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In a dystopian near future, a twentysomething romance heats up steadily alongside a chilling public health crisis.

The play set in the 1990s shows just how delicate African American advancement continues to be.

Star Evan Hoffmann keeps guests gravitating between giggles and goosebumps.

The actors are simply remarkable, so natural and at ease that the plot becomes secondary to their electric chemistry as an ensemble.

The story of folks who choose to be committed to each other’s well-being, the play is a paean to the possibility of connection.

The show imagines a teen romance between Mary Magdalene and Jesus of Nazareth, and the cast and production are absolutely worth seeing.

You cannot watch his performance in this shocking role without feeling agitated and aghast — and he was willing to talk about it.

In his willingness to be vulnerable there is strength, and in his multifaceted storytelling, each and every emotion strikes a chord.

The teenage diarist Anne Frank appears as a puppet; an author tries to pull strings to stage her story.

She is a compelling storyteller, living a life always on the cusp of change.

The comedic chemistry between Harrison Smith and Fabiolla Da Silva pops and flickers like a log catching fire.

It’s as if Suzan-Lori Parks scalds and skins the body politic in one fell swoop.

'It’s risky to get on stage and be that vulnerable,' says the playwright, glam rocker, and trans advocate. 'It’s powerful, but it’s risky.'

Unexpected costs, performance cancellations, and staff shortages stress a field just beginning to operate again. | Report by NICOLE HERTVIK

Every role requires high-caliber singing, acting, and dancing, and the cast knocks it out of the park.