Great dramatic moments triumph in ‘Aida’ at Kennedy Center 

There is plenty of spectacle in Washington National Opera’s production, and the performances are strong and compelling. By SUSAN GALBRAITH

Great dramatic moments triumph in ‘Aida’ at Kennedy Center 

There is plenty of spectacle in Washington National Opera’s production, and the performances are strong and compelling. By SUSAN GALBRAITH

STC’s exceptional ‘Wild Duck’ gives wing to Ibsen’s emotional power

Simon Godwin directs with precision and restraint. Rich, natural performances showcase ensemble acting at its best. By SUSAN GALBRAITH 

Can queer theater ever be true to queer life?

A revival of Matthew López’s ‘The Inheritance’ at Round House Theatre prompts a culture critic to rethink what the queer community gains (and loses) when represented onstage. By NATHAN PUGH

Why I left the Kennedy Center

A former employee of the institution reflects on the tenuous position of arts workers under the Trump administration. By NATHAN PUGH

Can queer theater ever be true to queer life?

A revival of Matthew López’s ‘The Inheritance’ at Round House Theatre prompts a culture critic to rethink what the queer community gains (and loses) when represented onstage. By NATHAN PUGH

New books on the theater, its history, and artists

Theater-lovers everywhere can keep up with their reading with a selection of four publications offering a range of topics for all ages and interests,...

Baltimore Center Stage announces next Lab410 cohort

Three Baltimore-area playwrights selected for 2025/26 residency.

Baltimore Center Stage announces next Lab410 cohort

Three Baltimore-area playwrights selected for 2025/26 residency.