Tag: Maryland TheaTheatre Arts
Capital Fringe Review: ‘Apples and Oranges’ by Joel Markowitz
Everything comes in twos at Apples and Oranges, directed with heart by Tim Chamberlain. In what starts out to be an interesting Pinter-esque concept, Dana and Rex...
Capital Fringe Review: ‘R.U.R.’ (Rossum’s Universal Robots) by Grace Kim
Leave it up to humankind to dream up of ways to improve life only to find that improvement biting them in the ass. In R.U.R....
Capital Fringe Review: ‘Tell-Tale’ by Erica Laxson
Playwright Hunter Styles has created something truly special with Tell-Tale, a modern twist on Edgar Allan Poe’s classic short story. Directed by Carl Brandt...
Capital Fringe Review: ‘Madam Ambassador’ by Carolyn Kelemen
Madam Ambassador offers inside-the-beltway humor
It helps if you are a “political junkie” or, at least, up to date on our State Department appointments to fully...
Capital Fringe Review: ‘Carry a Big Stick’ by Erica Laxson
Carry a Big Stick produced by Bull Moose Theatre and written by playwright Paul Handy is a true political storytelling adventure. Delving into the...
Capital Fringe Review: ‘Mme. Macbeth’ by Anne Tsang
When you hear that a theater company is performing Shakespeare’s Macbeth, you probably think to yourself “Oh yea…I know Macbeth. How will this be...
Capital Fringe Review: ‘Recovery’ by Flora Scott
An estimated 291,521 people in the US are living with, or are in remission from, leukemia. An estimated 48,610 new cases of leukemia are...
Capital Fringe Review: ’21 King’ by Julia L. Exline
True Wit Productions presents 21 King, a disappointing drama written by Jessica Lloyd Krenek. Directed by Emily Jane Warheit, this production unfortunately failed to...
Capital Fringe Review: ‘The Black-Jew Dialogues’ by Leslie Weisman
“So different. So alike. Who knew?” Such is the premise of this smash hit show, which has played across not only across the country but across...
Capital Fringe Review: ‘Dementia Melodies: It Ain’t Over ‘Til It’s Over’...
Steve Little opens his one man show with a simple tale: An elderly man goes to the village shaman to complain of general aches...
Capital Fringe Review: “A Killing Game’ by Rick Westerkamp
dog & pony dc promises audiences that A Killing Game is "the most fun they'll have dying." I am here to tell you that they're not...
Capital Fringe Review: ‘La Voce to Me’ by Julia L. Exline
Did you know that Ursula was inspired by a real-life drag queen?
Pace Productions presents the enthralling drama La Voce to Me, a play that...
Capital Fringe Review: “How to be a Terrorist’ by Mariya Danilenko
How To Be A Terrorist is a one-man show starring Jimmy Grzelak, a registered Eagle Scout, who takes the audience through his personal stories...
Capital Fringe Review: ‘1814! The War of 1812 Rock Opera’ by...
1814! The War of 1812 Rock Opera
Music & Lyrics by David Dudley and Dave Israel
Book by David Dudley and David Israel
Additional Lyrics by Erik...
‘Pinot & Augustine’ at Happenstance Theater at Hylton Performing Arts Center...
The Golden Age of the Circus was from 1870-1950. During those years is when the Circus swelled into the largest show-biz industry in the...
Capital Fringe Festival Opens Tonight- 35 Shows I Must See
I have had the pleasure of speaking to and working with this year's Fringe producers, casts, playwrights, composers, lyricists, and designers for the past...
2013 Capital Fringe Show Preview ‘Double Freakquency’ by Liz Sykes
Double Freakquency is an interactive theater experience that uses wireless two-channel headphones enabling the audience to choose what they hear. All sound – dialogue,...
2013 Capital Fringe Show Preview: ‘Bayou Blues’ by Shaina Lynn
Growing up in New Orleans I’ve experienced a unique culture that can be foreign to the rest of America. How we eat, speak, and...
Nibbles And Sips Around Town: La Tasca Gets A Culinary Facelift...
Debuts and re-dos seem to be the thread of late. Restaurants in the DC Metro Area are opening and remixing at a astonishing rate...
‘Tartuffe’ at Annapolis Shakespeare Company by Amanda Gunther
Bodies are humorous! A fact well proven by Annapolis Shakespeare Company in their highly physical comedy being presented this summer. Playing on Tuesdays throughout...