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Review: ‘The Seagull’ at EgoPo Classic Theater

Anton Chekhov’s The Seagull is one of the most durable of all 19th century plays. But it’s a play that producers, directors, and playwrights...

Review: ‘Having Our Say: The Delany Sisters’ First 100 Years’ at...

Sadie and Bessie Delany were one of a kind. Well, two of a kind. When we meet these two sisters, it’s 1993; Sadie is...

Review: ‘Any Given Monday’ at the Stagecrafters Theater

If you want to tell people the truth, make them laugh. Otherwise they’ll kill you. That quote, usually attributed to George Bernard Shaw, aptly describes...

Review: ‘The Big’ at The Sedgwick Theater

Lee Cortopassi’s The Big offers a fun, farcical take on classic film noir, loaded with ludicrous, laugh-out-load moments of sheer, nearly surreal silliness. Set between...

Review: ‘Romeo & Juliet’ at The Media Theatre

“Two households, both alike in dignity In fair Verona, where we lay our scene From ancient grudge break to new mutiny Where civil blood makes civil hands...

Review: ‘Marcus/Emma’ at InterAct Theatre Company

Marcus Garvey and Emma Goldman were known for their stirring, provocative speeches. But I doubt that, in any of her speeches, Goldman ever said...

Review: ‘Jerry Blavat’s Gospel, Soul and Doo Wop Reunion’ at The...

Jerry Blavat, “a Philadelphia borne dancer, radio and television disc jockey, performer, entertainer, producer and nightclub owner” (according to the program insert), produced his...

Review: LiveConnections Presents Nicholas Photinos + Florent Ghys at World Cafe...

Nicholas Photinos’ and Florent Ghys’ evening of “string innovations” was another successful pairing for LiveConnections Presents’ ambitious curator Mary Wheelock Javian. Her 2016-17 season...

Review: ‘Hello! Sadness!’ at FringeArts

Mary Tuomanen’s fiercely political solo performance Hello! Sadness! dreamily jolts through time and space. It blends together disparate historic figures and fictional characters, from...

Review: ‘Surviving Twin’ at People’s Light

Well-known to audiences for his offbeat 1972 novelty song “Dead Skunk (in the Middle of the Road)” and his appearances as the singing guitar-playing...

Review: ‘Broadway Up Close: Vanessa Williams’ at the Kimmel Center

Continuing the exciting season of Broadway Up Close concerts on Saturday at the Kimmel Center, Seth Rudetsky hosted Broadway and recording star Vanessa Williams...

Review: ‘Memphis’ at Ritz Theatre Company

“How could people be so bad that make me feel so good?” That is the rhetorical question posed by white DJ Huey Calhoun, a...

Review: ‘Constellations’ at The Wilma Theater

In Constellations, what happens is just as important as what might have happened. Nick Payne’s play concerns two young people who meet, fall in love,...

Review: ‘Rock of Ages’ at Eagle Theatre

It’s back to the ‘80s at Hammonton’s Eagle Theatre, for an absolutely hilarious revisiting of the decade of big hair, tacky fashions, and bad-ass...

Review: ‘Informed Consent’ at Lantern Theater Company

Jillian, the main character of Deborah Zoe Laufer’s play Informed Consent, is a genetic anthropologist – a scientist who has studied DNA for years...

Review: ‘Doug Varone and Dancers’ at the Prince Theater

Congratulations are in order! Doug Varone and Dancers (a contemporary/modern dance company) is celebrating its 30th anniversary! Doug Varone’s creativity has stood the test...

Review: ‘John’ at Arden Theatre Company

Pulitzer Prize-winning playwright Annie Baker is unsurpassed in her modern-day observations on the human condition and how we respond to it: the afflictions that...

Review: ‘Lizzie’ at 11th Hour Theatre Company

Whacked-out psycho-killer or falsely-accused innocent? We’ll never know the truth about Lizzie Borden, but 11th Hour Theatre Company’s production of the rock musical Lizzie, by...

Review: ‘The Hitchhiker’s Guide to the Galaxy Part 2’ at Hedgerow...

By combining Isaac Asimov-style science fiction with Monty Python-style silliness, Douglas Adams created a whole new genre. It paid off very handsomely for Adams:...

Review: ‘I Will Not Go Gently’ at Act II Playhouse

An aging rock star struggles to stay relevant, or perhaps struggles whether or not to care at all whether she is still relevant, in...