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Capital Fringe Review: ‘Sesquicentennial – The Civil War Remembered’ with “Country...

In this 150th anniversary of the end of the Civil War, Washington, D.C., is lucky to have storyteller "Country Joe" Rosier create living histories...

Capital Fringe Review: ‘The Chronic Singles Handbook’ by Jessica Vaughan

Writer and performer Randy Ross got laid off and went around the world, came back and wrote a book about it, and now takes...

Capital Fringe Review: ‘RFK’ by John Stoltenberg

RFK is a triumph. A Capital Fringe production from Philadelphia’s New City Stage, it’s a powerfully moving flashback for anyone who remembers Robert F. Kennedy’s life and times, and...

‘The Second City: America All Better!!’ at Woolly Mammoth Theatre Company...

America: land of substances. Land of stereotypes and instant gratification. Land of problems. Land of racism, with inequality and injustice for all. But it’s...

Capital Fringe Review: ‘They Call Me Q!’ by Carolyn Kelemen

Qurrat Ann Kadwani is a tour-de-force in her one-woman show It’s got to be tough to do a solo show, opening night at 10 p.m....

‘The No Rules Show’ at No Rules Theatre Company at Signature...

The No Rules Show feels more intimate like a Saturday night in Joshua Morgan’s living room than late night talk show…and that’s a good...

Capital Fringe Review: ‘Apotheosis’ by Christina Frank

Avalanche Theatre Company is on a mission to uncover the lurid and murky parts of the human experience, through a series of vignettes on...

Advance Purchase Opportunity To Purchase Tickets to ‘If/Then’ at The National...

DCMetroTheaterArts Readers: This is a Unique Advance Purchase Opportunity To Purchase Tickets to  If/Then  At The National Theatre World Premiere of a pre-Broadway Musical November 5 - December 8, 2013 At...

Ranting with Cyle: Chatting with Eric Tipler on His Musical ‘One...

There are certain shows that hit you with a sledgehammer (Rent) to get their point across. There are others that cut you slowly and...

Capital Fringe Review: ‘BenchMARKS’ by Marlene Hall

BenchMARKS produced by Project E/C, written by Melanie Fiona Bevell-Jackson, and directed by Colleen Theresa Brown "is dialogue and flashback vignettes that provide a...

Contemporary American Theater Festival Review: ‘Scott and Hem Imagines Private Lives...

Mark St. Germain’s new play Scott and Hem in the Garden of Allah, which was commissioned by The Contemporary American Theater Festival, is the...

Jill Scott at Wolf Trap by Audrey Thornton

  Three-time Grammy Award-winning R&B singer, poet, and actress, Jill Scott appeared at Wolf Trap’s Filene Center on July 15, 2013. Greeted by Washington’s humid...

Ian Anderson at Wolf Trap by Erica Laxson

Wolf Trap is known for hosting some of the best musicians of all time and last night was no exception. Professional wizard of the flute,...

Capital Fringe Review: ‘Jonah Dove’ by JR Russ

Jonah Dove is a show roughly based on the Biblical Jonah story. Written by Jason Ford, it tells the tale of a man who...

Capital Fringe Review: ‘& Afterwards’ by JR Russ

& Afterwards, a solo performance by Kevin Boggs and directed by Amy Couchoud, tells the story of a country boy who makes a new...

Capital Fringe Review: ‘Impossible to Translate, but I’ll try: True-life Israeli...

Impossible to Translate, but I’ll try: True-life Israeli Stories, a solo performance by Noa Baum is a storytelling gem. The show is a series...

Capital Fringe Review: ‘Tragedy Averted’ by Julia L. Exline

Ad Hoc Players presents Tragedy Averted, an exceptionally creative comedic piece written by Alexandra Petri and directed by Joan Cummins. Smart, pithy dialogue combined...

Capital Fringe Review: ‘The Afflicted’ by Andrew L. Baughman

The Wandering Theatre Company’s movement/dance-infused ensemble piece The Afflicted follows a Writer’s (Joelle Golda) process to compile research about the girls who ignited the...

Capital Fringe Review: ‘MOTHS’ by Justin Schneider

I'm going to go out on a limb and say that MOTHS is the most challenging piece of theater currently playing in this year's...

Capital Fringe Review: ‘WIGGERLOVER [whiteboy+blackdad=greyareas]’ by Max Johnson

With a title as convoluted as WIGGERLOVER , one might be surprised by the straightforwardness James Anthony Zoccoli’s one man show.  Despite the...