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Review #2: ‘The Father’ at The Studio Theatre

It’s taken five years for The Father—the highly-acclaimed drama by Florian Zeller that shook Paris in 2012—to arrive in the Washington area. But now that...

Report: ‘The 33rd Annual Helen Hayes Awards’ at the Lincoln Theatre

The glammed-up, black tie crowd began arriving at the historic Lincoln Theatre in U Street, NW, 90 minutes before show time. Most of the...

Review: ‘Timon of Athens’ at Folger Theatre

Undone by his own goodness? Ha! That is not what I took away as director Robert Richmond succeeded masterfully with his contemporary, blasting grenade...

Here Are The Recipients of the 2017 Helen Hayes Awards

Here are the 2017 Helen Hayes Recipients in RED. __ Outstanding Choreography, Musical-Hayes Christopher d'Amboise, Evita, Olney Theatre Center Kelly Devine, Come From Away, Ford's Theatre Parker Esse, Carousel,...

Review: ‘The Father’ at The Studio Theatre

Some plays are more difficult to watch than others; some plays activate your imagination and pull you into their stories whole-body: those plays pull...

Who’s in Town?: Morgan James Performing at the Hamilton, Thursday, May...

Morgan James has one versatile voice. It is a voice that that can slip effortlessly from light lyric coloratura to Broadway belting, to Soul singing....

Review: ‘The Man Who’ at Spooky Action Theater

Curious questions tease the brain during this peculiarly provocative production. One is: Is this theater? Another is: What are we to make of it? The...

Review: ‘The Hunchback of Notre Dame’ at Synetic Theater

Haunting is the word that quickly came to mind as I sat, mesmerized, rediscovering a classic of literature I thought I knew from reading...

The 2017 Helen Hayes Awards Recipients to be Announced Tonight

Nominations for the 2017 Helen Hayes Awards Outstanding Choreography, Musical-Hayes Christopher d’Amboise, “Evita,” Olney Theatre Center Kelly Devine, “Come From Away,” Ford’s Theatre Parker Esse, “Carousel,” Arena Stage Jared...

Review: ‘The Glass Menagerie’ at Parlor Room Theater

Tennessee Williams' The Glass Menagerie is an American theater classic. At its center a story about a shattered family, the show is timeless in...

Magic Time!: ‘Outside Mullingar’ at The Keegan Theatre

How does a play that starts out about real estate for gosh sake—adjacent farms in rural Ireland—become a heart-wrenching story of adjacent lost souls...

Report: The 2017 ‘Kennedy Center Arts Summit’

Two-hundred and fifty artist citizens, teachers, members of arts non-profits, business executives, scientists and technologists from around the world, came together for a full...

Review: ‘Protest’ at Alliance for New Music-Theatre

DC site-specific theater of resistance reached a new height last night—also a new low—as Alliance for New Music-Theatre's arresting staging of Václav Havel's Protest...

Review #1: ‘Outside Mullingar’ at The Keegan Theatre

Theatre-lovers searching for a sequel to Doubt—John Patrick Shanley’s prize-winning (and frequently revived) play about nuns and priests in an Irish-American enclave of New...

Review: ‘Come Together:  A Celebration of John Lennon’ at The Kennedy Center

At a time when we can only imagine a world without walls of division and exclusion, the Annual Kennedy Center’s Spring Gala concert, Come...

Dangereuse: ‘A Macbeth for the 21st Century’ at Shakespeare Theatre Company

Samuel Taylor Coleridge said that seeing Edmund Kean play Shakespeare was like “reading Shakespeare by flashes of lightning.” Acclaimed Director Liesl Tommy brings us...

Review: ‘The Arabian Nights’ at Constellation Theatre Company

One Thousand and One Nights, the collection of classic Islamic tales upon which Mary Zimmerman built The Arabian Nights, now playing at Constellation Theatre...

Review: ‘Madame Butterfly’ at The Kennedy Center

Gorgeous, ravishing arias by the legendary Puccini, an ethereally beautiful performance by Soprano Ermonela Jaho as Cio-Cio San (Butterfly), and an exceptionally ingenious concept...

Report: CityDance’s 2017 DREAMscape Benefit Gala

Moments into a dimmed house at the historic Lincoln Theatre, an off-stage voice over a loudspeaker made a promise to a buzzing audience: “We’re...

Review: ‘Laura Bush Killed a Guy’ at The Klunch

I didn't know that Laura Bush had killed a guy. It really had never crossed my mind. Well, after seeing Ian Allen's Laura Bush Killed a...