Tag: DC Theater Arts
Review: Peter Frampton Raw: An Acoustic Tour at the Kennedy Center’s...
It was a packed house for Peter Frampton Raw: An Acoustic Tour last night at The Kennedy Center’s Eisenhower Theater. With excitement in the...
Meet the Cast of ‘Postmortem’ at Montgomery Playhouse: Part 1: Gemma...
In Part 1 of a series of interviews with the cast of The Mongomery Playhouse's Postmortem, meet Gemma Davimes.
Joel: Please introduce yourself and tell our readers...
Review: ‘Shadowlands’ at North Bethesda United Methodist Church by Natalie McManus
North Bethesda United Methodist Church’s’ (NBUMC) presentation of William Nicholson's Shadowlands, directed by Janet Van Albert Replogle, is a delightful and touching real life...
Why ‘TAME.’ Enraged Me—And Why We Need Its New Shrew by...
The first time I read through TAME., I had to walk away from my computer.
TAME. had been described to me not as a reinterpretation...
‘An Evening with Edgar Allan Poe’ This Thursday, October 20th at...
AN EVENING WITH EDGAR ALLAN POE
Adapted by Robert Mason and Lindsay Price
AN EVENING WITH EDGAR ALLAN POE
ONE DAY ONLY! TWO PERFORMANCES!
THURSDAY OCTOBER 20, 2016,...
Review: ‘Radio Golf’ at Arena Players
On Friday, I got to do two things I’ve been wanting to do for a while: catch a show at Arena Players and see...
Review: ‘Witch’ at Convergence Theatre at Mead Theatre Lab at Flashpoint
Whatever your choice in Hallowe’en fare, Witch—an adaptation of a Jacobean melodrama now having its world premiere at The Mead Theatre Lab—has it all.
There’s...
Review: The Second City’s ‘Unelectable You’ at The Kennedy Center
Billed as “The Second City’s Completely Unbiased Political Revue,” Unelectable You—now in the middle of a four month pre-election national tour—paused in Washington, DC...
Review: ‘The Man Who Mistook His Wife For A Hat’ at...
Oliver Sacks' non-fiction book, The Man Who Mistook His Wife For A Hat, consists of a series of neurological case studies. Each study examines...
Review: ‘Bloody Poetry’ at The Catholic University of America
So far as I can tell, The Catholic University of America’s Drama Department turns out a lot of local talent. I keep seeing mentions...
In the Moment: Ping Chong & Company Comes to Reston’s CenterStage
A non-traditional, very timely theater experience is arriving at Reston’s CenterStage from the creative risk-taking minds of award-winning Ping Chong + Company. What the...
United Solo Review: ‘Listen . . . Can You Hear Me...
Growing up as a hearing child of deaf parents, Gloria Rosen faced many challenges, both in interpreting for and communicating with her family, and...
Review: ‘She Stoops to Conquer’ at The Actors Company Theatre at...
Anglo-Irish Playwright Oliver Goldsmith's "laughing comedy"- She Stoops to Conquer- was first performed in London in 1773. It's been a favorite for study in English...
Review: ‘Disgraced’ at McCarter Theatre Center in Princeton, NJ
It is sometimes difficult to imagine what theater might be able to further contribute to an already contentious national conversation about tolerance and devisiveness...
Review: ‘Sherlock Holmes: The Final Adventure’ at the Old Opera House...
One of the opening lines to last evening's performance of Sherlock Holmes: The Final Adventure, uttered by the world's most famous detective, was “You...
Fringe Encore Series Review: ‘Homo Sapiens Interruptus’ at The Huron Club...
Following the trajectory of his career from heavy-metal rocker to student, writer, and theater artist, Carlos Dengler not only recounts his own personal development,...
Review: ‘Wild Lines: Jane Ira Bloom Plays Emily Dickinson’ at the...
There is nothing quite like "a vast morsel."
When Jane Ira Bloom plays her soprano saxophone, her wiry body jutting and jagging to the notes...
Review: ‘HEISENBERG’ at Manhattan Theatre Club at the Samuel J. Friedman...
Let's get the title out of the way for starters. Simon Stephens, the author of this play, uses it to remind us that the...
Review: ‘The Whipping Man’ at Fells Point Corner Theatre
Fells Point Corner Theatre (“FPCT”) opened its production of Matthew Lopez’s The Whipping Man on Friday. The second show of FPCT’s “Rescue Me” season,...
Review: ‘Kiss’ at Woolly Mammoth Theatre Company
I go to see live theatre for a lot of reasons. I go to laugh and to be moved, to feel excitement or empathy,...