Tag: Philadelphia
Review: ‘Ideation’ at Theatre Exile
Ethics, morality, self-interest, and accountability are the big issues addressed in Theatre Exile’s smashing production of Aaron Loeb’s Ideation, in a sardonic send-up of...
Review: ‘West Side Story’ staged by The Philadelphia Orchestra
West Side Story has never sounded as good as in last weekend’s performances by Yannick Nézet-Séguin and the Philadelphia Orchestra. It even surpassed Leonard...
Review: ‘Buyer & Cellar’ at 1812 Productions
Jonathan Tolins’ captivating one-man play Buyer & Cellar is partly factual (or part truth, or partly true), in that there is indeed a mall...
Review: ‘Belén Maya: Romnia’ at URBN Black Box Theater
The life of a Gypsy is hard. For centuries the Romany people, who are commonly referred to as Gypsies, have been persecuted across Europe....
An Interview with Erik Ransom on the Development of His New...
Just back from a production of his musical GRINDR: The Opera in Florida, Erik Ransom organized a private developmental reading of his latest work...
Review: ‘2.5 Minute Ride’ at Theatre Horizon
There’s a lot going on in Lisa Kron’s life. There’s her brother’s upcoming marriage, a ceremony that’s being held at a Jewish community center...
Review: ‘Impressions of Pelléas’ at the Curtis Institute of Music
Claude Debussy’s only opera, Pelléas et Mélisande, is a unique masterpiece. But it’s very long: five acts, around four hours. So director and playwright...
Review: ‘The Swallowing Dark’ at Inis Nua Theatre Company
“Your status has expired.”
For Canaan Muponda, these are the most fearsome words imaginable. A refugee from Zimbabwe, Canaan has spent the last five years...
Review: ‘Blithe Spirit’ at Hedgerow Theatre
Universal button-perfect delivery of delicious Noël Coward lines takes Carly L. Bodnar’s production of Blithe Spirit at Hedgerow Theatre miles into gratifying comic territory,...
Review: ‘Long Day’s Journey into Night’ at Quintessence Theatre
Family is everything according to Eugene O’Neill. The relationships you form as a child will haunt and guide all of your future life. Rebellion...
A Look Back at Opera Philadelphia’s O17 Festival and ‘The Magic...
When Opera Philadelphia’s O17 Festival was announced in October of 2015, the company headlined its importation of the Berlin’s Komische Oper (Comic Opera) production...
Celebrate Fall with Brauhaus Schmitz’ ‘Oktoberfest’ at the Armory
Enter the 23rd Street Armory this Columbus Day weekend and be transported to a Munich-style beer hall for the 2nd annual celebration of Oktoberfest,...
Review: ‘Kinky Boots’ at the Academy of Music
Drag queens save the day and light up the stage in Kinky Boots, making its return to Philadelphia for a limited run this week...
Review: ‘Next to Normal’ at Resident Theatre Company
Next to Normal isn’t your standard Broadway musical. But this offbeat Pulitzer Prize-winner, now receiving a solid production at West Chester’s Resident Theatre Company,...
Review: ‘The 25th Annual Putnam County Spelling Bee’ at Bristol Riverside...
“We are the slightest bit bizarre” may be quite an understatement when describing some of the delightfully strange tweens competing in The 25th Annual...
Review: ‘Cabaret’ at Arden Theatre Company
“Why do we continue to allow destructive powers to gain control?” – Matthew Decker, Director of Cabaret
This is the question that runs through Arden...
Review: ‘Godspell’ at Villanova Theatre
Godspell has always been a show filled with spirit. Ever since its New York debut in 1971, it’s been a vehicle for a lot...
Review: ‘We Shall Not Be Moved’ by Opera Philadelphia
The sole Philadelphia-based offering in Opera Philadelphia’s O17 Festival is We Shall Not Be Moved. Its powerful message is that the city’s children, and...
Review: ‘War Stories’ by Opera Philadelphia
War Stories is a clever pairing of two music dramas dealing with battles, presented by Opera Philadelphia as part of its O17 Festival. The two...
2017 Philadelphia Fringe Festival Review: ‘Kink Haüs’ by Gunnar Montana at...
Sex, drugs, and rock-and-roll have long been the rallying cry of post-modern youth, and Gunnar Montana takes that hedonistic call to its most emphatic,...