Walking into the Hippodrome for How the Grinch Stole Christmas! feels a little like stepping into the pages of a Dr. Seuss book — vibrant colors, and a large wreath to welcome you. This show, directed by Matt August, was an absolute delight for the children in attendance. But it was equally, if not more, enjoyed by the adults. This show will be a fantastic memory for Baby Boomers all the way to Gen Alpha, and the generations in between. Everyone will agree that it is “One of a Kind.”
Before the curtain goes up, the show distinguishes itself with a clever and charming framing device: the entire story is narrated by Old Max, portrayed by Nicholas Hambruch, the Grinch’s faithful dog, now older and wiser, looking back on the most unforgettable Christmas of his life. His warm, nostalgic narration gives the production a surprising emotional depth, anchoring the whimsy with gentle reflection.
From the very first notes, the orchestra led by Music Director/Conductor Christopher Babbage sets the tone with remarkable energy and precision. The musicians play with a bright, buoyant sound that perfectly captures the quirky rhythm of Dr. Seuss’ world. Every musical transition feels crisp and alive, and the orchestra elevates each number — especially the big comedic cues — with a playfulness that feeds directly into the humor onstage. Their work adds richness and sparkle to the entire evening, making the familiar songs feel both vibrant and freshly imagined.
The Hippodrome’s scenery, designed by set designer John Lee Beatty, is a visual treat, and the design leans all the way into the eccentric aesthetic that makes Dr. Seuss so beloved. Houses bend at impossible angles, and nothing is symmetrical — which is exactly how it should be. The world of Whoville feels alive with movement and color, and every set change keeps that playful energy going. Even if you know the story by heart, you can’t help but get caught up in the magical atmosphere.
But the heart of this show is, of course, the Grinch. In the production I saw, he’s brought to life with crackling, mischievous brilliance by Cody Garcia. Garcia’s performance is nothing short of phenomenal. He stalks across the stage with comedic precision, blending grouchiness, sarcasm, and unexpected vulnerability. His Grinch is part cartoon villain, part misunderstood outsider, and every exaggerated snarl or sly expression lands a laugh. Garcia’s timing is sharp, his presence commanding, and he brings a sense of fun to the role that keeps the audience riveted.
Garcia’s vocal performance shines especially in the musical number “One of a Kind.” This dramatic, deliciously over-the-top solo is a perfect showcase for his voice, which rings out strong and confident over the orchestra’s lively accompaniment. The number is theatrical, funny, and performed with absolute flair — Garcia knows how to milk each lyric and gesture, and the orchestra supports him with bold, expressive playing that heightens the comedy and drama.
Another standout moment is the iconic “You’re a Mean One, Mr. Grinch.” Powered by that rich, unmistakable musical line, the combination of Garcia’s physicality, Old Max’s commentary, and the orchestra’s deep, rolling accompaniment, this number is a crowd favorite. Adults in particular lit up with recognition at the first few notes. The show delivers the classic with just the right balance of nostalgia and wink-wink humor.
The ensemble of Whos fills the stage with boundless cheer. Their harmonies are bright, their choreography whimsically angled, and their collective energy infectious. The orchestra lifts their musical numbers with crisp, colorful playing, giving Whoville an effervescent sound that almost feels like it’s bouncing off the page of a Dr. Seuss book.
Cindy-Lou Who, represented at the performance I saw by a sweet and talented Khloe Sacolo, provides a heartfelt counterbalance to the Grinch’s antics. Her scenes with him — made more tender through Old Max’s reflective narration — offer the emotional core of the production. Through her innocence and warmth, the audience is reminded why this story endures: kindness has the power to transform even the grumpiest heart.
One of this production’s biggest strengths is how seamlessly it appeals to all ages. Kids laugh at the slapstick humor and wild facial expressions, while adults catch the clever dialogue, subtle comedic beats, and layers of nostalgia woven throughout. My only real note is that some of the lights are overly bright and give a strobe-like effect at times. So just be mindful of that.
The pacing is brisk, the humor lands, and the finale brings everything together with soaring harmonies and a sense of community that feels genuinely moving. Old Max and all of Whoville’s closing reflections, paired with the orchestra’s warm final swell, leave the audience with that unmistakable holiday glow. This show is an excellent start to the Christmas season and a perfect holiday outing for anyone looking to smile a little brighter.
Running Time: 90 minutes, no intermission.
Dr. Seuss’ How the Grinch Stole Christmas! The Musical plays through November 30, 2025 (performing at 11 a.m., 3 p.m., and 7 p.m.), at the Hippodrome Theatre’s France-Merrick Performing Arts Center, 12 N. Eutaw Street, Baltimore, MD. Purchase tickets ($54–$246) online or call 410.837.7400.
Complete cast and creative credits are in the online program here.
(How the Grinch Stole Christmas! comes to the National Theatre in DC from December 20, 2025, to January 4, 2026. For information and tickets, click here.)
