2026 District Fringe Review: This Is a Play About God (4...

Aimee Dastin's coming-of-age drama captures the psychological cost of chasing a Division 1 dream.  By NICOLE HERTVIK

2026 District Fringe Review: ‘How to Die in Japan’ by Miyo...

This dark comedy about funeral rites is an experience of mourning, grief, and laughter through tears. By MARY V. HOLIMAN

2026 District Fringe Review: ‘Define “Black”’ by Nessa Amherst (2 stars)

A reading of a new play explores what it means to be Black and a woman in the entertainment industry. By MARY V. HOLIMAN

2026 District Fringe Review: ‘The River’ by Molly Jane Brennan (3...

The staged reading offered poignant and engaging theater, and impressive performances showcased the play’s enormous potential.  By AILEEN JOHNSON

2026 District Fringe Review: ‘Speed Skating Sloth’ by the Emerson Twins...

This new musical seems destined to leap from sold-out staged readings to full production.  By HANNAH ESTIFANOS

2026 District Fringe Review: ‘The Well’ by Rex Daugherty (5 Stars)

Rex Daugherty’s personal musical narrative brings to mind the grit and conviction of Bruce Springsteen. By JOHN STOLTENBERG

2026 District Fringe Review: ‘B*tch Eat Dog’ by Mel Carter (5...

An in-your-face puppet show skewers a roster of social norms with razor-sharp humor and creative artistry.  By KENNY NEAL

2026 District Fringe Review: ‘Please Clap!’ by The Moon Girls (4...

Each skit gets sillier than the last, so that by the end, it feels like a sleepover party of punch-drunk teenagers.  By LAURIE SARA OLIVER

2026 District Fringe Review: ‘Swallowing My Shout’ by Theresa Cunningham (3...

Theresa Cunningham delivers a gripping autobiographical journey through abuse, survival, and the search for healing. By NICOLE HERTVIK

2026 District Fringe Review: ‘Who Did It? An Improvised Murder Mystery’...

Kicking off District Fringe year two, the winner of the 2023 Capital Fringe Festival is a sure bet for a good time. By NICOLE HERTVIK

2026 District Fringe Review: ‘When I Was’ by MaKayla Baker Paxton...

The playwright takes us back to her teenage angst in the early aughts, and her music-cued storytelling cuts deep. By JOHN STOLTENBERG