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2017 Philadelphia Fringe Festival Review: ‘Airswimming’ by Half Key Theatre Company...

Airswimming, Charlotte Jones’ play about two Englishwomen stuck in a mental institution for no good reason, walks – or should that be swims? –...

2017 Philadelphia Fringe Festival Review: ‘Cotton&Gold’ by AMH Productions at Circle...

Cotton&Gold is a new play by writer/director Alyse M. Hogan, a 2017 University of the Arts graduate, and her company AMH Productions, which describes...

Review: ‘Red Velvet’ at Lantern Theater Company

A scarlet curtain lines the stage of the Theatre Royal in Covent Garden, London with a controversy lurking on either side. Outside, angry Londoners...

2017 Philadelphia Fringe Festival Review: ‘Alchemist’ at One Shot Coffee

Friendship finds its way to the Fringe by way of Mary Tuomanen and Chris Davis in the form of a felicitous commemorative play, and...

2017 Philadelphia Fringe Festival Review: ‘Home’ at the Prince Theater

Home is the newest theatrical confection of Fringe favorite Geoff Sobelle, and a can’t-miss part of the current festival. The first 70 minutes are...

2017 Philadelphia Fringe Festival Review: ‘Tilda Swinton Adopt Me Please’ by...

Both laugh-out-loud funny and intensely affecting, The Greenfield Collective makes its powerful mark on the Fringe with Tilda Swinton Adopt Me Please, an original...

2017 Philadelphia Fringe Festival Review: ‘Iphigenia at Aulis’ by the Philadelphia...

“What gods?” asks the devastated Clytemnestra after the sacrifice of her first-born daughter Iphigenia, in The Philadelphia Artists’ Collective’s Fringe adaptation of Iphigenia at...

2017 Philadelphia Fringe Festival Review: ‘Leaps of Faith and Other Mistakes’...

Did you ever want to sail away from it all and begin anew with a circle of like-minded friends? That’s what the figures in...

2017 Philadelphia Fringe Festival Review: ‘Strange Tenants’ by Sam Tower +...

Evincing the seminal inspiration of Fringe mainstays Pig Iron Theatre Company and New Paradise Laboratories, Strange Tenants is the latest original work developed in...

2017 Philadelphia Fringe Festival Review: ‘Statements After an Arrest Under the...

For the great South African playwright Athol Fugard, the personal is political. And nowhere is that more true than in Statements After an Arrest...

Review: ‘Aesop’s Fables’ at Quintessence Theatre Group

All of the characters in Lee Cortopassi’s colorful cartoon-like adaptation of Aesop’s Fables sparkle, and speak, just like the original ones drawn up way...

2017 Philadelphia Fringe Festival Review: ‘Labor of Love’ by The WaitStaff...

Philadelphia sketch-comedy icon, and longest-running annual act in the history of the Fringe, The WaitStaff marks its seventeenth year of participation with an all-new...

2017 Philadelphia Fringe Festival Review: ‘GATZ’ at The Philadelphia Shakespeare Theatre

The program for GATZ claims that it is “A parody based on ‘The Great Gatsby’ Written by F. Scot. Fitzgerald.” (Note that Fitzgerald’s middle...

2017 Philadelphia Fringe Festival Review: ‘. . . strand . ....

A transportive adventure awaits Fringe-goers in JUNK’s . . . strand . . ., as Brian Sanders and his stunning troupe contemplate the enigma...

Review: ‘A House with No Walls’ at Old Academy Players in...

Confederate statues are toppled because they ignite memories of slavery. Colleges are compelled to rename buildings because their namesakes turned out to be slaveholders. Theater...

2017 Philadelphia Fringe Festival Review: ‘Hello Blackout!’ by New Paradise Laboratories...

The cast of Hello Blackout! spends a lot of time in the dark. In the opening moments of the show, lights slowly fade up and...

2017 Philadelphia Fringe Festival Review: ‘United’ by The Revivalists at the...

Performed in the candlelit courtyard of the historic Betsy Ross House and opening in the 2017 Fringe on September 9 - the same date,...

2017 Philadelphia Fringe Festival Review: ‘Fishtown – A Hipster Noir’ by...

A spot-on parody of the retro-style of film noir in a hilarious send-up of our ever-growing post-modern obsession with social media and technology, Fishtown...

2017 Philadelphia Fringe Festival Review: ‘As the Matzo Ball Turns –...

A ten-year account of the failed pursuit of his Hollywood dreams, Gene Duffy’s As the Matzo Ball Turns – The Musical is an ambitious...

2017 Philadelphia Fringe Festival Review: ‘Pericles’ by Die-Cast at The Rotunda

Brainchild of Director Brenna Geffers and Designer Thom Weaver, the newly-formed Die-Cast makes its public premiere in the 2017 Fringe Festival with an arresting...