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Review: ‘The Color Purple’ at the Forrest Theatre

It may take place in rural Georgia circa 1909, but because of today’s headlines about the mistreatment of women, The Color Purple is more...

Review: ‘From the Diary of Sally Hemings’ at Unison Media

The New York premiere of William Bolcom’s composition, From the Diary of Sally Hemings, could not be more timely. With so much news focused...

Review: ‘Pioneers of Avant-Garde Piano’ at The Barnes Foundation

The Barnes Foundation presented an unusual recital of avant-garde music composed by Henry Cowell, John Cage and George Crumb. These three giants of experimentation...

Review: ‘A Night with Janis Joplin’ at McCarter Theatre Center

Janis Joplin was a true original. But as the musical/tribute concert A Night with Janis Joplin proves, she didn’t just come out of nowhere. Joplin became...

Fringe Encore Series 2017 Review: ‘6 Guitars’ at SoHo Playhouse

Despite the hiatus of FringeNYC in 2017, SoHo Playhouse is presenting a full line-up for its 12th annual Fringe Encore Series in September and...

Review: ‘Always… Patsy Cline’ at The Media Theatre

Anyone who has ever felt any heartfelt connection to another can hear a legendary Patsy Cline song and say “Oh yes, been there, seen,...

Review #2: ‘Caroline, Or Change’ at Round House Theatre

Caroline, or Change, now playing at Bethesda’s Round House Theatre, is a musical clarion call for change at all levels. Whether it is personal...

Review #1: ‘Caroline, Or Change’ at Round House Theatre

Round House Theatre continues to shine a spotlight on the works of Tony Kushner (Angels in America) as it explores life’s complexity through its...

In the Moment: ‘Jelly’s Last Jam’ at Signature Theatre

What a way to blast open the new theater season. So take your seat at Signature’s bold, daring, muscular production of a tale about...

Review: ‘Jelly’s Last Jam’ at Signature Theatre

The early days of American jazz come fully back to life in Signature Theatre’s Jelly’s Last Jam. But if the notion of spending two hours...

Review: Bob Dylan at Wolf Trap With Mavis Staples

Bob Dylan and the balmy air of the Mid-Atlantic summer: the folksy voice of an era and the backwoods feel of Wolf Trap seem...

Review: ‘Caroline, or Change’ at Creative Cauldron

Creative Cauldron presents the Tony Award-winning Caroline, or Change, with book and lyrics by Tony Kushner and music by Jeanine Tesori. Director Matt Conner...

Review: ‘Lost in the Stars’ at Washington National Opera #2

One of the most powerful musical dramas of the 20th century has just opened at The Kennedy Center, home of the Washington National Opera, for...

Review: ‘Lost in the Stars’ at Washington National Opera

In the scorching, emotional and honest opera of man in search of redemption, the opera--Lost in the Stars, now playing as part of the Washington...

In the Moment: An Interview With the Creative Team of MetroStage’s...

Shake Loose, the new musical bound for Alexandria’s MetroStage, aims to bear witness to a swirling whirlwind century of events in the lives African...

Interview with Musician John Lee of The Electric Trio, Playing Monday...

I met John Lee after a set at Tryst Café. His band The Electric Trio is phenomenal. I especially appreciated their jazz cover of...

‘Once Upon a Mattress’ at Prince George’s Little Theatre

Prince George’s Little Theatre's production of Once Upon a Mattress is a playful, musical comedy for all generations. With music by Mary Rodgers, lyrics by...

Rosanne Cash: The River & The Thread at Strathmore

The smoky, soulful singer knows how to make an entrance and how to keep an audience mesmerized. Rosanne Cash played at The Music Center at...

‘Seven Guitars’ at No Rules Theatre Company

Under the affecting direction of Michele Shay, No Rules Theatre Company's production of August Wilson's Seven Guitars raises an intimate, open-eyed  awareness of lives without long-term satisfaction,...

‘The Nighthawks’ and the ‘Kelly Bell Band’ at Bethesda Blues and...

Of course The Nighthawks lived up to their reputation as “the quintessential bar band.”Forty plus years in, DC native Mark Wenner only gets better...