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‘The Addams Family’ at The Kennedy Center by Doug Poms

The Addams Family, the kooky clan that was first the subject of Charles Addams cartoons in the New Yorker, then featured on a popular...

Capital Fringe Review: ‘AARP the Musical and Harriet 2.0’ by Doug...

The Capital Fringe Festival constantly reminds us that art and theater have no boundaries. AARP the Musical and Harriet 2.0 is another fine example...

Capital Fringe Review: R.U.X. (Rockwell’s Universal SeXbots) by Ally Jenkins

Originally produced as a serial play as part of the 2011 Hope Operas, an annual charity event, R.U.X. has remounted for this year's Fringe...

Capital Fringe Review: ‘Hamlet’ by Lauren Katz

When I accepted the program for We Happy Few Productions' experimental approach to Hamlet, I have to admit I felt a little apprehensive. However,...

Capital Fringe Review: ‘Madwoman in the Attic: An Evening of Short...

Madwoman in the Attic: An Evening of Short Plays by Theresa Rebeck and directed by Aniko Olah unfold through six short skits that amusingly...

Fringe Review: ‘Cabaret XXX: Love the One You’re With’ by Grace...

Cabaret XXX: Love The One You’re With are the four ladies of Pinky Swear Productions, Toni Rae Brotons (director), Christina Frank, Allyson Harkey, and...

Capital Fringe Review: ‘Dreams in the Arms of the Binding Lady’...

Dreams  In The Arms of The Binding Lady is a deliciously dark and weird (in a good way!) performance by Izumi Ashizawa and her...

Capital Fringe Review: ‘Gorgeous Raptors’ by Jessica Vaughan

The Disreputables is a theater company dedicated, as they say, to "giving voice to those people deemed unfit by society." Lee Mikeska Gardner directs...

Capital Fringe Review: ‘Tight Assets’ by Jessica Vaughan

Amelia Adams, Michael Cavanaugh, and Alex Corby are all well-trained, incredibly gifted performers in the ancient Italian art of Commedia Dell'Arte. They call themselves...

Capital Fringe Review: ‘Barter (Or, Stealing Other People’s Credit Cards)’ by...

The first thing to know about Barter is that it has very little to do with bartering. In 75 fascinating, touching, and amusing minutes,...

Capital Fringe Review: ‘The Confines of Flattery’ by Jennifer Georgia

It is no mere flattery to say that Triptych Productions’ The Confines of Flattery provides a delightful and intriguing hour at the theater. A trio of...

‘The Last Five Years’ at The Heritage Players by Amanda Gunther

It’s the Off-Broadway sensation; the love story told from beginning to end and from the end backward to the beginning, join in the amazement...

Capital Fringe Review: ‘Children in the Mist’ by Anne Tsang

Children in the Mist, written by and starring Sean Pflueger and directed by Gregory Stuart, is an adaptation of Steven King’s The Mist in...

Capital Fringe Review: ‘Colony’ by Cyle Durkee

Enter a room with no chairs. There are two women in striped leotards running in place (Kelly Bond and Melissa Krodman {Melissa has the...

Capital Fringe Review: ‘The Circle’ by Cyle Durkee

The Circle is a walking tour of an area surrounding the Fringe office. You first download an audio file onto your IPOD or other...

Part 4: ‘Finding Big Love’ By Kristen Kelly

“Things happen so suddenly sometimes.” In Charles Mee’s Big Love, Nikos says this to Lydia. And sometimes that’s the only thing you can say. In...

Capital Fringe Review: ‘Domino’s Pizza Saved My Life’ by Sydney- Chanele...

The art of oral storytelling is a dying one. The natural grace and easy that monologist Dylan Fresco has sharing the intimate details of...

‘Buddy Guy With Special Guest John Mayall’ at Wolf Trap by...

It is not often you get to see two living legends on one night. However, that is what happened on July 12, 2012 at...

Capital Fringe Review: ‘Wild Night: A Choose Your Own Burlesque Adventure...

Make it a wild night at the burlesque Here’s a suggestion before you take on a late night “Tilted Torch” show at the Warehouse. Spend some time...

Capital Fringe Review: ‘Trial by Jury’ by Francine Schwartz

Gilbert and Sullivan's Trial by Jury is a satire of the British legal system. It is a fun little farce, an appertif only 45 minutes...