Tag: review
Review: ‘Trevor’ at 1st Stage
Trevor, directed by Alex Levy and written by Nick Jones, at 1st Stage, is equal parts emotional and thought-provoking. With strong performances throughout, this...
Review: ‘Baby Screams Miracle’ at Woolly Mammoth Theatre Company
What does one say about a play that has a Superstorm as its protagonist?
With Clare Barron's Baby Screams Miracle, now showing at Woolly Mammoth Theatre...
Review: ‘Beautiful: The Carole King Musical’ at The Hippodrome Theatre
Little Carol Klein of Brooklyn, New York, did herself proud when she blossomed into songwriter Carole King. In 2013 her hit-parade of a life...
Spine: Consciousness, Conscience, and ‘The Hard Problem’ at The Studio Theatre
Tom Stoppard's The Hard Problem isn't so much about consciousness and the existence of subjectivity, "the hard problem" elucidated by contemporary Australian philosopher David...
Magic Time! ‘The Hard Problem’ at The Studio Theatre
I love when a play starts out as a fascinating head trip—a smart, high-concept exhilaration of ideas—then propels me headlong into an overwhelming flood...
In the Moment: The Studio Theatre’s ‘The Hard Problem’
Studio Theatre’s production of The Hard Problem by Tom Stoppard charmed me with its intellectual and ideological turmoil fueled by verbal fierceness.
With a shiny, contemporary...
Review: ‘The Tin Woman’ at Prince George’s Little Theatre
The Tin Woman, written by Sean Grennan, is based on a true story, and is Prince George’s Little Theatre’s winter production. The show is...
Review: ‘The Hard Problem’ at The Studio Theatre
No shrinking violet when it comes to exploring humanity’s most complex questions, playwright Tom Stoppard takes a deep dive into the frontiers of neuroscience,...
Review #2: The American Pops Orchestra Presents ‘Don’t Rain On My...
8-track tape: It's the only medium of Barbra Streisand recordings that I do not own. LP, cassette, VHS, CD, DVD, mp3, mp4 ... I...
Review: ‘Blackbird’ at Fells Point Corner Theatre
When Una, the 27 year-old British woman at the center of David Harrower’s startling and complex play Blackbird, tells a man named Ray, 15...
Review: ‘[gay] Cymbeline’ at Theatre Prometheus
Queering Shakespeare may be gilding the lily. And if so DC these days has seen quite a few such embellished flowers. Like, golden nosegays...
Review: ‘Loves and Hours’ at Laurel Mill Playhouse
Laurel Mill Playhouse offers up an ideal evening of theatre in Loves and Hours by Stephen Metcalfe and directed by Daniel Douek. This intriguing...
Review: ‘Image China: Confucius’ at The Kennedy Center
It seemed fitting somehow during a full moon, on Friday the thirteenth, to be attending Confucius on the eve of the Chinese Lunar New...
Review: ‘The Gabriels’ at the Kennedy Center
For those who are familiar with Richard Nelson's 4-play cycle, The Apple Family Plays, his The Gabriels: Election Year in the Life of One...
Review: Handel’s ‘Messiah’ by NSO at The Kennedy Center
Messiah is perhaps the best known of the German-born but London-settled composer George Frideric Handel. Profoundly religious, the three-part Oratorio moves from the prophecy of...
Review: ‘Camelot’ at Compass Rose Theater
Is all fair in love and war? As Compass Rose Theater’s production of Camelot shows, both can leave hearts broken. Produced and Directed by Lucinda...
Review: ‘Les Liaisons Dangereuses’ at Center Stage
“Love and revenge, two of your favorites.”
It’s the eve of the French Revolution and the crème of the French aristocracy – the “original one...
Review: The Capital Hearings at AMP by Strathmore
I came to review the venue as well as the performance so I need to share a bit about both. First of all AMP...
Review: ‘Seuls’ at The Wilma Theater
In the opening moments of Seuls, Wajdi Mouawad takes to the stage wearing only black briefs and eyeglasses. The purpose of the show we’re...
Review: ‘Seussical The Musical’ at Children’s Theatre of Annapolis
This production of Seussical, at the Children’s Theatre of Annapolis, brings the fun, whimsical world of Dr. Seuss to life. With music by Stephen...