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Review: ‘Marx in Soho’ at Nu Sass Productions

Nu Sass’ latest Small Batch production is Howard Zinn’s one-actor Marx in Soho. It is another highly successfully, nervy production by Nu Sass with...

Review: ‘How to Succeed in Business Without Really Trying’ at The...

Last night, I had the pleasure to see the the Tony Award and Pulitzer Prize-winning musical How to Succeed in Business Without Really Trying...

Review: ‘Mom Baby God’ at Single Carrot Theatre

Sinister things are lurking just below the surface at the “2018 Students for Life Conference” in Washington, DC, which is where Madeline Burrows’ disturbing...

Review: ‘The Lyons’ at Isis Productions

Expletives, insults, and accusations fly, when an unhappy wife, alcoholic daughter, and gay son gather in the hospital room of their dying husband and...

Review: ‘Lucky Stiff’ at Silhouette Stages at Slayton House

The musical Lucky Stiff with book and lyrics by Lynn Ahrens and music by Stephen Flaherty opened March 10, 2017, at Silhouette Stages and...

Review: ‘From the Mouths of Monsters’ at The Kennedy Center

From the Mouths of Monsters, a world premiere Kennedy Center commission by award-winning playwright Idris Goodwin, directed by Dougie Irvine, is a gripping, intense...

Review: ‘Our Town’ at Temple Theaters

Temple University Department of Theater’s production of the Pulitzer Prize winner Our Town would have pleased its author, Thornton Wilder. This American classic was written...

Review: ‘Side Show’ at The Media Theatre

Come look at the freaks Come gape at the geeks Come examine their aberrations Is this any way to begin a Broadway musical? Well, if the subject...

Review: ‘Booty Candy’ at Montgomery College

In a particularly lapel-grabbing scene in Montgomery College’s Booty Candy, a preacher tells his congregation that he’s tired of hiding from the “what they...

Review: Discovery Artist in The Kennedy Center Jazz Club: Elena and...

Siblings Elena and Samora Pinderhughes are young, both in their early 20s. Samora is a composer and pianist and sister Elena is a vocalist...

Magic Time! ‘Intelligence’ at Arena Stage at the Mead Center for...

Lately I’ve been thinking that there are two key questions that must be asked of every season-programming choice by every theater’s artistic director: 1) Why...

Review: ‘Intelligence’ at Arena Stage at the Mead Center for American...

Intelligence, the new play at Arena Stage about the Valerie Plame CIA scandal, comes at a very timely moment in politics. As Donald Trump...

Review: ‘Spring Awakening’ at Howard County Community College Theatre

The Tony Award-winning Spring Awakening (The Musical), with Book and Lyrics by Steven Sater, and Music by Duncan Sheik, based on the play by Frank Wedekind,...

Review: ‘Mrs. Miller Does Her Thing’ at Signature Theatre

With gentleness and clear affection for an unexpected heroine, Tony Award and Pulitzer Prize winner James Lapine has written and directed with a disarming...

Review: ‘Sunday in the Park with George’ at Ovations Theatre

How often are you torn between the demands of a profession and finding a satisfactory work/life balance? James Lapine’s book about George Seurat examines the...

Review: ‘Cirque du Soleil Toruk – The First Flight’ at Wells...

An original prequel based on James Cameron’s 2009 blockbuster film Avatar, Cirque du Soleil’s touring production of Toruk – The First Flight, now in...

Meet the Cast of Greenbelt Arts Center’s ‘The 25th Annual Putnam...

In part two of a series of interviews with the cast of Greenbelt Arts Center’s The 25th Annual Putnam County Spelling Bee, meet Rachel...

Review: ‘Linda’ at Manhattan Theatre Club

I don't know all the works of author Penelope Skinner, but based on The Village Bike and the currently running New York production of...

‘COME HEAR THE MUSIC PLAY:’ Memories of My Twenty Years as...

John Kander, Fred Ebb, and Richard Seff at a dinner honoring Harold Prince. Photo courtesy of Richard Seff. THE CURTAIN RISES. One of the properties for...

Review: ‘Bigoudi’ at Atlas Performing Arts Center

Is it just me or do the French have a way of taking the most mundane, everyday objects and making poetry out of them? Consider...