Behind the scenes of Theatre Week with Amy Austin
The CEO and president of Theatre Washington puts in context the service organization's seventh annual launch of the theater season. By JULIAN OQUENDO
Signature Theatre’s ‘Soft Power’ and the sucker-punch Asian American musical
If Asian Americans didn’t turn our pain into entertainment, would our stories be told at all? Maybe we need to sing and dance to matter. Essay by NATHAN PUGH
Jellicle Ballroom ‘Cats’ at PAC NYC sings same tunes with new...
The joyful Perelman Performing Arts Center production has reset the standard for revivals and reinterpretations. By ALEXANDRA BOWMAN
On community and collective care: An interview with Peggy McKowen
The artistic director of the Contemporary American Theater Festival in Shepherdstown, West Virginia, shares her vision and values. By DERYL DAVIS
An Estonian clown walks into Woolly Mammoth and … ‘ha ha...
Julia Masli talks about her award-winning show making its regional debut. By RAVELLE BRICKMAN
2024 Capital Fringe Preview: Bestseller ‘The Body Show’ is back
The 2022 debut proved that people want to hear others’ body stories. By MIKALA JAMISON
John Jarboe on her gender journey in ‘Rose: You Are Who...
'Theater should be genderful,' she says. 'Theater should be exposing you to the galaxy that is gender.' By JOHN STOLTENBERG
WIT’s Mark Chalfant has a brilliant idea: Improv can combat loneliness
In a city plagued by social isolation, the head of Washington Improv Theater makes the case for improv as a catalyst for connection. By MARK CHALFANT
From SpongeBob to serial killer: Kyle Dalsimer on his role in...
The Helen Hayes Award–winning actor shares how he prepares. By JULIAN OQUENDO
‘The best show I’ve done’: Choreographer Tony Thomas on the hit...
'People, Black and white, love the sight and sound of actors moving and dancing and projecting energy as they tell the story.' By RAVELLE BRICKMAN
Playwright Rachel Lynett on women of color in power and her...
The Yale Drama Series Award winner shares the origin stories of two premieres coming from Voices Festival Productions. By DEBBIE MINTER JACKSON
Timothy Nelson on his father’s return from the Vietnam War: ‘It...
The director and conductor shares the personal origin of IN Series' new opera, 'The Return of Ulysses – Song of My Father.' By TIMOTHY NELSON
Creating the illusion of water in Folger Theatre’s all-Black ‘Metamorphoses’
Director Psalmayene 24 and choreographer Tony Thomas share how they staged Mary Zimmerman’s award-winning adaptation of ancient myths. By RAVELLE BRICKMAN
‘Go into every experience with joy and excitement’: Victoria Gomez on...
The Catholic University grad recently seen at Ford's in 'Little Shop of Horrors' enthuses about her career so far and her next gig at The Anthem. By ANDREA PEDEMONTE
The show goes on, but where? Theater Alliance searches for a...
Following 2022’s change in leadership at the Playhouse, a January eviction notice, and $40,000 in previously unpaid rent, the once symbiotic relationship between the two theater nonprofits has crumbled. By NICOLE HERTVIK and SARAH MARLOFF
Reflecting on his years as a critic, Peter Marks asks, ‘What...
In advance of his Helen Hayes tribute on May 20, an invigorating conversation about theater and theater criticism and what he wants to do next. By JOHN STOLTENBERG
Jonathan McCrory on ‘The Gathering: A Collective Sonic Ring Shout,’ a...
The unconventional concert at the Kennedy Center on June 1 will culminate a week of events featuring the Black experience. By WILLIAM POWELL
Phillip Howze on how he wrote his biting satire ‘Frontiéres Sans...
The playwright talks about the artistic process that led to his 'burlesque intended for the talents of artists of color' now playing at Spooky Action. By DERYL DAVIS
Michael Russotto on his gay burlesque character in ‘The Nance’ at...
The veteran actor goes deep into the role and the repressive era of the play. By ERIC COLCHAMIRO
Nehal Joshi on his hilarious vaudevillian romp in ‘Unknown Soldier’
In his seventh role at Arena Stage, the actor plays a Doctor who treats an amnesiac soldier and has a memorably weird song-and-dance number. By IAN KIRKAND