartet + Arturo Stable

Once again, LiveConnections Presents (“LCP”) curator Mary Wheelock Javian's musical matchmaking has produced a lively evening of musical discovery. This time it was the...

Review: ‘Lost Girls’ at Theatre Exile

For Maggie, life has been, ever since childhood, one crisis after another. Now, as a winter storm is blanketing her New Hampshire hometown, several...

Review: “The Bodyguard: The Musical” at the Academy of Music

Whitney Houston is a tough act to follow, especially in a version of the vehicle created just for her to showcase her most popular...

Review: The Philadelphia Orchestra Performs Mozart and Brahms

During the 44 years when Eugene Ormandy was music director of The Philadelphia Orchestra (1936 to 1980), he led almost every concert. There was...

Review: ‘The Matchmaker’ at People’s Light

An effervescent all-star ensemble of fourteen actors and two musicians under the ebullient direction of Abigail Adams brings to life the eccentric characters, madcap...

Review: ‘Mary Martello: Songs My Mother Taught Me’ at the Arden...

I’ve seen Mary Martello onstage more times than I can count. The 5-time Barrymore Award winner has played everyone from Mrs. Lovett in Sweeney...

Music with a Mission: Interview with Last Chance, a Great American...

Last Chance, Philadelphia’s much-talked-about musical duo of singer-songwriter Jack Scott (vocals, banjo, and guitar) and Ingrid Rosenback (vocals, fiddle, and harmonica), has been performing...

Review: ‘Leper + Chip’ at Inis Nua Theatre Company

The goal of Inis Nua Theatre Company is to “tell the story.” In its American premiere of Irish playwright Lee Coffey’s Leper + Chip...

Review: Balé Folclórico da Bahia at the Merriam Theater

They say “music is the universal language.” Balé Folclórico da Bahia definitely proved that in their one-night-only performance in Philadelphia at the Merriam Theater....

Interview: Catharine Slusar Returns to Theatre Exile in ‘Lost Girls’

Following her Barrymore Award for Best Actress as Martha in Theatre Exile’s 2014 production of Who’s Afraid of Virginia Woolf?, which was preceded by...

From PlayPenn to Lincoln Center: A Conversation about ‘Oslo’ with Paul...

Following its development in 2015 at PlayPenn -- the respected thirteen-year-old Philadelphia-based artist-driven organization dedicated to supporting and fostering new work -- playwright J.T. Rogers’...

Review: ‘Waiting for Godot’ at Curio Theatre Company

Waiting for Godot is generally considered a comedy. Samuel Beckett himself called this, his most famous play, a “tragicomedy.” But its reputation as an...

Review: ‘White Guy on the Bus’ at Delaware Theatre Company

White Guy on the Bus, at Wilmington’s Delaware Theatre Company through Sunday, February 19, is easily the prolific Bruce Graham’s most important and most...

Review: ‘Tancredi’ at Opera Philadelphia

A company premiere and part of its Opera at the Academy series presented in the historic Academy of Music, Opera Philadelphia’s production of Tancredi,...

Review: ‘The Enchanted’ at Idiopathic Ridiculopathy Consortium

A colorful clearing outside a provincial French village is visited by the spirit of a murderer who enthralls Isabel, an innocent young schoolteacher obsessed...