Meet the Director and Cast of ‘All My Sons’ at Peace Mountain Theatre Company: Part 1: Director Laurie T. Freed

In Part 1 of a series of interviews with the Director and cast of Peace Mountain Theatre Company‘s production of Arthur Miller’s All My Sons, meet Director Laurie T. Freed.

Director Laurie T. Freed.
Director Laurie T. Freed.

Joel: Please introduce yourself and tell readers where they may have seen shows you directed on local stages.

Laurie: Hello! My name is Laurie T. Freed. I am the Artistic Director of Peace Mountain Theatre Company (PMTC) and am the director of Arthur Miller’s play, All My Sons.

I have directed throughout DC area theatres, including Imagination Stage, Adventure Theatre, Rockville Little Theatre, Silver Spring Stage, and the JCC of Northern Virginia. I hold a Master’s degree in Theatre and a Master’s degree in Drama Therapy. I have studied with the world-renowned director, Jose’ Quintero. I worked professionally in Los Angeles, CA before coming to the D.C. area and have been fortunate to receive many directing and acting awards, both on the east and west coasts.

I began working in theatre as a stage actress. Some of my most memorable performances were as Tuptim in The King and I; Bananas in The House of Blue Leaves [in which I was presented with the Los Angeles Critic’s Dramalogue award]; The Beggar Woman in Sweeny Todd and many, many more productions. Other significant directing credits include, An Inspector Calls, The Glass Menagerie, Seascape, Three Tall Women, A Delicate Balance, Diary of Anne Frank, Of Mice and Men, and Enchanted April just to name of few.

11230657_1069639846387374_937310585667956310_nPeace Mountain Theatre Company (PMTC) was formed in 2014. We are a resident theatre company of Congregation Har Shalom in Potomac, MD. Last year we produced Collected Stories by Donald Margulies. PMTC’s goal is to bring its theatre audiences relevant, timely, and thought provoking theatre.

What made you want to direct All My Sons?

I first encountered Arthur Miller when I was a student in high school. Those of us in an advanced English class were given the privilege of taking a college course in theatre conducted by a University of Minnesota professor. One of the plays assigned was Death of a Salesman. This play resonated loud and strong in my 17 year old heart. I saw my father in Willy Loman and my mother in Linda Loman. I knew what it felt like for a family to have dreams crushed at every turn. This play has stuck with me my entire life, and I was fortunate to play Linda Loman many years later in a professional production in Los Angeles.

You could say Miller became my hero. For me he seems to be the standard all other playwright must come up to. I don’t care if the play is a comedy or tragedy, it has to say something, mean something, and make me think and feel. Although I had lectured on Miller and his plays for my college and high school students, and played Linda Loman in Death of a Salesman, I never had the opportunity to direct a Miller play. The chance to direct All My Sons is an honor and one which I do not take likely.

When PMTC’s play selection committee met, we read a variety of plays, all of them extraordinary and worthy of production. But, when we read All My Sons, the guesswork was over and we knew we had our play. Miller speaks to the common man. He is able to explain their desires, their needs, their joy and their heartache. Although he did not see himself as an “emotional” writer, his characters are able to express emotions that all of us can identify. Politically, Miller speaks about man’s responsibilities to society as well as himself. Which leads me to your third question.

Tell us about the play.

All My Sons deals with a man, Joe Keller, who owns a munitions factory during World War II. We discover in the play that Keller gave the okay to send the Army airplane parts that were damaged. It is with this realization, of Keller’s action, that Miller weaves a story of profound importance and asks us questions. What responsibilities does Keller have to himself, his family and society, after such an action? What should be the consequence of such a behavior? What are the ethics that such a man lives by?

These are not questions of bygone days. Every political question we hear about today, be it national or international, deals with the ethical question, “Am I my brother’s keeper? And, if not me, than who? ” Be it financial fraud or mass genocide, Miller’s All My Sons speaks to issues that we hear and read about on a daily basis.

Why direct it at this point in time?

All My Sons is a complete play. The characters are your neighbors and your relatives. The story is reported on today’s television and on the internet. The play’s structure is tight, beautifully crafted, leading to a devastating end. All My Sons is relevant to every single person on this earth. It strikes hard into your innermost beliefs, aspirations and actions. It exposes the devastation that can come, on both a small and grand scale, when one fails to make the correct decision.

Bill Hurbut (Joe Keller) and Jeffrey Sampson (Bert) in rehearsal. Photo courtesy of Peace Mountain Theatre Company.
Bill Hurlbut (Joe Keller) and Jeffrey Sampson (Bert) in rehearsal. Photo courtesy of Peace Mountain Theatre Company.

What stands out most to you about All My Sons?

Miller strongly expresses his belief that we all have a responsibility to our society, and the consequence for not fulfilling this responsibility is dire, affecting society as a whole as well as one’s family and self. I would like our audiences to become aware of this statement and its strong relevance to today’s world happenings.

Needless to say, I also want this to be an entertaining and engrossing night at the theatre. I love it when audiences walk out of the theatre talking and indeed arguing over the play’s ideas. That to me is what theatre is all about; to generate discussion and turn one’s emotions inside-out.

What do you want audiences to take away with them after seeing All My Sons?

One interesting tidbit for your readers is that the 100th anniversary of Arthur Miller’s birth will occur in October. Everyone associated with PMTC believes Miller’s karma is with us as we produce All My Sons this October and celebrate his birthday.

DCMTABannerPMTC

All My Sons plays from Peace Mountain Theatre Company performing at Congregation Har Shalom – 11510 Falls Road, in Potomac, MD. For tickets, call (301) 299-7087, or purchase them online.

LINKS
Meet the Director and Cast of ‘All My Sons’ at Peace Mountain Theatre Company: Part 1: Director Laurie T. Freed.

Meet the Director and Cast of ‘All My Sons’ at Peace Mountain Theatre Company: Part 2: Elyon Topolosky.

Meet the Director and Cast of ‘All My Sons’ at Peace Mountain Theatre Company: Part 3: Chris Daileader.

Meet the Director and Cast of ‘All My Sons’ at Peace Mountain Theatre Company: Part 4: Michael Sigler.

Meet the Director and Cast of ‘All My Sons’ at Peace Mountain Theatre Company: Part 5: Natalie McManus.

Meet the Director and Cast of ‘All My Sons’ at Peace Mountain Theatre Company: Part 6: Julie Janson.

Meet the Director and Cast of ‘All My Sons’ at Peace Mountain Theatre Company: Part 7: Charlene Sloan.

Meet the Director and Cast of ‘All My Sons’ at Peace Mountain Theatre Company: Part 8: Bill Hurlbut.

Meet the Director and Cast of ‘All My Sons’ at Peace Mountain Theatre Company: Part 9: Leah Mazade.

Meet the Director and Cast of ‘All My Sons’ at Peace Mountain Theatre Company: Part 10: Dave Dieudonne.

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Next articleAn Interview with ‘One in the Chamber’ Cast Members Danielle Bourgeois, Grace Doughty, and Liz Osborn
Joel Markowitz
Joel Markowitz is the Publisher and Editor of DCMetroTheaterArts. He founded the site with his brother Bruce to help promote the vast riches of theatre and the arts in the DC Metro area that includes Maryland, Virginia, and DC theater and music venues, universities, schools, Children's theaters, professional, and community theatres. Joel is an advocate for promoting the 'stars of the future' in his popular 'Scene Stealers' articles. He wrote a column for 5 years called ‘Theatre Schmooze’ and recorded podcast interviews for DC Theatre Scene. His work can also be seen and read on BroadwayStars. Joel also wrote a monthly preview of what was about to open in DC area theatres for BroadwayWorld. He is an avid film and theater goer, and a suffering Buffalo Bills and Sabres fan. Joel was a regular guest on 'The Lunch and Judy Show' radio program starring Judy Stadt in NYC. Joel founded The Ushers Theatre Going Group in the DC area in 1990, which had a 25-year run when it took its final curtain call last year. Joel is a proud member of The American Critics Association.

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